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  • Rock On The Charts: Mainstream & Modern Rock Charts Wk of 9/22

    Mainstream Rock

    1. Bad Girlfriend/Theory Of A Deadman (17 weeks on chart, Peak#1)
    2. The Day That Never Comes/Metallica  (5 weeks on chart, Peak#1)
    3. Rock & Roll Train/AC/DC (4 weeks on chart, Peak#3)
    4. Use Me/Hinder (11 weeks on chart, Peak#3)
    5. Believe/Staind (13 weeks on chart, Peak#4)
    6. I Don’t Care/Apocalyptica Featuring Adam Gontier (13 weeks on chart, Peak#6)
    7. Too Drunk…/Buckcherry (10 weeks on chart, Peak#7)
    8. Psychosocial/Slipknot (13 weeks on chart, Peak#8)
    9. Addicted/Saving Abel (33 weeks on chart, Peak#2)
    10. Train/Three Doors Down (18 weeks on chart, Peak#10)

    Analysis:

    Theory Of A Deadman regains the #1 spot with their sentimental rocker about a relationship gone sour.  The song is beginning to grow on me….  AC/DC stays put at #3, I’m still waiting for them to hit the top spot which I think is going to happen in the next two weeks….  Use Me by Hinder might make my Top #5 singles of the year, the song really kicks ass…  Did anybody think Three Doors Down would be still be relevant in today’s music scene? almost ten years after their debut?  They enter the Top 10 with their second single (Train) from their self-titled new album… I’m curious to see if Tesla can make the Top 10 with their new single, I Wanna Live, which is getting a lot of local radio play.  They haven’t had a Top 10 Mainstream Rock hit since 1994’s Mama’s Fool which peaked at #5…  Not much else movement this week.

    Modern Rock

    1. You’re Gonna Go So Far Kid/The Offspring (9 weeks on chart, Peak#1)
    2. Believe/Staind (13 weeks on chart, Peak#1)
    3. Troublemaker/Weezer (11 weeks on chart, Peak#3)
    4. I’m Not Over/Carolina Liar (21 weeks on chart, Peak#3)
    5. Re-Education (Through Labor)/Rise Against (5 weeks on chart, Peak#5)
    6. The Day That Never Comes/Metallica  (6 weeks on chart, Peak#5)
    7. Let It Die/Foo Fighters (25 weeks on chart, Peak#1)
    8. I Don’t Care/Apocalyptica Featuring Adam Gontier (12 weeks on chart, Peak#8)
    9. Viva La Vida/Coldplay (16 weeks on chart, Peak#1)
    10. Into The Fire/Disturbed (26 weeks on chart, Peak#4)

    Analysis:

    The Offspring grab the #1 spot with their new single which is their third ever #1, and their first since Hit That topped the Modern Rock charts in 2004.  Personally, I think the song is pretty bland, and it hasn’t gotten much exposure on my local rock radio.  Maybe I’m listening at the wrong times…  Can Weezer get their new song to the top spot and make it two #1 Modern Rock singles from the new album?  Maybe, maybe not!…Rise Against was the biggest mover up three spots to #5 with their new single.  I have to do my homework on these guys as I’m not too aware of what they are all about.

  • Paul’s Found Vinyl – Episode 2: Eric Martin Band

    Artist: Eric Martin Band
    Title: Sucker for a Pretty Face
    Label/No.: Elektra 60238
    Year: 1983
    Peak Chart Position: #191
    Producers: Kevin Elson and Rodney Mills
    Singles: “Sucker for a Pretty Face” (Mainstream Rock #42); “Don’t Stop” (didn’t chart)

    SIDE A:
    Sucker for a Pretty Face
    Don’t Stop
    Private Life
    Ten Feet Tall
    Letting It Out

    SIDE B:
    Young At Heart
    Just Another Pretty Boy
    One More Time
    Catch Me If You Can
    Love Me

    Judging by the Cover: Looks very power pop to me. The little earring. The heavily shellacked junior mullet look. The rouged cheekbones, and coy androgyny of the sideways glance. The voluptuous pink lips. The black jacket over the red t-shirt, and a lapel pin of the band’s logo. Seriously, what’s not to love. Except, yikes! That creepily exploitive silhouette in the background! Still… his face looks familiar. Where have I seen him before? Oh, shit. What have I done? Do you know what this is? Do you know who this is? Here’s a hint: I’m the one who wants to be with you, deep inside I hope you feel it too.

