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  • Big in Europe: Plan B “She Said”

    Not to be confused with a German band who mined a far less confrontational hybrid of hip-hop and soulful pop in the mid 1990s, Plan B is the wildly ambitious British singer-rapper-actor-producer-aspiring filmmaker Ben Drew, whose 2006 album Who Needs Actions When You Got Words?, a record as nightmarish, epic, and unstoppable as a British Petroleum oil spill, elicited breathless comparisons to artists as varied as Eminem, Justin Timberlake, and Damien Rice. Like Eminem, Plan B knows how to tell a good story, but where Mr. Mathers’ rhymes are self-referential and reek of embellished memoir, Mr. Drew writes mostly bleak and bloody urban fictions centered around drug addicts, gang-bangers, and other assorted denizens of East London’s early-21st Century underworld.

    His latest album is a sort of Northern Soul opera called The Defamation of Strickland Banks, and while the record has been lingering at the top of the British pop and soul charts since its release in April 2010, its second single “She Said”, four minutes of achingly tense but oh-so-old-school-groovy courtroom intrigue, has been storming the pop charts all over the mainland as well. Drew takes a cue from Mark Ronson’s pointedly organic strings-and-horns productions for Amy Winehouse, but here that treatment feels more about advancing a sinister plot – heightening the song’s tension – and less retro-for-retro’s sake. A big band underscores the song’s insistent syncopations and Drew’s pleading vocals like a musical judge and jury nodding along with the defense’s arguments while quietly forming their rationales for a guilty verdict they’d long since unanimously decided in their heads.

    “She Said” may evoke nostalgia, but it doesn’t do so cheaply or lightly. Plan B may know Eminem’s name, but Strickland Banks suggests that Ben Drew has spent a lot more time with his parents’ Smokey Robinson records and that he’s never taken those Lenny Kravitz posters down from his bedroom wall. This is not backward looking music. This is, rather, almost surely what Maroon 5’s next album is going to sound like. Only not as good. (And I sorta like Maroon 5. Just sayin’.)

    The song’s also supported by an instant classic of a video, and Drew is apparently working on a short film of the same title to accompany The Defamation of Strickland Banks which will likely incorporate the videos for record’s singles. If “She Said” is any indication of what the final product might look like, I’m totally in line for the DVD.

  • Big in the U.K.: Scouting For Girls “This Ain’t a Love Song”

    Last month, the band Scouting for Girls scored a number one hit in their native Great Britain with a song called “This Ain’t a Love Song”, the lead single from their just-released (just not released here) sophomore album Everybody Wants To Be On TV. Though the London-based trio has an apparent knack for amiable alterna-pop, drawing easy comparisons to Keane for their pretty pianos-guitars-and-strings arrangments while demonstrating an understated Brit wit and a refreshingly unironic affection for retro pop culture on songs like their delightful 2008 hit single “I Wish I Was James Bond”, they’ve nevertheless been shut out of the American market for the time being – a sad state of affairs considering the general irresistitiblity of “This Ain’t a Love Song”. The video for the song takes place in an airport, an accidentally well-timed theme given that the video came out in the immediate wake of the Eyjafjallajokull eruption when, for a time, large populations were virtually living in European airports awaiting departures.

  • Hot Chip: The Anti-Anti-Boy Band

    The guys in Hot Chip are only too aware that they are not high-school locker pin-up material. But that has never stopped the quintet of English synth-nerds from fancying themselves as the kinds of cheek-boned pop idols guys like me followed avidly in the pages of Smash Hits 25 years ago. Over the last 10 years, they’ve become indie darlings while perfecting a dance pop sound that, for hipsters, comes dangerously (and for me, deliciously) close to something you might hear on Top 40 radio with their fantastic latest album One Life Stand.

    In the hilariously confounding video for the album’s second single “I Feel Better”, an alluring Auto-tune seduction over skipping beats and syncopated synth-strings, the guys play on the notion that they sound like Top 40 but aren’t by portraying themselves as Britain’s Next Boy Band. Six-pack abs and blank supermodel eyes abound! In fact, the parody is so dead-on that it actually fools one of the video’s commenters (“Don’t like boy bands, that said I think English ones are Much better than American ones.”). Those who actually know Hot Chip know immediately it’s a joke, but then the video turns on itself and the joke gets weirdly violent. Only then the video turns on itself again. And gets weirdly violent again.

    Maybe the band is making fun of boy bands, or maybe they’re paying tribute to their own Inner Boy Band, or maybe the band is just video-game laser-zapping the notion that there’s any meaningful distinction to be made between the pop of Hot Chip and the pop of, say, Taio Cruz. And if there is a meaningful distinction to be made there, we need to be ready to see that distinction erased. Interestingly enough, the video implicates, and destroys, not just “Hot Chip” (the boy band), and “Hot Chip” (the resurrected boy band with new lead singer), but also the audience for both (including the real life Hot Chip, who get zapped around 3:25), which is obliterated with the cold efficiency of War of the Worlds martians.


    Hot Chip – I Feel Better
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