Chances are that if you’re aware of who The Romantics are, it’s either due to this song or “What I Like About You”, a song I guess I was too young to latch on to when it was originally popular (well, there’s also the fact that it wasn’t that big a hit initially). Regardless, despite the fact that “Talking in Your Sleep” was a significantly bigger hit, “What I Like” has had the more lasting […]
Yahoo!’s music coverage generally leaves a lot to be desired. Their writers are unnaturally obnoxious (even for music crit-types), and they are in the unfortunate position one of my least favorite music writers as one of their main contributors (and because I have a job to protect, I won’t mention his name in public. Besides, he’s not worth it). However, this list of the Top 20 albums of all time was pretty interesting, and I kind of like the method by which this list was created.
Of course, everyone and their mother can make a list and call it “The Top 20 Albums of All Time” (hey, anyone been reading my list of the 105 Greatest Singles of the Eighties??), but the list compiled by Robert of the Radish (dude, you couldn’t think of a better name) is certainly one of the most scientific lists of this kind.
Robert took personal opinion out of the equation completely, instead basing his list on several factors: critical acclaim, actual sales figures, Grammy award love (probably the weakest part of his argument, considering that there have been several bands universally acknowledged as the best at what they do that have never won a Grammy…Led Zeppelin and The Who among them, although it doesn’t look like that affected Led Zep too much), and the most interesting component to my eyes, staying power as judged by the average price and availability of used copies of the CD. I found this interesting mainly because I frequent more than my share of used record stores. I’ve shopped for used music in at least five states, and I can say with some authority that there are certain popular titles that you will see in abundance in just about every used record store in America (he mentions Hootie & The Blowfish’s “Cracked Rear View”. I’ll see him and raise him one Matchbox 20’s “Yourself or Someone Like You”, thank you very much), and some that you never see anywhere (ever seen a Beatles studio non-compilation album in a used record store for less than 8 or 9 bucks, if at all? Don’t think so).
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I would imagine that back in the Seventies, if you’d have told the average rock music fan that the heavily falsetto-ed lead singer of Earth Wind & Fire would be recording music with the drummer from Genesis, you would get a ton of quizzical stares. By 1984, the idea of that happening didn’t seem so farfetched-especially since EWF’s Philip Bailey had already launched a solo career with 1983’s “Continuation” and Genesis’s Phil Collins had moved […]