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  • Chart Chat 9/24/09: The MTV Bump

    Three big pieces of news on the Billboard Album charts this week…

    First, there were debuts aplenty thanks to a majorly packed new release schedule. Top honors went to Brit prog-rockers Muse, who entered at #3 on the strength of 128,000 copies sold. It’s their best first week and highest debut ever. Right behind is Kanye West protege Kid Cudi, who clears a handsome 104K with his debut. Hip-hop phenom Drake enters at #6 with his first commercially released EP, and rapper Lil’ Boosie (yeah, I don’t know who he is either) starts off at #7. The top 10’s other debut comes from metal veterans Megadeth. Dave Mustaine and company enter the charts at #9 with 45K sold.

    There are a couple of long-awaited returns to the chart. Kiss’s Ace Frehley, who hasn’t released a solo album in something like two decades, arrives at #27 with “Anomaly”, proving that the KISS Army is very much still in effect. Other returning vets include Uncle Kracker, who’s been gone for the better part of a half-decade (#38) and Living Colour earning their first chart ink since 1993 at #161.

    Speaking of effects…how about the Oprah effect? Thanks to Whitney Houston’s season-opening two day interview with the TV queen, “I Look to You” holds at #2 for a second week, increasing 77% in scans to sell 156K for the week. This vaults Whitney’s album over the 500K mark in a scant three weeks. I hope she sent Oprah flowers or something.

    And then there’s the MTV Awards effect, which benefited just about every artist who presented and performed. Jay-Z’s “Blueprint 3” took a smaller than usual second-week hit, dropping 37% to land at 298K for the week and a second frame at #1. Jay’s album is only a couple of weeks away from outdistancing the sales of his last record, “American Gangster”, which rang up just over 1.1 million in sales. Additionally, the song that closed the show, “Empire State of Mind”, vaults to the top of the downloaded tracks chart and jumps from 50-5 on the Top 100 singles chart, giving Jay two singles in the Top 5. Additionally, “Run This Town”, his current track with Kanye and Rihanna, jumps to #2, becoming the highest charting single ever for Jay-Z as a lead artist. As a featured artist, he’s had 3 #1s-Mariah Carey’s “Heartbreaker”, Beyonce’s “Crazy in Love” and Rihanna’s “Umbrella”

    Other MTV performers who made noise this week include Lady Gaga (#12/+76%), Pink (#28/ +95%) and Green Day (#54/ +17%).

    Now for the question you’ve all been itching to ask: how did the Taylor Swift/Kanye West/Beyonce fiasco affect sales? Well, here goes:

    Swift’s “You Belong with Me” becomes the first country song to rise to the top of Billboard’s Hot 100 airplay chart in the chart’s 18 year history. The track picks up 60% in downloads to land at #9 on this week’s Top Digital Songs chart and also climbs two spots to #4 on the Hot 100 singles chart (which combines digital and physical sales with airplay). Her nearly quadruple-platinum album “Fearless” increases 37% and lands at #8 on this week’s Billboard 200 Album chart. It’s the week’s biggest-selling country album.

    Beyonce’s “I Am…Sasha Fierce” increases 40% in scans to land at #40 on the album chart. “Fierce” has sold almost 2.5 million copies in a year on the charts. Her award-winning “Single Ladies” track jumps from 106-43 on this week’s Top Digital Songs chart, increasing 159% from last week’s total. In addition, the current single from “Fierce”, “Sweet Dreams”, has just become the sixth Top 40 hit from that album, putting her within shouting distance of tying Janet Jackson (who did it twice) and Rihanna for the record in this category.

    Meanwhile, Kanye West’s “808s & Heartbreak” drops 7% in scans this week. It’s hard to tell if his spaz out hurt sales, as “808s” had experienced a 6% slide the previous week and a 7% slide the week before that. “808s” has already scanned 1.6 million copies. However, despite declining sales, don’t cry for Mr. West. Aside from being the main producer of the week’s #1 album and the mentor of the artist at #4, Kanye has two songs in this week’s Top 10. The aforementioned “Run This Town” shoots up two spots to land at #2, and he debuts on the chart at #8, accompanying Drake, Lil Wayne and Eminem on “Forever”. As they say, there’s no such thing as bad publicity as long as they spell your name right.

    Expect Jay to have another strong week next week, although he will be outshone by the new Pearl Jam album, which has an excellent chance at debuting on top.

    Here are this week’s top 20 Albums (I’m using Billboard’s Comprehensive Albums chart, which includes older titles, which is why there’s a discrepancy between some of the chart positions here and some of the positions I mentioned earlier):

    1) Jay-Z “Blueprint 3”

    2) Whitney Houston “I Look to You”

    3) Muse “Resistance”

    4) Kid Cudi “Man on the Moon: The End of the Day”

    5) Miley Cyrus “Time of Our Lives EP”

    6) Drake “So Far Gone EP”

    7) The Beatles “Abbey Road”

    8) Lil Boosie “Superman: The Return of Lil Boosie”

    9) Michael Jackson “Number Ones”

    10) Taylor Swift “Fearless”

    11) Megadeth “Endgame”

    12) The Beatles “Sgt. Pepper’s Lonely Hearts Club Band”

    13) The Black Eyed Peas “The EN.D. (The Energy Never Dies)”

    14) Kings of Leon “Only by the Night”

    15) Lady Gaga “The Fame”

    16) The Beatles “The Beatles (The White Album)”

    17) The Beatles “Rubber Soul”

    18) Zac Brown Band “Foundation”

    19) Trey Songz “Ready”

    20) Brooks & Dunn “#1s…and Then Some”

  • Happy Birthday Boss

    The day may almost be over, but we at SonicClash would be remiss if we didn’t acknowledge the fact that September 23, 2009 marks the 60th birthday of one Bruce Springsteen.

