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Irish balladeer extraordinaire, Christy Moore, and the power of mix tapes!

I first found Christy Moore in 1996, when a friend sent me a mix tape…

Remember mix tapes? I grew up with them. Okay, actually I grew up taping songs off the radio, but sometime in college, I was introduced to the mix tape phenomenon when I worked at a summer camp. A British friend of mine made me my very first mix tape with some excellent songs on it by artists I had never heard of prior to listening. A few years later, I was in Armenia as a Peace Corps Volunteer and another friend from Belfast, Northern Ireland, sent me a mix tape. The tape he made had all British or Irish artists on it, some of whom with which I was already familiar. But there was one song on that tape that ended up turning me into a Christy Moore fan.

Who is Christy Moore?

Christopher Andrew “Christy” Moore was born on May 7, 1945 in Newbridge, County Kildare, Ireland. He is an Irish folk singer, song writer, and guitarist who has been playing music for a living since the mid 1960s. Originally, Moore worked at a bank and played music for fun, but when there was a strike in 1966, he went to England and had a great time. He realized he liked playing music better than working in a bank with a manager standing over him all the time. Trading in his bank job for a job as a laborer, Moore began frequenting pubs and clubs in Ireland, where he met and began playing music with other musicians. In 1972, Moore released his first major album, Prosperous, which he named after the village Prosperous in County Kildare. He formed a band which was originally known as CLAD, but was eventually renamed Planxty. Moore played with the band until 1975, then embarked on a solo career.

The first Christy Moore song I ever heard…

In 1996, I was hungry for good music. In Armenia, there were a lot of vendors selling bootleg albums on cassette. I had a good time blowing some of my monthly allowance on music, though I was somewhat limited in what I could find. I mean, there was no shortage of mainstream American pop– especially Michael Jackson, because the Armenians were nuts about him– and it was easy to find Russian and Armenian pop, as well as “rabiz” music. But I would have never in a million years found Christy Moore in Armenia had my Irish friend not sent me a tape.

I remember listening to that tape on my Walkman as I walked the long way back to my apartment after picking up my mail at the Peace Corps office. Christy Moore’s gentle baritone sang a cover of a song originally recorded by The Pogues, “Fairytale of New York”…

I enjoyed the way Christy Moore sang this song, introducing it with his lilting Irish accent. Every time I hear his version of “Fairytale of New York”, I’m reminded of that day in Armenia and how hopeful and exciting it was to be in my mid 20s and living abroad. Of course, I had many tough years ahead of me, but I didn’t know that at the time. This song still makes me smile.

Years after I returned to the United States, I sought out Christy Moore’s music. I specifically wanted the album that had his live version of “Fairytale of New York” on it. I found an imported album on Amazon.com, Live At The Point. It was expensive when I bought it, but I see now that it’s dropped in price to less than half of what I paid for it. I loved the disc and later purchased another live album by Moore, Live At Vicar Street. That album had a fun Moore original, “Lisdoonvarna”.

I liked it so much that I started wishing I could see this man play live. Maybe someday we’ll make it to Ireland. For now, I have to settle for the other albums I’ve purchased by him, to include 2009′s Listen and 2011′s Folk Tale. I recently reviewed both of those albums and realized what a great storyteller Moore is with his songs, some of which he covers and some of which he writes himself. Listening to Moore’s music forces me to learn some Irish, too… or at least some Irish slang, since his lyrics sometimes include words I’ve not been exposed to here in America. His songs are also often about Irish affairs, which again I have to familiarize myself with since, not being from Ireland, I wouldn’t necessarily know about them.

My husband, Bill, is of Irish ancestry and is very interested in world events. One time I was listening to Christy Moore and he sang a song written by Bobby Sands, an Irish volunteer of the Provisional Irish Republican Army and member of British Parliament. Sands was just 27 years old when he died of a hunger strike in 1981 while incarcerated in an Irish prison hospital. I was nine years old in 1981 and had never been exposed to Sands’ story, so I didn’t know anything about him. Bill gave me the scoop as we listened to Sands’ song, “McIlhatton” as interpreted by Christy Moore…

I love it when I learn new things through music, especially when I can share it with people I love. Other songs by Christy Moore led to more learning about Ireland and Irish people and further fueled my desire to make it to Ireland someday. I want to see the origin of my husband’s people.

And to think my devotion to Christy Moore’s music started with a humble mix tape. Maybe it’s time we revisited that particular fad… with updated technology, of course!




List Price: $12.98 USD
New From: $4.67 In Stock
Used from: $3.48 In Stock
Release date September 19, 1994.

Thank you, Stephen Bennett…

Stephen Bennett helped me make it through many a dinner shift…

Did you ever have a job that made you feel like throwing up every time you went to work? I did. Back in 1998, I took a job waiting tables at a well-established restaurant in Williamsburg, Virginia. When I was hired, I didn’t know the first thing about waiting tables. I was also suffering from pretty significant depression and anxiety. For the first few months of my employment, I was constantly stressed out and on the verge of hyperventilation and/or projectile vomiting. Fortunately, I eventually learned how to wait tables and the job became easier. I was finally promoted to dinner, meaning that I could be scheduled to work at night. On many Friday and Saturday nights in the late 1990s, a then local musician named Steve Bennett would play music.

