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Category: People

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  • FORTY-FIVE REVOLUTIONS PER MINUTE #31: We Built This City On New Wave

    Ritchie Valens' "Donna"

    RITCHIE VALENS  “Donna”  b/w  “La Bamba” (Lost-Nite Records #201, early-’80’s reissue;  Original release: Del-Fi Records #4110, 1958)

    You could Google “Valens” or “La Bamba” or even “famous plane crashes” and learn all you’d ever need to know about the late great Ritchie Valens, but you’d still only be skimming the surface.   The young Pacoima, CA wunderkind, tragically killed at 17 in the same historic crash that took the lives of Buddy Holly and J.P. “Big Bopper” Richardson 50 years ago this past February, left such an indelible stamp on rock music that it’s now literally impossible to fathom a world without him.

    Winter Dance Party

    Though Valens left behind only about an album & 1/2-worth of recorded material, those recordings are so genuine and heartfelt that they still explode from the turntable with an incendiary fury, making evident why Valens remains a major touchstone to everyone from the obvious (Santana, Los Lobos) to the not-so (Led Zeppelin, Richard Hell & The Voidoids).  His biggest hit, captured here on a somewhat questionable oldies-bin reissue, was this 1958 ballad dedicated to the gal that stole his heart, “Donna.”

    Play \”Donna\” by Ritchie Valens

    Lost-love laments in the style of The Platters or The Moonglows were common by 1958, but it’s Ritchie’s fresh-faced honesty that really sells the song here.  And sell it did, spending 18 weeks in the Top 40, peaking at #2 in December and riding on through into early ’59, when DJs flipped the record and discovered its blistering B-side.

    C'mon Let's Go!

    Valens took “La Bamba,” a 300-year-old Mexican folk song, turbocharged it with an electrifying rock ‘n’ roll backbeat and face-melting guitar solos, and created the world’s first Spanish-language rock smash.  And then, like a blazing comet zipping through the evening sky, he was gone.

    Play \”La Bamba\” by Ritchie Valens

    Though only a B-side, “La Bamba” spent 8 weeks in the Top 40, reaching #22.  Los Lobos recorded the song (along with several other faithful Valens covers for the hit biopic of the same name) and sent it to #1 in the Summer of ’87.  But you know that.

    To those of you reading this who have children, please do them a big favor:  go to eBay (or better yet a garage sale or flea market) and buy them an old monaural 45 RPM record player and a stack of old rock singles.  Turn off the fucking video games for once in their lifetime.  Let them sit cross-legged on the floor listening to Little Richard, Buddy Holly, Chuck Berry, Bo Diddley, Ritchie Valens, Fats Domino, Jerry Lee Lewis and all the other great architects of rock.  Let them thrill to the tight & smooth harmonies of The Drifters or chuckle at the aural slapstick of The Coasters.  Let them jump up & down like total maniacs to Cousin Jerry Lee’s pounding “Pi-Anna” and Uncle Ritchie’s “Flying Guitar.”   Jump up & down with them until the records skip and you all fall down on the floor together laughing hysterically.  Let your kids feel early in their lives the real, pure, true, uplifting power of rock.  They will love you forever.

    NEXT WEEK: Turn around & bend over!

  • New Release of the Week 4/14/09: Day26

    day26

    Not exactly the most exciting week for new releases (man, how much have I been saying THAT lately?), we begin this week’s column with a group that begs two questions: What happened to the R&B group? and Are there any acts left on Bad Boy Records? Shit, think back fifteen years, and the R&B scene was littered with groups: Boyz II Men, Jodeci, Shai, Silk, Intro, Hi-Five, Color Me Badd…now I can barely think of any besides Mint Condition (the only R&B band left on the scene). BIIM’s last release was a covers record,  New Edition pretty much now exists only as a touring group, and everyone else broke up, it seems. What the hell, man?

    Similarly, remember when Bad Boy’s roster boasted The Notorious B.I.G., Faith Evans, Mase, 112 and a handful of others? Well, Biggie’s dead, Mase found Jesus (again), 112 split up, Faith switched labels, and the only acts left on Bad Boy appear to be Diddy himself, Cassie (who really doesn’t need to release another albums) and Day26. Although I’m not the biggest fan (actually, I’m not a fan at all), I at least give props to these cats for carrying the torch.

