Last night’s Celebrate Brooklyn! Festival opened with the groovy and unrelenting music of New Wave icon David Byrne. Byrne played a nearly-2 hour set of his material borne out of collaborations with Brian Eno, drawing from three Talking Heads albums and the albums My Life in the Bush of Ghosts and last year’s Everything that Happens will Happen Today. Byrne was on-form and his band drove the set with powerful, in-the-pocket grooves […]
Huh, I don’t really know how to start this one. So everybody here knows who Coldplay is, right? Fairly big alt-pop band with arena-sized choruses, love, Fair Trade, falsettos…got Brian Eno to come in and produce their latest? Cool. So I can get right into it and say that Viva La Vida is the most accomplished album of their career. I mean that in pretty much every way: every song has its own color, the runtime is perfect, and the band has never sounded tighter or more inspired. It’s also the closest they’ve come to making a complete statement, rather than just stringing a bunch of romantic, isolated and vaguely political songs together and calling it an album. What is that statement you ask? Well, look at the title. Martin christened the first song of the band’s debut with the chorus “We live in a beautiful world.” Viva La Vida is his way of opening up that world and exposing its beauty. Yeah there’s death, yeah there’s heartache, yeah there’re…despots and lynch mobs…but all of this pales in comparison to the vibrancy of life itself. Is that a bunch of flowery bullshit? Well, that’s for you to decide. I’m willing to suspend disbelief for forty-five minutes.
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