Stephen Bennett plays guitar. Actually, he often plays a harp guitar, which he inherited from his great grandmother’s second husband, Edgar Pierce. Steve writes on his official Web site that his great grandmother was married to Pierce for over fifty years, so he thinks of him as his great grandfather, even though the man was not a blood relation. The harp guitar Steve Bennett inherited is a Dyer Brothers symphony harp guitar, which was manufactured in 1909.

Although Steve was born in Oregon, which is where his great grandparents lived, he grew up in New York. Consequently, he didn’t really know the man whose magnificent harp guitar he inherited and now enchants audiences with. When I knew Steve, he was living in my hometown, Gloucester, Virginia. He has since moved north to Milford, Connecticut with his wife, Nancy. He has released many albums, several of which I own, and has traveled the world playing his guitar and teaching others. When I check to see what he’s up to these days, I feel very fortunate that I got to hear him play every weekend as we worked stressful night shifts at the restaurant. His soothing music got me through many tough evenings.


A great video showing Stephen Bennett playing “The Water Is Wide” with many, many harp guitar players…

As I get older, I find myself seeking music that is… shall we say… a little more soothing to the soul. When I listen to Stephen Bennett’s recordings play, I remember watching him live as I worked at the restaurant and how lovingly he held his instruments as he finger picked and flat picked beautiful music. I was always amazed by how he was able to coax such intricate melodies from his guitars. Sometimes he would play popular songs that everyone knew. Sometimes he’d play original compositions. Sometimes he’d sing. I remember a couple of times, he’d have guest musicians play with him. He was pretty well-known in Williamsburg and the surrounding areas. I’m sure his presence is missed by those who used to love to listen to him play as they enjoyed fine cuisine on date night as well as those who were privileged to work in his presence. Virginia’s loss is Connecticut’s gain!


Here he plays “What Child Is This”/”Greensleeves”…

While I can’t say I always appreciated living in Gloucester, Virginia when I was growing up, I do love to look at Steve’s CDs and see Gloucester referenced in the credits. Like I said, I’m getting older and starting to appreciate more soothing things. I can now understand why my parents decided to settle in Gloucester back in 1980, having moved us from the Washington, DC area. Back in 1980, Gloucester was a quiet, rural, peaceful place surrounded by rivers. Thirty plus years later, it’s become a lot more populated. But compared to the sprawling metropolis of Newport News, Gloucester is still pretty tranquil. And though Stephen Bennett doesn’t live there anymore, his music often takes me back to the place where I grew up. It calms me down… and frankly, kind of inspires me to want to learn how to play guitar. I’ve tried to before, but it’s not as easy as he makes it look!

I didn’t enjoy a lot of the shifts I worked when I was waiting tables in Williamsburg, Virginia. But I can say that many good things came from that job. I made a lot of great friends, learned a lot about good food, lost a lot of weight, got driven into graduate school, and was introduced to Stephen Bennett, a stellar musician with a gift for producing wonderful music. If you like acoustic guitar music and have ever wondered about the harp guitar, I highly recommend checking out Stephen Bennett. And if he’s playing anywhere near where you are, you should definitely stop in for a show.


Stephen Bennett and Tommy Emmanual play a scorching rendition of “Puttin’ On The Ritz”. You have to see this to believe it!




List Price: $15.00 USD
New From: $10.41 In Stock
Used from: $10.19 In Stock
Release date January 1, 1999.

Sly Stone Turns 70, Contest and New Box Set News

Sly Stone

Sly Stone is Legacy Artist of the Month

Sly Stone is 70.

Now you feel old.

Sylvester Stewart, the heart of Sly and The Family Stone, had a groove for everyone over a decade of crossover success when the band fused every music of the day from rock to funk to pop to soul to maybe drawing the line at Creole. Over a period of just several years, everything the Sly and the Family Stone released topped Billboard’s Hot 100 chart.

You know the tracks, “Everyday People”, “Family Affair”, “Thank You” are just a handful. A pioneer at home on a stage with Jimmy Page or George Clinton, Sly had something to say about society and usually locked it within a groove that won over everyone.

On Sly’s 70th birthday, we got two fun pieces of news. We already knew that Legacy Recordings had made Sly their third “Artist of the Month” following Janis and Nina Simone.  Today we learned that there will be a new multi CD box set released later this year to honor the Grammy and Rock Roll Hall of Fame winner.

We also heard about a contest you can enter to design a funky Sly and the Family Stone poster and scoop up $500.   The poster contest details are online now, and you’ve got until April 11 at midnight Pacific Time to “create a fun design influenced by the…song titles that span the band’s legendary career.”

I’m not an artist, but I’m guess the entries will be colorful.

Happy 70th birthday, Sly.   Thank you for making so much music possible.

Respect.

 

Sly Stone photo courtesy Legacy Recordings