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Pop Rock Nation

Tag: Jack Johnson

  • Chart Chat 6/10/09: The GrooGrux King is On the Throne

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    It’s a good week to be Dave Matthews. His band’s album “Big Whiskey & the GrooGrux King” makes a grand entrance at the top of the Billboard charts this week. DMB scores the 3rd biggest first week of the year (behind Eminem and U2), with over 424,000 folks picking the album up last week. It’s DMB’s fifth consecutive album to debut at #1 on the charts. Interesting to note that the three biggest sales weeks of the year have come from veterans, all with over 10 years in the industry. Are newer artists just not coming with good music, or is there just a different concept of fan loyalty with the newer generation?

    It’s a pretty big week for debuts, with 311’s new “Uplifter” coming in at #3, the supergroup Chickenfoot at #6, and the new one from Taking Back Sunday right behind at #7. Rancid’s return to the indie label world nets them a #11 debut, Elvis Costello pops in at #13, and Mitchel Musso (I don’t know who he is, but I guess I’ll find out) enters at #19.

    At this time last year, only one album had crossed the million-selling threshold (Jack Johnson’s “Sleep Through the Static”). In what must be good news for the ailing indistry, two albums have passed the million mark so far (Taylor Swift & the “Hannah Montana” movie soundtrack), and Eminem will jump past the million-sold mark next week.

    Speaking of Slim Shady, his much discussed incident with Sasha Baron Cohen wasn’t the only highlight of the MTV Movie Awards. Kings of Leon’s performance catapults them from #15 to #12 on a 50% increase in sales. This is the highest chart position yet for “Only by the Night”, which is already the band’s best selling album. Multiple award winner “Twilight”‘s soundtrack also shows some life, jumping two places to #15 on a 19% increase.

    Kings of Leon have the third biggest increase of the week, following singer-songwriter Matt Nathanson (with a 69% increase) and British soul singer James Morrison, whose sales jump a whopping 232% to send him back onto the chart for the first time in a couple of months.

    Is it too early to consider Green Day’s “21st Century Breakdown” a flop? I mean, in this day and age any album that crosses Gold territory in four weeks can’t be a total failure, but I think the general consensus is that better sales out of the gate were expected following the success of “American Idiot”. New single “21 Guns” is right in the pocket of pop and rock radio, so I wouldn’t count these guys out yet.

  • Chart Chat 4/30/09: Seriously, Rick Ross???

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    If you’ve been following our Twitter page lately, you’ve noticed that I’ve been wondering who the hell buys Rick Ross albums. ‘Cause I know folks who like all kinds of music, and not one person I talk to on a regular basis will admit to owning one of the dude’s records. But someone’s buying ’em right? For the third consecutive album, Rick Ross has debuted at #1 on the Billboard Album chart. “Deeper Than Rap” opens with 158,000 units, significantly ahead of the “Hannah Montana” soundtrack, which is #2 with 104K.

    If you are a Rick Ross fan, please step to the plate and let us know why you buy his records. Seriously. I won’t even laugh at you or question your musical taste in public.

    Then again, maybe he just has a lot of buddies at the corrections facility he was working in.
    There are two other debuts in the Top 10 this week. Depeche Mode is one of those bands that just never goes out of style (not to mention the fact that they should be in the R&R Hall of Fame), and they take the #3 spot on this week’s chart with “Sounds of the Universe”. Meanwhile, suburban rapper Asher Roth enters at #5 with “Asleep in the Bread Aisle”, an album that features my current guilty pleasure, “I Love College”.

    The Top 200’s biggest percentage increase this week goes to Jack Johnson, whose year old “Sleep Through the Static” moves to #170 on a 53% increase. Not far behind him is “Dancing with the Stars” performer Robin Thicke, whose “Something Else” jumps over the 400K mark on a 48% increase down at #180. The biggest drop comes from alt-rock band Silversun Pickups, who slide 7-33 on a 68% decrease to 14,000 units.

    Next week, it’s all but given that Bob Dylan will debut at the top of the charts for the second consecutive time. Better him than Rick Ross. And that will lead to a very interesting May, during which Eminem and Green Day will challenge U2 for the year’s biggest first-week total. Stay tuned!

