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  • Diana Krall, live in Stuttgart…

    Diana Krall, live in Stuttgart…

    wallflower

    My husband and I were lucky enough to score last minute tickets to see Diana Krall in Stuttgart, Germany…

    It happened over last weekend. A friend of mine who shares my love of beer sent me a private message on Facebook. He wanted to know if my husband Bill and I wanted to see Diana Krall. He followed up by telling me who she is– which I thought was pretty funny because I’ve been listening to Diana Krall for years. I didn’t know she was coming to Stuttgart, though. My friend said he’d really wanted to go to the show. It was a birthday present to himself. But he’s about to leave Germany and the movers were coming to start packing up his house, so he and his wife couldn’t go.

    I’ll be honest. As much as I love music and enjoy hearing it live, I haven’t been to very many concerts. I am not one who enjoys big crowds, traffic jams, or trying to find a parking place. But Bill and I were due for a date night and it had been years since our last concert. In fact, I think the last one we saw was also in Stuttgart, Germany back in March 2009. Lyle Lovett played a great show at the Liederhalle and I remember thinking how nice the venue is and what great seats we had.

    I asked Bill what he thought about seeing Diana Krall in the middle of a work week and I gave him my friend’s deeply discounted ticket price, especially for the awesome seats we had. He gave me a slow yes. We bought the tickets and saw the show, which was to support her latest, rather pop oriented album, Wallflower.

    Bill and I found our seats near the aisle on row eight. My friend had chosen good ones; we had a seat on either one of us free and I had pretty much an unobstructed view of the stage. I could see Diana at her piano, looking slighter than I imagined her to be. She had a fantastic band, the names of whom she mentioned several times. While everyone in the band played effortlessly, the two standout musicians last night besides Krall herself were Anthony Wilson on guitar and the legendary Stuart Duncan on fiddle. Being a bluegrass fan, I had heard of Duncan and enjoyed his playing many times on many albums. I think it may have been my first exposure to Wilson, but it definitely won’t be my last. Upright bass player Dennis Crouch stood by Krall, stoically and expertly playing his large violin and providing structure and texture to the performance. I also enjoyed the drummer and organ players, but their names escape me at the moment. I think it may be because Wilson and Duncan were coming so close to stealing the show!

    The first thing I noticed about Krall’s set list was that she only played a few songs from her latest album; much of the approximately two hour show was devoted to her older, jazzier material. I liked that and so did the many Germans in attendance with us. Accompanied by an interesting and artistic computerized light show, Krall and her band played a whole lot of songs by Nat King Cole, interspersed with more recent hits. I think the standout number last night was “Temptation”, a song by Tom Waits which suits Krall’s smokey vocals and gave her excellent band the chance to show off their skills. Wilson practically looked like he was making love to his guitar, complete with ecstatic facial expressions. Duncan made sounds come from the fiddle that I’ve never heard before… and I loved it! And Krall’s fingers danced nimbly across her keyboards, enthralling the audience as she easily moved from an electronic keyboard to a grand piano. I enjoy Diana Krall’s singing, but I think I love her piano playing much more. She is a very gifted pianist.

    About an hour into the two hour show, Krall’s band departed. She asked the audience not to worry; they weren’t going far. She said they needed beer. I can relate and they’re in a good place to get it. Krall then played several songs alone, including “S’Wonderful”, which is the very first song I ever heard her sing, and “Frim Fram Sauce”. I thought maybe we’d get an intermission, but she kept right on playing, chatting with the audience and telling us about her world tour. She said her eight year old twin boys had a chance to join her for “a little bit”. I couldn’t help but wonder how hard it must be for musicians to leave their families when they tour… but then, as the wife of a retired Army officer, maybe I have more of an idea than many do. She sang “A Case of You”, explaining that she’d had the chance to try some of the local wine, which she really enjoyed. And she played her haunting rendition of “California Dreaming” and Bob Dylan’s “Wallflower”.

    At the end of the show, the Germans were on their feet, demanding an encore. Krall and her band obliged, and included a mesmerizing rendition of “Boulevard of Broken Dreams”. The music was enchanting, but what really got my attention was the visual display, which showed a couple from the 30s dancing. Bill said he thought it might be Marlene Dietrich and I wish I were cultured enough to confirm his suspicions. But watching the dancing couple from the past while listening to Krall and her band play live was breathtaking and I could hear that the audience was as amazed as I was. A baby cried and Diana spontaneously broke into a lovely rendition of “Brahm’s Lullaby”, during which Duncan joined her on fiddle. That made the audience laugh. The child stopped crying, but started again once Krall moved on to the next number. Krall said, “I got lots more where that came from.” eliciting more laughter from the crowd.

