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  • Why the Sochi Winter Olympics reminds me of Eurovision…

    Why the Sochi Winter Olympics reminds me of Eurovision…

    Today’s post is all about why the Sochi Winter Olympics reminds me of Eurovision…

    My friend Dave is now living in Ukraine’s capital city, Kiev. I met Dave in 1995, when I was a Peace Corps Volunteer in Armenia and he was a newly returned Peace Corps Volunteer who had served in Russia. Dave had a job at a non-profit aid organization and, since there were few Americans in Armenia in the 90s, we ended up meeting. Years later, Facebook has brought us together again and I have been watching him post many disturbing articles, photos, and videos of the current political unrest going on in Ukraine. Much of what he’s posted has been scary and sobering, but Dave is not above showing off his generous sense of humor. Yesterday, he posted an article from The New Yorker that said people were being “grossed out” because they were being forced to look at half naked photos of Russia’s President Vladimir Putin in their hotel rooms.

    Many people actually believed the article instead of recognizing it as satire. Vladimir Putin is not known for his humility and cuddly personality, after all. The author of the article, Andy Borowitz, cleverly noted in a “quote” supposedly by Putin, “These people who are complaining about what is on their walls should be grateful… At least they got one of the rooms with walls.” Not long after I read this article from The New Yorker, I found a very funny and telling gallery of photos that supposedly show what conditions are like in Sochi right now.

    Having once lived not too far from Sochi, I can attest that these photos are probably pretty accurate.

    Reading about Putin supposedly forcing hapless hotel guests to look at his topless photos in their rooms made me think of an incident that occurred just before the 2009 Eurovision Song Contest. At the time, my husband Bill and I were living in Germany and we made a point of watching Eurovision when it came on television in May. Months before the 2009 contest, there was a controversy involving the song entered by the Republic of Georgia. At the time, the Republic of Georgia was reeling from a political incident that occurred in August 2008 known as the Russia-Georgia war. Georgia was also dealing with political pressure from Putin, who was concerned about Georgia’s desire to join the European Union and increase its dealings with the United States. Bill actually went to Georgia just after the brief war and told me stories of how the Georgians seemed to like Americans a lot more than Russians.

    The Eurovision Song Contest is supposed to be about fostering goodwill among nations in Europe. In that regard, it’s not unlike the Olympic Games. Song entries are not supposed to be political in nature. But I’m guessing that Georgia’s Stephane and 3G couldn’t resist the urge to write a song that really said something. They wrote and performed a song called “We Don’t Want To Put In”. Though the song was eventually deemed too political, Georgia elected to withdraw from the Eurovision Song Contest rather than change the lyrics or replace the song.


    The very catchy disco styled song, “We Don’t Want To Put In” by Stephane and 3G. I can’t help but think it sounds a lot like Disco Inferno by The Trampps.

    When Dave posted that hilarious satirical article about Putin’s shirtless photos, I was immediately reminded of this hilarious and very ballsy entry by the Georgians for the Eurovision Song Contest in 2009. I’m sure as the Winter Olympic Games continue and more things come to light about the state of things in Sochi, the Winter Olympics may remind me even more of Eurovision. On another note, I’ve checked out more of Stephane and 3G’s music and I like it. I even went on iTunes and downloaded the many different versions of “We Don’t Want To Put In”. I guess in a way, the Sochi Winter Olympics is promoting something besides good sportsmanship and goodwill.

  • #46 album of 2013 – Jungle’s Going to Be on My Mind by Jumbling Towers

    Artist: Jumbling Towers

    Album: Jungle’s Going to Be on My Mind

    Jumbling Towers are an energetic lo-fi pop band from St. Louis, and — well, one reason Jungle’s Going to Be on My Mind isn’t ranking higher (aside from the fact that some albums *have* to rank near the bottom of an albums list) is that this is all I’ve been able to learn about them. They play fast, jungles-going-to-be-on-my-mindmelodic, often noisy songs in which guitar, bass, and drums (or drum machine) are supplemented by organ, piano, cacaphonous percussion, and/or strings. Joe DeBoer sings in a high, pinched, clipped and fey faux-British accent — a bit like Colin Meloy of the Decemberists sitting in a room where the air is laced with helium, trying to calmly pretend it’s just fine that someone almost strangled him to death two minutes prior — that ought to be good for enunciation. But the compressed production, the eccentric backup vocals, and the usual presence of instruments in the treble range make it hard for me to pick out full thoughts.

