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Category: Music

  • Willie Nelson’s life story… a review

    Willie Nelson’s life story… a review

    willie

    Just finished reading Willie Nelson’s It’s A Long Story: My Life…

    I have always admired Willie Nelson for so many reasons. At age 82, he’s the author of many wonderful, iconic, unforgettable songs. He’s a great musician with a charitable spirit and eclectic tastes. And he has that quirky, expressive, unmistakable singing voice that manages to transcend so many genres. Aside from being the legendary musician he is, Willie Nelson is also an actor, an author, an activist, and the father to seven grown children. He manages to do all of this while enjoying copious amounts of marijuana.

    I didn’t always realize how awesome Willie Nelson is. I grew up in the 70s and 80s, when Willie was pretty popular. He was a country star, though, and back then it wasn’t cool to enjoy country music. I still admit to secretly loving “On The Road Again”, “Mamas Don’t Let Your Babies Grow Up To Be Cowboys”, and “My Heroes Have Always Been Cowboys”. I was a horse crazy kid and a fan of the 1979 film The Electric Horseman, which starred Robert Redford and Jane Fonda, as well as Willie and a beautiful bay stallion dubbed Rising Star in the film. But that was pretty much the extent of my knowledge of Willie, aside from hearing “Always On My Mind” on the radio all the time.

    Now that I’m older and a bit of a musician myself, I really appreciate Willie Nelson for so many reasons. That’s why I decided to read his recently published memoirs, It’s A Long Story: My Life (2015). This is not the first book about Willie Nelson’s life, but it is the most recently written. Nelson composed it with ghost writer, David Ritz. I just finished reading last night and am left feeling a bit awestruck at Willie’s life and all he’s managed to do with it, despite being an “outlaw” of sorts.

    Willie Nelson grew up in Abbott, Texas, which is a small town in Central Texas. He and his sister, Bobbie, were raised by their paternal grandparents. Their parents, Ira and Myrle Marie Nelson did not stay together and had personal problems that precluded their ability to raise their children together. Willie’s grandparents were more stable people who had a love of God. They encouraged Willie and Bobbie, both of whom were musically talented. I don’t know much about Bobbie Nelson, but Willie claims that she’s the “real” musician in their family and has some serious piano chops.

    At age ten, Willie Nelson joined his first band, having written his first song when he was just seven. Although he tried to be a regular guy doing regular work, including a brief stint at Baylor University and in the Air Force, he was never able to stay employed for long. The one thing he could do besides music was sell things, but his heart wasn’t into selling vacuum cleaners or encyclopedias. He was born to be a musician and by sheer force of will, he made it happen.

    It’s A Long Story is mostly about how Willie Nelson ended up where he is, a man as famed for his rough looks and 4th of July picnics as he is for writing beautiful songs like “Crazy” and “Hello Walls”. He explains how the music business was back in the 1950s and laments that in some ways, it hasn’t really changed that much. Artists and writers still have trouble getting paid for their work after corporations take their cut. Royalties aren’t what they used to be, either.


    Willie Nelson plays at Farm Aid in 1986, a cause very near and dear to his heart.

    Nelson writes about the women he’s shared his life with, including the four who married him. I got the sense that none of his splits were nasty. He still has contact with the six surviving kids he had with the women in his life. He’s always kind of comes across as a very loving, proud, and devoted father, while still admitting that his lifestyle made it hard for him to be the best dad he could be.

    The writing style in this book is very conversational and reads just like I would expect Willie Nelson to talk if we were sitting across from each other. I imagine that if I did hang out with Willie, I might end up with a contact high. He really loves his weed and makes it clear to readers why he thinks it should be legalized. For the record, I agree with him. Marijuana is a much less destructive substance that alcohol or tobacco. Willie writes about some brushes he’s had with the law over marijuana, as well as his infamous tax problems with the IRS back in the early 1990s. Nelson had very serious financial problems, but came up with a brilliant way to solve them.


    Willie Nelson’s “Who’ll Buy My Memories”, from the IRS Tapes, an album he released to help pay his tax bill. I still remember the TV ads for this. This particular song shows off Nelson’s vocals and the beautifully unique way he plays guitar.

    It was such a pleasure to read Willie Nelson’s life story. I found it inspiring and interesting and at the end, I was marveling at how much of a national treasure a kid from small town Abbott, Texas turned out to be. He comes across as very normal, down to earth, and funny, except for the fact that he has music in his blood. There are always melodies and lyrics flooding his conscience. He is compelled to be a musician, but he’s good enough to share his experiences with the world.

    Willie Nelson is a very plain spoken guy who uses raw language at times. Personally, I liked that about his book. It made it seem very authentic and real. I completely overlooked the fact that a ghost writer was involved with the writing of this book; it really felt like Willie’s voice telling Willie’s story. When I was finished reading, I felt sad for not having made it to any of his shows thus far. Since he’s 82, I need to get on the stick.

    Whew… writing this review makes me want to listen to Willie’s music and maybe make some of my own. What an awesome read It’s A Long Story is! I highly recommend it.

  • 80s dance music…

    80s dance music…

    I have never been one for 80s dance music, but lately SongPop is causing me to look at it again…

     

    The 1980s were my decade to come of age.  I was a kid in the early 80s and a teenager in the late 80s.  Consequently, I was around for a lot of cheesy 80s music that the music snob in me hates but the nostalgia junkie in me loves.  I’ve been playing the Facebook game SongPop with a bunch of Germans and they seem to adore dance music.  I do alright against most of them, but there are a couple of guys I play with who are absolutely ruthless.  And they challenge me with dance, electronic, and house music… stuff I don’t really listen to and can’t identify easily.  I do better with 80s dance music, though.  That’s not because I like it, but because it was always playing when I was growing up.  Here’s a salute to a few 80s dance songs done by women back in the day.

