Paul Lorentz

Dubstep is to the recently concluded decade – whatever we’re calling it – what “trip hop” was the 90s. That is: a dubious, and ill-defined (though distinctly British) sub-sub-genre hybrid of electronic dance music, dub, and hip-hop. Like trip-hop (and “garage”, “two-step”, “grime”, etc.) before it, dubstep has largely failed to find a footing here in the States, but that doesn’t mean its practitioners aren’t gonna try their damnedest to get Americans’ attention. […]