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Tag: Kanye West

  • Monday Morning Inspiration: “Get By”

    Much like The Boomtown Rats, I don’t like Mondays. Most people don’t. After a couple of days to shake off the stress of the work week, you throw yourself right back into the fire again.

    Hip-hop has long been criticized for, well…a lot of things. But the thing that made me a fan back in the hip-hop glory days of ’87 and ’88 was the emotion. Ultimately, the best music comes as part of an active listening experience in which you actually feel something. Whether it was Chuck D’s impassioned political talk or LL Cool J’s overblown ego, the best of hip-hop provides some sort of emotional outlet for the artist and provides an emotional response for the listener. It’s something that’s missing from a lot of today’s music (not just hip-hop), as everyone seems to be rushing to create what basically amounts to a temporarily ear-pleasing jingle.

    Not to say I didn’t like Talib Kweli prior to this, but “Get By” was the song that turned me into a fan for life. His rapping is forceful, impassioned, and it speaks to everyone out there who keep their heads up despite life being a struggle sometimes.

    “Even when the condition is critical, when the livin is miserable
    Your position is pivotal, I ain’t bullshittin you”

    One listen to this and I feel a lot better about facing everything that lies ahead. Thanks to Talib (as well as Kanye West and Nina Simone, whose “Sinnerman” gets expertly chopped up here) for this song. I’ll admit that I’m being completely selfish and posting this here for my own personal reasons (geez, Mike. Don’t you have a personal blog for this?). Hopefully those of you who have the Mondays (or any day when things just aren’t getting off to the best start) can get something out of this as well.

  • MHW Liveblogs The 2008 BET Awards

    If I was Don Cornelius, I’d be really mad at the BET folks. In 2001, the cable network introduced it’s own show that essentially took the Soul Train Music Awards out of business. The shows themselves have been a mixed bag. There have been a couple of major moments-Michael Jackson & James Brown dancing together, Jay-Z & Beyonce tearing up “Crazy in Love”, a Destiny’s Child mutual lap-dance extravaganza on “Cater 2 U”. However, there have been just as many forgettable performances from (name untalented rapping one-hit wonder here). This year’s show promises to be a typical mixed bag. On the plus side, performances from Usher and Kanye West, and a Lifetime Achievement Award to Al Green. On the bad side? Lil’ Wayne. And I’m sure there’ll be a T-Pain performance somewhere. Keep your eye here, as we’ll be updating every half hour or so.

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  • It’s Wayne’s World, We’re Just Living In It


    So how ’bout this, folks?

    Lil’ Wayne’s “Tha Carter III” LP, which was released this past Tuesday, sold nearly half a million copies in it’s first day of sales. It’s on pace to sell 850-950,000 copies in it’s first week, which would make it the biggest first week sales of 2008, the biggest first week sales for an album in almost a year (since Kanye West’s “Graduation” last September), and would place it 4th on the list of biggest hip-hop first weeks, behind the aforementioned Kanye West album and the second and third Eminem albums. It would also immediately make it the 4th biggest selling album of 2008 to date, behind Jack Johnson, Mariah Carey and Alicia Keys.

    So I ask you, reading public, what is it about Lil’ Wayne that makes him so special. ‘Cause, I’ll be real here. This guy’s been around for a decade and some change and has made not one single song that’s moved me. While I don’t mind his guest appearances on others’ records-most of the time (he ruined the remix of Usher’s “Love in This Club”, he’s always outshined by whatever artist he appears with. I also raise an eyebrow at his sudden transformation to “Best Rapper Alive”, simply because a) as long as Rakim, KRS-ONE, Big Daddy Kane, Slick Rick, Jay-Z, Nas, Ghostface Killah, Common, Talib Kweli and a host of others are still alive, Weezy shouldn’t be mentioned within 500 feet of that particular conversation, and b) if anyone remembers how Wayne sounded back in the early days of Cash Money, it’s hard to imagine that he got as good as he is (which is still not mind-blowing), without help from someone else (and several folks have gone on record saying they’ve ghostwritten for Wayne).

    All of this to say-why do *you* think Lil’ Wayne is so popular?