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Category: Releases

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  • New Flava in Your Ear: New Music from Kanye, Keane &…Wayne Brady???

    *Shit, I just realized I accidentally stole the original title of this blog…oops! My bad!!

    Since we’re in the fourth quarter and new music is flying fast and furious, I figured now would be a good time to check out some of the new music bouncing across the airwaves, since there’s so much of it. I think we’re gonna go with four titles a week until January or February when the release schedule thins and there’s not as much to check out. Anyhow, this week I bring you new music from the mouth that roared, an underrated British trio, an Irish band following up a Platinum record, and…Wayne Brady. Yes, THAT Wayne Brady. Off we go…

    Kanye West “Love Lockdown” (from “808’s & Heartbreak”, due December)

    I wasn’t sure what to think when Kanye premiered this on the VMAs last week. I guess I wasn’t used to not only Kanye standing stock still on stage, but also there was the little fact that he was singing instead of rapping. A few listens later, I actually like the track-which I guess is a recurring theme with Mr. West because it took me a long time to appreciate the early singles off of his last two albums (‘Diamonds from Sierra Leone” and “Stronger”). It’s definitely one of those late-night, pulsing records that’s not exactly dance, but not exactly…whatever the opposite of dance is. This is one of the rare occasions where the whole autotune thing doesn’t bug me as much.

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  • Paul’s Found Vinyl – Episode 1: Tycoon

    Artist: Tycoon
    Title: Tycoon
    Label/No.: Arista AB 4215
    Year: 1978
    Peak Chart Position: #41
    Producer: Robert John “Mutt” Lange
    Singles: “Such a Woman” (Pop #26), “Slow Down Boy” (not charted)

    SIDE A:
    Such a Woman
    Slow Down Boy
    Out in the Cold
    Don’t You Cry No More
    Too Late (New York City)

    SIDE B:
    That’s the Way It Goes
    Don’t Worry
    How Long (Can We Go On)
    Drunken Sailor
    Count On Me

    Judging by the Cover: I’ll be honest. It was all about the mustaches for me. And the band got co-credit for the art direction! Actually, the combination of the airbrushed 70s faces and the cover’s obvious debt to Kraftwerk makes the band look like a bunch of Stepford Gays.

    What It Sounds Like: Don’t let the drawn-out, dramatic introduction to “Such a Woman” fool you. This early “Mutt” Lange production is all about strong pop hooks, gigantic, seamlessly layered harmonies, and a thick, hard pop/rock sound that still leaves some room for some sleazy New York blue eyed soul moves (see “How Long (Can We Go On)”, the band’s slinky ode to gettin’ a little on the side) – a prototypical version of the sound he brought to Foreigner 4, though the band’s sound was too diverse (whiffs of reggae here and there) and distinctive to dismiss as a mere corporate rock clone.  Lead single “Such a Woman” made a respectable showing on the disco-dominated pop charts in early ’79 – no doubt helped along by a pornographic picture disc single. But the catchy, straightforward rocker “Slow Down Boy” seems like the more obvious candidate for heavy rotation. Even better than both the singles is “Don’t You Cry No More”, a soaring rock ballad with a majestic a capella opening that sounds awesome on headphones. 

    The band followed this album up with a record called Turn Out the Lights in 1981, but it tanked, partially due to the ascendance of new wave and synth pop, partially due to their label’s apparent indifference.  Tycoon was dropped from Arista’s roster shortly thereafter, and while a third album, called Opportunity Knocks, was recorded, the band was unable to secure a deal to release it.  In November of 2007, lead singer Norman Mershon, pictured at the far right on the album cover, died from liver disease at the age of 57.

    Recommended if You Like: Foreigner, Those New Swiffer Commercials, Big Gay 70s Mustaches

    CD Availability:  Tycoon was issued digitally via iTunes a few years ago, thanks to the band’s friend and former manager Dean Sciarra, who runs a supercool website called ItsAboutMusic.com.   He also sells digital downloads of this album, along with the band’s second album Turn Out the Lights (1981) and their otherwise unreleased third record Opportunity Knocks, completed after they were dropped from Arista Records.  CDs of these albums are also available through ItsAboutMusic.com.  I had a chance to chat with Sciarra and while he confirmed that these are CD-Rs, he vouches personally for the integrity of both the sound mastering and the CD packaging which attempts to recreate the individual album and sleeve art to the greatest extent possible; given his personal relationship with the band, I’d take him at his word (and the iTunes downloads I purchased confirm the integrity of the sound).  The other cool thing about ItsAboutMusic is that the artists set their own prices for the CDs/downloads, and bank 90% of the actual purchase price.

    The album was reissued on the Renaissance label as a twofer with the band’s second album Turn Out the Lights.  But while this CD is readily available on Amazon.com (and a less expensive option), note that among reissue labels, Renaissance has a very poor reputation.  According to Sciarra, for the Tycoon two-fer, Renaissance acquired incorrect masters for the records, and so what you hear on the vinyl is not what you get on the CD.   Keep the vinyl. It’s good. 

    The Highlight Reel:  Snippets of “Such a Woman”, “Slow Down Boy”, “Don’t You Cry No More”, and “How Long (Can We Go On This Way)”

  • Rock N Roll Train (Thoughts on the New AC/DC Single)

    With all the buzz about new music on the horizon, how could we forget to mention the long awaited new single from AC/DC of which I have been craving since 2000 for? You’ll get a full review of the Black Ice album once October 28th rolls around and I’m forced to hit Wal-Mart to get it. Yet, I figured I’d write a quick blurp about the new track that just hit rock and roll radio. The song’s title is Rock & Roll Train and was worth the wait. It’s solid, and has that classic AC/DC sound that was missing on their last two albums (1996’s Ballbreaker & 2000’s Stiff Upper Lip) By classic, I don’t specifically mean that 70’s classic Bon Scott sound, but definitely the classic Brian Johnson sound from the early 80’s. It sounds like something from the Fly On The Wall album, and I’m surprised with all of the buzz over AC/DC, pop radio hasn’t decided to give it a chance to succeed.

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