    Which is a shame: the lyrics are probably interesting. Our Rehab Neighborhood, for example — a song where the production leaves occasional room to breathe — appears to be a tale of Mafia-style capitalism, told with dignity, pride, and regrets at the necessary bloodshed and the resulting loss of innocent youthful revelry. Writer’s Strike, dancey ’80s synth-pop with busy drum-machine overridden by squalling bass and treble guitar, seems to imagine something fiercer from the title than I do: “I’m afraid of a radical undertaking/ I’m afraid of infrastructure breaking”. At the Cashier’s Station, a lovely song opening with simple piano and more drum machine, seems to be sketching out, from a friend’s perspective, a sensitive portrait of the aftermath of a romantic breakup; I’m going to assume that’s still the case when the guitars ring in, and DeBoer’s voice is distorted, and he probably isn’t rhyming “bus stop” with “Ewok” no matter what I hear. My Country, a dignified processional centered on piano and rudimentary echoing drum thwacks, celebrates an America of malls, bandwidth, and summer heat waves that “has a mission statement/ and a handle on the value of impatience”. I don’t have any guesses about No Apricot, but I like the interplay of the soft, low bass guitar, the sawing cello, the pretty next-room backup vocals, and the firm unyielding drums, and if it’s about not-apricots, hey, so are most of my favorite songs.

    I will keep track of Jumbling Towers, in part because I think I will like them quite a bit more if they stop overloading the high-range frequencies (perhaps they’re trying to imagine Animal Collective as a twee-pop band?) and start printing their lyrics, both of which might happen. But already they write fine melodies and play them with enthusiasm; their mix of guitar noise, piano, and drum machine is unusual in a pop band; and I can’t help liking DeBoer’s foofy accent. So even if Jungle’s Going to Be on My Mind is all they aspire to, I can have a good time with that.

    – Brian Block

    To see the rest of our favorites, visit our Favorite Albums of 2013 page!

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  • Kids’ music…

    Kids’ music…

    Should I be ashamed to admit that I like kids’ music?

    I’m 41 years old and I don’t have kids or even any nieces or nephews who are young enough to enjoy children’s author Sandra Boynton’s latest book, Frog Trouble. And yet, yesterday morning I bought the album that accompanies her book. Why? Because Alison Krauss sings a song on it and I noticed I liked a lot of the other artists on the book’s soundtrack.

    Alison Krauss – “End of a Summer Storm” from Sandra Boynton’s “Frog Trouble” [Official Music Video] from Crazy Lake Pictures on Vimeo.

    This video was posted on my Facebook feed yesterday. I listened to the song and loved it and went directly to Amazon.com, where I immediately downloaded a copy of the album. This is not the first time I’ve done this. Several years ago, Alison Krauss contributed a beautiful song called “Evermore” to Boynton’s book, Dog Trail. I downloaded that, too.


    This video is not based on the book, but someone on YouTube made a video for “Evermore”.

    I discovered “Evermore” in 2007, when my husband was deployed to Iraq and the song brought me consolation as I worried about his safety every day. Maybe that’s why I’m drawn to kids’ music. It tends to be wholesome and comforting. It often touches the heart or is silly enough to provoke laughter. It lets an adult listener travel back to a time when maybe things weren’t so stressful or scary.

    While Bill was deployed, I also discovered a couple of songs by Raffi that were covered by favorite artists. One song was “Bananaphone”, which Rhonda Vincent and the Rage turned into a fun bluegrass jam.

    This song comes from the Country Goes Raffi album. I’ll admit I am a bit old for it, but it’s a cute song nonetheless.

    Alison Krauss also contributed to that particular compilation with her rendition of “Blessed Be”. Unfortunately, I couldn’t find a video for that song, but it brought me a lot of comfort when Bill was away.

    When I suffered from clinical depression in the late 90s, I found myself purchasing a Sesame Street album. I used to listen to it all the time. I’d put it on the CD player as I drove to work each day. My job at that time was very stressful; I worked at a fine restaurant in Williamsburg, Virginia, where I was regularly berated by co-workers and customers alike. The 45 minute commute to and from work was a good opportunity for me to wind down with something silly. So I’d listen to songs like “Put Down the Duckie” to put myself in a lighthearted mood.


    I can’t tell you how many crappy shifts this song got me through.

    James Taylor’s “Jelly Man Kelly” is a favorite…


    Man, those kids have some lungs!

    And so is his brother Livingston’s song, “Pajamas”…


    This version of “Pajamas” is from In Harmony, which Liv did with his brother, James, Carly and Lucy Simon, Bette Midler, George Benson, Ernie and Cookie Monster, Dr. John, Linda Ronstadt, and Wendy Waldman, among others.

    Another favorite CD during that time was Kenny Loggins’ Return to Pooh Corner. I used to listen to that album all the time in an attempt to chill out and revert to a simpler time.


    I know a lot of people like the title track on that disc, but my favorite song was his rendition of “All The Pretty Little Ponies”. I love how he arranged it.

    Last month, I even bought the soundtrack for The Muppet Movie, a film that debuted when I was seven years old. I remember seeing it in the movie theatre and loving it, but I only just now came into possession of the soundtrack.


    This song always gives me a lump in my throat, even when it’s done by other artists besides Kermit the Frog.


    Even Karen Carpenter sang it!

    And now I think I better quit with the nostalgic kids’ music because I’m starting to get very verklempt.

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