     

    Sometimes I get surprised by a song I haven’t heard in eons.  Last night, I was playing SongPop and a song by a band called Company B came on.

     

    This song was popular at around the same time a band called Expose was a hit.  They both had songs about “the point of no return”.

     

    I never knew the name of this band when “Fascinated” was a hit, but I do remember liking this song for some reason.  I don’t think the singer is that great, but I have to admit the melody is appealing and the rhythm is infectious.  If I were inclined to dance, I might be persuaded to if I were listening to this song and had been drinking heavily enough.  Of course, my kind of dancing is more of the “slam dancing” variety.  I can see why people liked it in the 80s and even now.

     

    Of course, because I thought of “Fascinated” by Company B, I had to think of Expose, too.  They had a number of hits in the mid 1980s, which was kind of a cool time in my life.  I wasn’t necessarily a fan of their music– for instance, I downloaded “Fascinated”, but couldn’t bring myself to download any of Expose’s songs– but when I hear one of their hits, I am reminded of a good time.

     

     

    Expose is still out there.  Here’s a clip from a 2007 performance of “Let Me Be The One”.

     

    “Let Me Be The One” is probably my favorite of Expose’s songs.  I give them mad props, though, because they had a bunch of dance hits like “Seasons Change”, “Come Go With Me”, and “The Point of No Return”.  No doubt a lot of young folks grooved to this in clubs… and gymnastics floor exercise routines.

     

    Adding to the “Point of No Return” confusion was the fact that Nu Shooz also had a song by that title.

     

    I think I like this “Point of No Return” song the best.

     

    NuShooz had an even bigger hit with their slyly sexy “I Can’t Wait”, which is still fun to listen to decades later.  Of course, every time I listen to it, I feel ancient.  Were the 80s really that long ago?

     

    And then there were artists like Taylor Dayne, whose voice I always thought was  impressive.  I wasn’t a fan of her style of music, but she had some pipes.

     

    This song always reminds me of ads for feminine hygiene products and cosmetics for teenagers.

     

    Unfortunately for Taylor Dayne, this music is stamped by the 80s and probably doesn’t update too well.  Or maybe it does.  What the hell do I know, except that I apparently watched way too much Saturday TV and saw too many ads for tampons and cosmetics for teens.

     

    Paula Abdul came along at the end of the 80s and her music was definitely dance worthy…

     

    I actually own a copy of Forever Your Girl…  It doesn’t get much airplay, though.  

     

    I like Paula Abdul alright.  I mean, she’s a great dancer and she was nice to people on American Idol.  She even had a reality show that showed her in all her whacked out glory.  Her music is not the stuff of legends, but it’s a guilty pleasure.  I might be persuaded to tap my toes to “Cold Hearted Snake”.  I’m sure I could think of more crazy 80s dance songs, but I’m waiting for some furniture to get to me.  Maybe I’ll dance while I wait.

     

     

  • Boy Bands of the 1980s…

    Boy Bands of the 1980s…

    My recent obsession with Menudo has me thinking about boy bands from the 80s this week…

    When I was a teenager, I wasn’t into boy bands. I liked what was then called classic rock, music that is way older than I am. Back in my day, we had our share of boy bands. The New Kids On The Block were a big hit, as were New Edition. I preferred New Edition to New Kids, but I know a lot of my friends were fans of the slick dancing moves and silky harmonies both boy bands offered.


    New Kids On The Block’s big hit, “Please Don’t Go Girl”.

    Watching that video makes me suddenly feel ancient. It doesn’t seem like high school was that long ago, but it really was. The woman in the video looks a little too mature for the boys in New Kids On The Block, anyway. After “Please Don’t Go Girl” became a hit, New Kids On The Block became very popular. For awhile, they could do nothing wrong. But then they started to grow up and so did their audience. By the 1990s, they had become decidedly uncool. They changed their name to NKOTB, probably because New Men On The Block didn’t seem very catchy.


    New Kids gets edgy with “Hangin’ Tough.


    “Candy Girl” came out in 1983. I think I might have liked New Edition more because I was a lot younger when they made it big.


    A live performance of “Mr. Telephone Man”.

    Menudo was another boy band that was big in the 80s. I was first introduced to their very Latin sound when I was taking Spanish in school. My teacher was from Cuba and loved their music, so she shared it with the class.


    Here’s a video that features a very young Ricky Martin. I watch him wagging his ass and want to say, “Get it, boy!”


    Ricky Martin when he was brand new to Menudo… He was about 13 here.

    I didn’t like Menudo’s music that much back then, but I must admit I’ve been watching their old videos over the past few days. I can see why they were such a popular boy band back in the day. And Menudo avoided the problems associated aging bands. In most cases, members of Menudo were forced into retirement when they turned 16 or, in Ray Reyes’ case, when they grew too tall for the band.


    Menudo sings at a pool party in 1987. Check out the biker shorts!

    I suppose I could add other bands to this post. The Jacksons and The Osmonds could probably be considered boy bands, except they came from large singing families. And by the 80s, they were men, not boys. Watching these videos, I can’t help but wonder how these guys feel when they see themselves decked out in matching outfits, dancing and singing in front of a bunch of screaming girls. I think about the hours of rehearsals they must have endured to perfect those dance steps. And now, thirty years later, I wonder if the experience of being in a boy band was worth it to them. Money, fame, boyish good looks, and slick dance moves… who wouldn’t want to have those things going for them?

    I can’t help but remember South Park’s hit song…


    Watching boy bands makes me feel like a good finger bang…