    This week’s Top 20 Albums:

    1) “Deeper Than Rap” Rick Ross

    2) “Hannah Montana Soundtrack” Various Artists

    3) “Sounds of the Universe” Depeche Mode

    4) “Unstoppable” Rascal Flatts

    5) “Asleep in the Bread Aisle” Asher Roth

    6) “Twilight Soundtrack” Various Artists

    7) “The Fame” Lady GaGa

    8) “Forever in a Day” Day26

    9) “Now That’s What I Call Music 30” Various Artists

    10) “Last Kiss” Jadakiss

    11) “Fearless” Taylor Swift

    12) “Wide Open” Jason Aldean

    13) “Dark Horse” Nickelback

    14) “In a Perfect World…” Keri Hilson

    15) “Only by the Night” Kings of Leon

    16) “Shallow Life” Lacuna Coil

    17) “Defying Gravity” Keith Urban

    18) “Quiet Nights” Diana Krall

    19) “Lotusflow3r/MPLSound/Elix3r” Prince/Bria Valente

    20) “I Am…Sasha Fierce” Beyonce

  • The Sunday Seven 12/21/08: Stop Trippin’

    Thanks to my buddies Kyle and Paul for the guest columns they provided for the past two weeks. I’m back like spinal cords, however, taking you on another tour through my music collection. It’s keeping me from watching my Giants play, but considering the score right now, that’s OK. Here’s what we get when we shuffle:

    Track 1: “Hip Hop” by Mos Def (from “Black on Both Sides”, 1999)

    Damn, what happened to Mos Def? He’s a legitimate triple threat as a singer, rapper and an actor, but he’s wasted his talent lately on half-baked albums (remember “Tru3 Magic”, the album that was released without a cover?) and mediocre movies (“Be Kind Rewind”). He’s got a new album scheduled for release next year. Hopefully, it’ll bring back the Mos we knew and loved, before the baby mama drama and the punching out photographies.

    Track 2: “Dr. Heckyll & Mr Jive” by Men at Work (from “Cargo”, 1983)

    Um…if you check yesterday’s posts, you’ll see that I just talked about Men at Work yesterday. This is an interesting little kowinkydink. When I was a kid, I loved this song. I’m honestly not sure I’ve given it a full listen since I was 7, though. Still a pretty good song. And it has a video. Wanna see it? I thought you’d never ask.

    I’ll drag up a Police comparison once again and say while the Po-Po made better records, MAW made better videos.

    Track 3: “Crack (demo)” by Run-DMC (from “Tougher Than Leather-Expanded Edition”, originally released 1988)

    Remember back in the days when everyone had to do an anti-drug song? This was obviously before selling drugs became cool in hip-hop circles. This song is typical Run-DMC back and forth, but the most intriguing thing about “Crack” is the rumor that the song was supposed to be recorded with Michael Jackson, but Run, DMC and Jay found Mike weird and couldn’t relate. You don’t say, guys.

    Track 4: “Why You Wanna Trip on Me” by Michael Jackson (from “Dangerous”, 1991)

    I swear to you this was totally coincidental. This song was track 2 on “Dangerous” and finds the KOP bitching out the press for focusing on his…uh, pecularities while there are more urgent issues going on in the world. The man had a point. This was at the beginning of MJ’s new jack swing stage and stands as one of the better tracks on “Dangerous”, featuring a thumping beat and those signature MJ harmonies.

    Track 5: “Flake” by Jack Johnson (from “Brushfire Fairytales”, 2002)

    This is one of only a handful of tracks I’ve been able to tolerate Ben Harper on. For some reason, I’ve always thought of him as a poor man’s Lenny Kravitz and I just can’t get into him. This is also the song that introduced me (and most people) to Jack Johnson. I could definitely use anything that reminds me of summer now that I’m buried under 6970989 inches of snow in Massachusetts.

    (and I’ll completely ignore the fact that the song is called “Flake”).

    Track 6: “Bleeders” by The Wallflowers (from “Bringing Down the Horse”, 1996)

    I will say this and watch any musical integrity I ever had completely evaporate: I enjoy hearing Jakob Dylan sing more than I enjoy hearing Bob Dylan sing. That said, I wish Jakob would come up with material as consistently well-written as his dad has. “Bringing Down the Horse” remains The Wallflowers’ only essential album. “Bleeders” sounds kinda like old-school Springsteen as sung by Tom Petty. It’s probably the best of the set’s non-singles. Now I feel bad for completely ignoring Dylan’s solo album from earlier this year. Has anyone heard it? Is it any good?

    Track 7: “Reasons” by Earth, Wind & Fire (from “That’s the Way of the World”, 1975)

    This is one of EW&F’s most memorable songs, despite the fact that I don’t think it was ever released as a single. I think I may have mentioned “Reasons” in a Falsettometer article a while back, and the high notes Philip Bailey hits on this song are pretty awesome. Even more awesome is the fact that Bailey can probably still hit the majority of those notes. Pretty amazing stuff. Here’s some old concert footage. The man is bad ass.

    On that note, I bid you all a very smooth good night. If anyone wants to fill in next week, please let me know!!