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  • FORTY-FIVE REVOLUTIONS PER MINUTE #6: Reaching Out To Capture A Marmoset

    OTHER BRIGHT COLORS  “Stands To Reason” b/w “Circle Square” (1985)

    Sporting no visible label name or serial number of any sort, Other Bright Colors’ first and only 7-inch appeared magically in stores around the fall of 1985.  This was, as you can guess, a fertile time period for young indie bands in the southeastern US.  Early ’80’s LA punk stalwarts Black Flag had forged a giant path, like a modern-day Lewis & Clark, through the Deep South and the Great Northwest and back again, paving the way for what would become the American Indie Revolution. 

    Soon, kids nationwide were turning burned-out churches and abandoned VFW halls into punk co-ops, creating fanzines and record labels from Xerox paper and glue, and galvanizing bored drop-outs everywhere to stand up and say, “Fuck, we can do this, too!”  Suddenly, it was as if there was a flood of little black plastic discs raining down from the sky.  The “45-as-art” concept that started when Television’s “Little Johnny Jewel” hit the stands in ’74 had now come full-circle.  This was our CNN.  Or maybe not, but whatever it was, it was glorious.  Anyway…

    Hailing from Chapel Hill, NC, Other Bright Colors quickly gained a foothold in the greater East Coast rock clubs with this sweet little teaser of a single.  I remember the thing that caught my eye about it was the way the artwork, a simple handwritten scrawl over orange-and-flesh backdrop with sepia-tone “band frolicking through nature” photo on back, seemed both very D.I.Y. and very professional at the same time.  And the rich music contained on the plastic held even more mystery.

    OTHER BRIGHT COLORS \”Stands To Reason\” on YouTube

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  • New Music In Stores and Online10/7/08: The Streets, Sarah McLachlan, Oasis & More!!!

    Obviously I can’t have a record buying bonanza every week, otherwise I’d go broke. Definitely not a good look in today’s economy. So, this week will mark something of a vacation for me, with only one release that I’m nutso about. Here’s this week’s lineup of releases.

    Mike Skinner AKA The Streets. Photo by "realname".

    The Streets “Everything is Borrowed”:
    Folks on these shores (most of ’em) don’t get Mike Skinner or his style of music. Considering I didn’t think Amy Winehouse would cross over, I think Skinner is long overdue for some American love. “Everything is Borrowed” is his fourth, and reportedly the last album he is releasing under the Streets moniker. Expect more personal raps spiced with enough British slang that you might have to IM your best friend from London to ask “what the hell is he talking about here?”

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  • Infatueighties: #82: “Silent Morning”

    The cover of the 12" single for Noel's "SIlent Morning".
    The cover of the 12

    There’s an undercurrent of mortal fear that runs through “Silent Morning”, the 1987 Latin freestyle hit by Noel. The chorus of “silent morning…I wake up and you’re not by my side” is sung with a tangible sadness that rock critic Dave Marsh somewhat accurately connected with the AIDS scourge that was terrorizing the gay community in the mid-late Eighties. A little research reveals that the original title of the song was “Silent Mourning”, underscoring the shock many of the people who were dancing to the song at the height of its’ popularity felt as they saw many of their friends and lovers suddenly dying.

    Like many freestyle hits of the time period, “Silent Morning” isn’t particularly well-known to the general public. However, if you were living in Miami, L.A. or New York during the time period it was out, this song was ridiculously fucking huge. Noel Pagan’s two hits (“Morning” and “Like a Child”) are now fodder for “Oldies” nights at clubs and on radio stations, or freestyle reunion shows in which Noel shares the stage with contemporaries like The Cover Girls and TKA. However, next time you hear this song, keep in mind that some of the folks dancing to it may be doing so in celebration of lives that were lost much too soon.