    What It Sounds Like: Yup, by the end of the decade, Eric Martin would be the lead singer of one of the wankingest hair metal bands ever: Mr. Big. But in 1983, he was leading an eponymous sextet (the other five are pictured with comically feathered hair and blank looks on the back cover) playing the kind of soul-destroying-but-super-catchy hard rock (with keyboards!) that other, arguably more talented bands like Survivor and Journey were taking to the bank. As demonstrated by this LP, the Eric Martin Band really could have been contendahs in the 80s second-tier film soundtrack sweepstakes. Their sound has just the sort of crassly generic bigness that would sound great next to, say, a montage featuring Ralph Macchio preparing himself for, like, the challenge (any challenge) of a lifetime. Needless to say, I love it. The title track has a galloping beat that’s hard not to love, and other songs like “Ten Feet Tall”, the piano-driven, Hammond-organ accented “Private Life”, and “Just Another Pretty Boy” all have an appealing bar band feel to them (that is the kind of bar band that plays in a bar in a 1983 Demi Moore vehicle) that seems thankfully far removed from the Hollywood pop metal scene of the early 90s. On the other hand, the ballads that close both sides of the LP rival Air Supply for pure, shameless, guilty-pleasure treacle. As it turns out, Eric Martin did land himself a spot on the soundtrack of the 1984 film Teachers (starring Nick Nolte and – what? – Ralph Macchio!). But that song isn’t here. (And frankly, though I remember loving it when I was in junior high, it’s been ages since I’ve seen Teachers, so I couldn’t tell you what scene you’ll hear Eric Martin singing in.)

    Recommended If You Like: Survivor (the band, not the TV show), Journey, Second-Tier Sports Movies, Feathered Hair and Jumpsuits

    CD Availability: In the late 90s, “Sucker for a Pretty Face” was reissued in Japan with newer, more generic cover art, and five bonus tracks. Right now, the cheapest you’ll pay for it on Amazon though is $55. Yikes. Keep the vinyl – it’s good.

    The Highlight Reel: Snippets of “Sucker for a Pretty Face”, “Private Life”, “Ten Feet Tall”, “Just Another Pretty Boy”, and “One More Time”

  • Another Way To Die (The New James Bond Theme) Hits The Internet

    http://www.007.com/popup/wallpapers/images/qos_keyart_1280x1024.jpg

    What do Paul McCartney, Chris Cornell, Sheena Easton, Rita Coolidge, Tina Turner, and Sheryl Crow all have in common?  They all performed a song that was featured in a James Bond movie.  And now we can add the duo of Jack White and Alicia Keys to this list.  Hmm? Did you ever think you would see these two heavyweights team up for a song?  I sure as hell never did.  Their collaboration, Another Way To Die, from the upcoming James Bond movie which hits theaters in November, has just begun streaming at http://www.thirdmanrecords.com.

    The song has that unique dark sound that identifies it as a Bond tune, but from the opening guitar riff you can tell immediately it’s something from the White Stripes.   The combination of piano, guitars, and full on orchestra to open the song is amazing.   You can also hear the distinct R&B sound in the song to remind you that this isn’t going to be just a rock & roll tune. The vocals don’t come on for about a minute, with Jack White singing the opening lyric, and then the two trading off.  I was figuring Alicia Keys would be doing the vocals, with Jack White also writing the song and contributing the back-up vocals and guitar work.  I’m glad I was wrong.  Although I respect Alicia Keys, it’s Jack White’s contribution I was more interested in.  You also get the familiar random Jack White guitar riffs in the middle of the song.  Another Way To Die is surprisingly good, and I can’t wait to hear it over the opening credits of the new Bond Movie.

    I give it 4 Stars.  Good stuff, as Jack White usually never lets me down.

    For shits and giggles, here is my personal Top 5 Bond Themes:

    1) For Your Eyes Only/Sheena Easton

    2) A View To A Kill/Duran Duran

    3) Thunderball/Tom Jones

    4) Goldfinger/Shirley Bassey

    5) You Know My Name/Chris Cornell  (From Casino Royale)

    And the the worst was Madonna’s Die Another Day.  Uggh!