    New Jersey’s favorite son, in a 35+ year career, has won Grammys, Oscars and established himself as one of the most important songwriters of all time. As important as he is as a songwriter and singer (and bandleader), he also deserves notice as one of the most politically aware musicians of our time. Through the years, he’s remained as culturally and commercially relevant as ever, what with his Super Bowl performance this year (immediately after which he scored his eighth #1 album with “Workin’ on a Dream”.

    For the record, my favorite Bruce album was and always will be 1987’s “Tunnel of Love”. Although nothing on the album would even remotely qualify as cheery (and would thus be wildly inappropriate for a birthday celebration), I’m gonna post a video from it anyway, ’cause i’m contrary like that! Happy birthday Bruce!!

  • 2010 Rock ‘n Roll Hall of Fame Nominees: A Musical Smorgasbord

    Rock snobs, get ready to argue.

    The Rock ‘n Roll Hall of Fame has just announced the nominees for their 2010 induction ceremony. Of these twelve nominees, five will be inducted. As usual, there is plenty of diversity in the nominees and there are a couple of head-scratchers here as well.

    The 12 finalists are Swedish pop icons ABBA, prototype girl group The Chantels, reggae legend Jimmy Cliff, prog-rock turned pop supergroup Genesis, sixties (and early seventies) favorites The Hollies, the legendary KISS, hip-hop ambassador LL Cool J, Darlene Love (another girl-group icon), soulful singer-songwriter Laura Nyro, funk-rock mainstays The Red Hot Chili Peppers, Iggy Pop & the Stooges, and disco queen Donna Summer.

    One bone of contention is the somewhat (OK, very) racist notion that some of these artists are not “rock ‘n roll”, since most of America thinks that rock ‘n roll is almost entirely a white male phenomenon (and you know this is true). However, most intelligent music fans are aware that rock ‘n roll is more or less an umbrella term for any popular music recorded in the past 55 or so years. My point being that everyone on this list can be considered rock ‘n roll in some way, shape or form.

    Usually, the other bone of contention has to do with omissions. KISS fans have complained long and hard about their icons not being in the HOF, and I think the band’s chances are actually pretty good this year. However, people will always have beefs, whether it’s the HOF’s seeming phobia towards prog-rock, or their bias towards more pop-oriented (but equally legendary) acts like Chicago and Hall & Oates, or the fact that there’s no Joy Division, New Order or Depeche Mode in the HOF yet. Hey, synthesizers rock, too!

    While I’m certainly aware of the influence that the Chantels and Darlene Love had on rock ‘n roll during its’ formative years, I also can’t say that I’m terribly familiar with their music, as my musical education pretty much starts with The Beatles and early Motown. Despite the fact that “The Harder They Come” is an amazing soundtrack, that’s really Jimmy Cliff’s only claim to fame, and plenty of that soundtrack was performed by other artists. I think ABBA’s way too lightweight to appear in ANYONE’s Hall of Fame, and while I love me some Laura Nyro, I don’t know exactly how influential she was in the grand scheme of things.

    So, my final five (and I think the five that will most likely be inducted this year):

    KISS: Because, yes, they do deserve it. They’re icons, and you don’t maintain a 35-year career without being talented. Even if Gene Simmons is a cocksnot. Besides, once they’re inducted, their fans will finally S.T.F.U.

    Genesis: Peter Gabriel was one of the most influential (and theatrical) frontmen of his time, and the band’s Phil Collins-era hits were some of the most catchy and well-crafted pop music of their time.

    The Stooges: Iggy is already in as a solo artist, yes? This is another situation where fans have complained long and hard about this. As unfamiliar as I am with their music, I can definitely say that many of my favorite bands have listed these guys as an influence.

    Red Hot Chili Peppers: Although all the music they’ve recorded over the past decade has sounded exactly the same, there’s no denying the power of their early material. Their combination of funk and rock was wildly influential, and (for better or for worse), they helped kick off the whole rap-rock/nu metal era. Plus, they are one of the greatest live bands of all time.

    LL Cool J: Another artist whose mediocre recent material may come back to haunt him. Yet you can’t deny how influential LL has been in the world of hip-hop. Along with Run-DMC, he broke down the doors for rappers to gain mainstream acceptance, and he was the first emcee to successfully bridge the gap between hardcore and pop-friedly. Besides, this dude is the Lazarus of hip-hop.

    While I’m a Donna Summer fan, I can honestly say that the only disco acts that belong in the Rock ‘n Roll Hall of Fame are Madonna (who’s in) and Chic (who aren’t). We’ll let her be the wild card here.

    Who else do you feel should be included in the R&R HOF??

    Check out the Hall of Fame’s official website here.