    Naturally, there was a standing ovation and Bill and I left the concert hall feeling wonderful. I had to send a note to my local friend, thanking him for letting us buy the tickets. Hopefully, he’ll have the chance to see her in his next duty station in Washington State. As for me, I think I’ve become more of a Diana Krall fan now. Diana Krall’s world tour continues tonight in Frankfurt, Germany. She’ll be in North America next month.

  • Don Henley’s Cass County…

    Don Henley’s Cass County…

    Rating:

    don henley cass county

    I’ve listened to Don Henley’s Cass County and I think it’s a keeper!

    Fall is one of my favorite times of year for many reasons. One of the best reason October rocks is that it’s a good time for new music. Don Henley’s Cass County was released on September 25, but I have been taking the week to get to know this new release. It’s Henley’s first new release in fifteen years and he’s lined up an all star roster of Nashville stars to help him make Cass County a great album. While much of Cass County’s songs are original Henley compositions, quite a few tracks are covers. Henley named this album after Cass County, the county where his hometown of Linden, Texas is located.

    I purchased the sixteen track iTunes deluxe version of this album, though several versions are available. Frankly, if I’d had the ability to, I would have bought Target’s version, which features bonus tracks by Alison Krauss and Stevie Nicks that aren’t the iTunes version. Wal-Mart also has a deluxe version of this album. The standard version is twelve songs and is available on Amazon.com. Unfortunately, the iTunes version doesn’t include liner notes, so I’m left having to guess about some of the personnel.

    Cass County kicks off with “Bramble Rose”, a gentle waltzing ballad featuring Miranda Lambert and Mick Jagger, of all people. Jagger’s distinctive vocals are an interesting addition to this otherwise smooth number. I will admit to not being very familiar with Miranda Lambert’s music, but she has a very pleasing voice that blends well with Henley’s. The three mix wonderfully toward the end of the track as they sing the chorus. I never thought I’d hear Mick Jagger sing anything resembling country music, but I will admit he does fine on this… and recognize that his own style is heavily influenced by rhythm & blues and soul, which is a cousin to country music.

    The next song is “The Cost of Living”, a song Henley performs with Merle Haggard. Henley had commented that singing with Haggard was sort of on his bucket list. Again, a solid track, though it’s not my favorite on this album, nor is it the most memorable.

    The energy kicks up with “No Thank You”, which is a rocker with amusing lyrics. Henley has a reputation for being sometimes difficult and cranky. That crankiness comes out in this song, which sounds like an old codger who’s been there and done that. The more I hear this song, the more I like it, mainly because I identify with its cranky mood. It’s a real “anti bullshit” number… maybe right up there with “Get Over It”, Henley’s 1994 hit with The Eagles.

    I really like “Waiting Tables”, a song that speaks to me because I waited tables for awhile, biding my time until something better came along. This song’s melody reminds me a little of “Tequila Sunrise” and a little by “Learn To Be Still” by The Eagles. It sounds like a song they could have recorded in the 70s and many will identify with it, especially women who grew up in a small town.

    The dramatic ballad “Take A Picture Of This” sounds a little more like Henley’s more recent offerings. It reminds me a little of his sweet love song, “Taking You Home”. It’s followed up by the pretty waltzing tune of “Too Far Gone”, a song that laments love lost.

    Henley teams up with the dynamic Martina McBride on the driving, rock edged song, “That Old Flame”. Henley and McBride sound great together… this song sort of reminds me of when Henley teamed up with Patty Smyth in 1992 and sang “Sometimes Love Just Ain’t Enough”. This song has a similar sound, only it’s more Nashville than rock and roll. And, in fact, the song is about how you can get burned trying to rekindle an old flame. That’s true… there’s usually a reason people break up, right?

    “The Brand New Tennessee Waltz” is a cover of the late Jesse Winchester’s original composition. I like this song because it kind of has an old fashioned feel to it, with lots of acoustic strings and a quick stepping waltzing rhythm.

    “Words Can Break Your Heart” has more of a modern sound. It’s a pensive ballad, again reminding me of “Learn To Be Still”. Unfortunately, this song didn’t successfully download on iTunes and I ended up having to get it from Amazon.com. The woman singing with Henley is not identified. I am guessing it’s Trisha Yearwood, but I’m not sure.

