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Category: People

all-about-musicians-and-the-people-who-help-them-make-music

  • Adam Lambert Might Be Gay: So…???

    True fact. I am not watching this season of “American Idol”. There are two reasons for that. The first is that I’m out on Tuesday nights at trivia, an activity that I find much more exciting than watching a group of overentitled kids mangle popular music. The second is that since I started watching in Season 5, each ensuing year has kept me less and less interested. Now if you were to ask me, I’d say that the talent pool has gotten shallower-whereas there were 5 or 6 contestants that I thought were legitimately talented in Season 5, I lost interest last year when Carly Smithson was voted out. Nothing against David Cook or David Archuleta, but I like my singers to have a little bit of personality in their music, not to be vocally talented ciphers.

    So, apparently this year, there’s this kid called Adam Lambert that’s the front-runner among all contestants this year. In my main man GG’s “American Idol” posts on Wednesday nights, he intimates that the race is Lambert’s to lose. Or is it?

    Recently, photos have cropped up showing Lambert making out with another dude. Shock! Horror! There’s the possibility that a guy who sings might be shhhhh…gay!! The question then becomes, is America ready for a gay “American Idol”? Well, there are a couple of things about the whole story that bother me. Allow me to ramble:

    1) With Friends Like That, Who Needs Enemies- Who’s the jackass that revealed the pictures to the media? Man, if you get even a little bit of notoriety, someone always finds something that will come around and bite you in the ass. The person that revealed those pictures is not only obviously jealous, but is cut from the same cloth as the idiot who sold those photos of Michael Phelps smoking out of a bong. A kid in his twenties with money smoking weed. OMG. That NEVER happens.

    2) The Clay Aiken Effect- I wasn’t yet an “Idol” watcher when Aiken finished second, but, come on. Seriously. Clay Aiken coming out was news? Really? The people who were surprised that Aiken was gay are probably the same people who were stunned when George Michael got busted with the cop in the restroom. So, let’s make a far-reaching assumption and presume that most Americans are smart. I know, it’s difficult. The guy (Lambert) wears makeup. He was a theater kid. Stereotypes be damned and everything, but how much more obvious can the guy get? So there’s the possibility that Lambert could kick down the closet door that Aiken cracked open. (although we still have yet to see an openly gay male music star that wasn’t yet established when he came out).

    3) Who cares?-If Adam Lambert’s sexuality makes a difference as far as whether you vote for the kid on “American Idol” or not, you probably shouldn’t be reading this blog. Not only am I gay, but several of the folks who’ve written for this site in the past are gay as well. If that fact makes even the slightest difference in how you feel about me, whether it’s as a writer or as a person, not only are you way behind the times and a hopeless case, but, again, you probably shouldn’t be reading this blog. The media loves to make a big deal out of things like this when, particularly in regards to America’s youth-people who are growing up with a much more open-minded attitude about things that shouldn’t be a big deal-it doesn’t really matter.

    Bottom line-if indeed the kid is gay (and I would imagine that a picture of you with your tongue down some dude’s throat is fairly indisputable truth), it shouldn’t affect his placing on “American Idol” at all. You’re voting for vocal talent, not sexual orientation. Fuck you, Bill O’ Reilly. This will be one of the few times on this site that I allow myself to get on any kind of soapbox. The kid could have a midget fetish, and what would it matter as long as he’s talented?

    vh1.com wrote a very cool article on the possibility that Lambert might be gay, although comparing the dude to Barack Obama is a wee bit of a stretch.

  • “Fight for Love” with an Autographed Elliott Yamin CD!!

    elliott

    Given the popularity of some of our “American Idol” posts, I know there are a lot of Elliott Yamin fans out there. Hell, I’m one myself (I just listened to “Wait for You” on my iPod yesterday). The guy’s certainly got the right influences, and his take on R&B is refreshing and most importantly, well sung.

    As you know, Elliott’s new album, “Fight for Love”, comes out on May 5th, and if you click here, guess what? You can order a copy of the album with the cover signed by Elliott! Good music and a collectible! How ’bout that?

    Now, click on and buy the album. And don’t say I never gave y’all nothin’.

    (Just as an FYI, this site is in no way affiliated with Newbury Comics or newburycomics.com. Just posting this link ’cause I love y’all.)

  • First Listen: Dave Matthews Band’s “Funny the Way it Is”

    dmb

    I have no problem admitting that when it comes to Dave Matthews Band, I am coo coo for Cocoa Puffs. I’ve seen them more than any other band I’ve ever seen in concert (truth be told, I’ve lost count. But I’m somewhere between 11-15 times). Not only are these guys tighter musically than Ralphie May in Spandex, but there’s something in Dave’s lyrics that speaks to me. Does that mean I’m an overgrown frat boy? Possibly. Hippie? Maybe. Do I smoke too much pot? Well, some may argue that there’s no such thing as too much pot.

    Anyway, “Funny the Way it Is” is the first single from “Big Whiskey & the GrooGrux King”, DMB’s upcoming album. Due out June 2nd, it’s the band’s first album without saxophonist LeRoi Moore, who tragically passed away last year from complications resulting from injuries sustained in an ATV accident. As any DMB fan would probably suspect, the band is celebrating LeRoi’s life more than they are mourning his death, and “Big Whiskey” will contain a healthy amount of input from Moore, scrounged up from hours of tape they had of him performing.

    “Big Whiskey” is produced by Rob Cavallo, who has worked with everyone from the Goo Goo Dolls to Green Day, and the song is fairly recognizable as one of his productions. It’s got a crunchy rock sound, polished to a gleam. The lyrics are typical Matthews musings. Although his songwriting has grown by leaps and bounds over the past fifteen years, you can still spot a Dave lyric pretty easily. Overall, I like the song (and enjoy it more with each listen), and think this bodes quite well for the new album.