    Here’s some other stuff hitting stores this week that you may find interesting.

    Beck “One Foot in the Grave” (remastered w/bonus tracks)– Remember when Beck first came out, he had two record deals? His pop stuff was released through Geffen, while his more indie-flavored, uncommercial stuff was free to be released on other labels? Well, for those who don’t remember, “One Foot in the Grave” was the first of those lo-fi recordings after the success of “Mellow Gold” in ’94. Me? I’m not so much a fan of lo-fi Beck, but it’s nice to see his work getting the deluxe treatment.

    Easy Star All Stars “Easy Star’s Lonely Hearts Dub Band”-Following in the footsteps of “Dub Side of the Moon” and “Radiodread” (which tackled “OK Computer”), this album features a reggae makeover of the entire “Sgt. Pepper’s…” album. Not sure how appealing that sounds to you if you’re a Beatles fan, but the previous installments of this series have been quite listenable, actually. The album features everyone from Jamaican legends Steel Pulse to the hellbent-on-proving-he’s-not-a-one-hit-wonder Matisyahu. Remember him?

    Fastball “Little White Lies”– Those of you who thought Fastball disappeared after scoring smash hits with “Out of My Head” and “The Way”, well, you’re wrong. The power-pop trio is back with their first album in five years. Although I don’t know much beyond the two singles, I have friends who swear these guys can do no wrong, and they certainly have a way with a hook. This one might be worth a listen.

    Bernie WIlliams “Moving Forward”-Although my body is in Boston these days, my baseball heart will always be with the Yankees (that sound you just heard was me getting kicked in the head by 100 Red Sox fans). Retired Yank Bernie Williams has released albums of his instrumental guitar work before, and they’ve been surprisingly well-received-or at least well-received enough that I can’t think of a comparable athlete’s venture into music that was as successful. Anyway, Bernie pulled in the big guns for this release, as he got Bruce Springsteen to appear on this album. I always knew The Boss had good taste in baseball teams.

    Get your complete list of this week’s new releases here.

  • Grinding My Gears: More on the ACM Awards

    WTF is up with Taylor Swift? The girl CANNOT sing. Period. Not even close. I saw her on “Saturday Night Live” and she was so bad that it was truly embarrassing. Yet I like her records. Just shows the magic that Autotune can do for a mediocre singer.

    Rascal Flatts once again annoyed me. They won Best Vocal Group for the seventh straight year, beating the record set by Alabama. Lead singer Gary LeVox mused “gee, now I think I know what Brooks & Dunn feel like”. Uh, Gary, you will NEVER be Kix Brooks OR Ronnie Dunn. Brooks & Dunn have had 40 singles on the Billboard charts, 20 of which reached #1. Rascall Flatts have had 23 singles chart, with nine hitting #1. Rascall Flatts are a smarmy, cheesy brand of country that just irritates the hell out of me. Maybe it’s because I’m getting older, maybe it’s because I like a lot of “old time” country, but I’d rather hear George Strait than Sugarland. I’d rather hear Alabama than Rascall Flatts. I think there are artists (like Kenny Chesney) who started out writing great, heartfelt songs (“There Goes My Life”, “The Good Stuff”) and have caved to the “weekend warrior” country fans & started writing “let’s go to the bar & get drunk” songs (“Have Another Beer In Mexico”, or any of the last few Kenny singles). Artists like Brad Paisley straddle the line (I think he’s great, but that “Ticks” song, well, it just ticked me off…). While I realize that Keith Urban draws more people to his shows than Alan Jackson, how country is Keith? He’s a good looking guy, with an enormous (mostly female) following, but his songs could fit just as well on pop radio. (I’d love to see David Allan Coe open for Keith, just to see the looks on those ladies faces……)

    With the music business in the current state that it’s in, I should be happy that Keith & Rascall Flatts are selling as many records as they do. I just like my country…with a little bit more country in it.