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Journey to the Discotheque Vol. 1: 10 Song Shuffle
Last weekend I was at a family get-together. Somewhere along the way MP3 players became a popular topic, which caused my dad to pose the immortal question, “Who the hell cares what’s on my iPod?” Now chances are pretty good if you’re reading a music blog you already know the answer to that, but pretending that you don’t since I can’t think of any other way to open this up: it’s because it allows you to know a person without actually knowing them.
For example, if your iPod is loaded with songs from Type O Negative, Burzum and Scandinavian death metal sensation Vordghackf, it means you have you several pentagrams carved into your arm, like to write overlong and half-racist internet dissertations on why “rap music” sucks, and it’s only a matter of time before you shoot up the post office you’re inevitably working for. If your iPod is loaded with songs from George Jones, Daddy Yankee and Godsmack, it means you’re going through a mid-life crisis and can’t decide whether you want to want to embrace a conservative adulthood or put up the façade that you’re twenty years-old again, ‘cos god forbid that you should accept your age and move on. Finally, if your iPod is loaded with nothing but Ani DiFranco, it means you’re one of those feminist types with a butch haircut, lots of beads and a huge ass (stolen courtesy of “That’s My Bush!”).
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The New Music Revue: “Viva La Vida”…Coldplay…Ole!!!
Huh, I don’t really know how to start this one. So everybody here knows who Coldplay is, right? Fairly big alt-pop band with arena-sized choruses, love, Fair Trade, falsettos…got Brian Eno to come in and produce their latest? Cool. So I can get right into it and say that Viva La Vida is the most accomplished album of their career. I mean that in pretty much every way: every song has its own color, the runtime is perfect, and the band has never sounded tighter or more inspired. It’s also the closest they’ve come to making a complete statement, rather than just stringing a bunch of romantic, isolated and vaguely political songs together and calling it an album. What is that statement you ask? Well, look at the title. Martin christened the first song of the band’s debut with the chorus “We live in a beautiful world.” Viva La Vida is his way of opening up that world and exposing its beauty. Yeah there’s death, yeah there’s heartache, yeah there’re…despots and lynch mobs…but all of this pales in comparison to the vibrancy of life itself. Is that a bunch of flowery bullshit? Well, that’s for you to decide. I’m willing to suspend disbelief for forty-five minutes.
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Lindsay Lohan’s "Bossy": How Lo Can You Go?
Of course, no one would expect a musical offering from Lindsay Lohan to provide any kind of creative sustenance. But, damn. Even for throwaway pop music, Lohan’s new single, “Bossy”, is bad. Not bad meaning “good”, but BAD.
Although Linds tried to go “rocker chick” on her flop last album, “Bossy” finds her in the same dance-pop mode as her former BFFs Britney and Paris. Actually, if you combined Brit’s “Gimme More” with Janet Jackson’s “Feedback” […]