    I don’t have to guess who the lady singer is on the next track. It’s Dolly Parton, still sounding wonderful as she joins Henley on their majestic duet “When I Stop Dreaming”. I read in an interview that Henley had to coax Dolly to sing as high as she does on this song. It was a good instinct on Henley’s part. Dolly is still awesome and a welcome voice on Cass County.

    “Praying For Rain” is an interesting song that will resonate with those who have noticed climate change. It wouldn’t be a Henley album without some mention of the environment, since it’s no secret that Don Henley is a big supporter of environmental causes. It’s a good song with strong lyrics, and it won’t be too surprising to anyone who has listened to Henley’s music over the years. The mandolin accents on the chorus sound tingly, like maybe the fresh drops of rain would feel after a prolonged drought.

    A little saloon piano opens “Too Much Pride”, a song warning against being too hard to satisfy. I wonder how closely Henley follows the advice in this song about “lightening up”. Henley explains in a CMT interview that he knows he has a reputation for being easily upset. He explains he’s a normal guy who isn’t so bad. He just doesn’t satisfy fools gladly. Alright then. I like the song, though. I should probably heed the words myself.

    “She Sings Hymns Out Of Tune” is a cover of a song originally done by The Dillards and written by a little known composer named Jesse Lee Kincaid. Henley explains that he thinks this is a very interesting song. I tend to agree. The lyrics tell a story, again, about an ordinary person with a story.

    It wouldn’t be a country album without a song about a train, right? “Train In The Distance” is a song with a story that brings to mind scenes from the past, of growing up in a small, southern town, seeing Grandma every day and dreaming of what’s beyond the tracks.

    “A Younger Man Now” is a ballad about a guy who admits to his woman that he’s not the man she wants. He sings of not being a knight in shining armor. She’s looking for a younger man than who he is. Perhaps this song could be described as the song before the breakup. I think a lot of men will relate to it, especially if they’ve gotten involved with someone who is trying to change them into someone they aren’t.

    The last track on my iTunes deluxe version of Cass County is another rocker. It’s called “Where I Am Now” and has a lead guitar that sounds very familiar… kind of like the country songs that have been coming out of Nashville for years. This track is different because Don Henley is singing it. The lyrics are pretty cool, though. They’re about a guy who has become comfortable in his own skin. He likes where he is now. So do I.

    If you are living in the States, you have the chance to buy a number of different versions of Cass County. It kind of annoys me that artists do this nowadays, but I guess it’s their way of making more money, especially since people can now download only parts of albums. True fans are liable to buy all the different versions of whatever they’re selling. At this point, I can’t get the Target version of Cass County in Germany. If I were in the States, I’d probably go for that one over the one I have. Your mileage may vary.

    Overall, I think Cass County is worthwhile for Henley’s fans, especially if you like country music.

  • Don Henley has a new album coming out…

    Don Henley has a new album coming out…

    don henley cass county

    and though I think he’s kind of a jerk, I usually buy what Don Henley sells…

    Last night, just before I went to bed, I spotted a news article about singer-songwriter and Eagles front man Don Henley. Cass County, which is due to be released today, is a country album and Henley’s first release in fifteen years. He’s teamed up with a number of noted Nashville musicians, including Miranda Lambert, Trisha Yearwood, Vince Gill, Dolly Parton, and Merle Haggard among others.

    Although I usually think of Don Henley’s music as edgier than his Eagles bandmate, Glenn Frey, I’m not all that surprised that Henley is going country. He has done duets with Trisha Yearwood before and hails from eastern Texas. A lot of The Eagles early songs were somewhat akin to country music. In 1993, a bunch of country stars covered Eagles hits to raise money for Henley’s Walden Woods project. At 68, he’s probably mellowed somewhat, although I see that Mick Jagger is also featured on this new album. I’d try to link to a video, but Henley is well known for not letting his stuff get featured on YouTube.

    I know Don Henley is not known for his personality, but that’s not why I listen to his music. I love his voice and enjoy his songwriting, except when he gets really preachy. Ah hell… I see iTunes already has Cass County ready for download. I’m going to get it and listen. Hopefully, there will be a new review posted soon.

    Sorry it’s been so long since my last post. I’ve been knee deep in life since we moved to Germany and have had some problems with inspiration. Now that fall is here, I’m hoping for some great new releases to review. For now, I think I’ll spend some quality time this weekend with Don Henley. I have a feeling I’ll enjoy his country stylings just fine.