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Category: News

music-news-from-breakups-to-the-lastest-buzz

  • First Look: Eminem’s “We Need You”

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    Honestly, Marshall? No, we don’t. Not anymore, anyway.

    Mr. Mathers has been sliding down the slippery slope of suck ever since peaking with “The Marshall Mathers LP”, which celebrates its’ 9th birthday in a month or so. Not to say Eminem has lost his gift of gab-he’s just been at a loss for interesting subject matter. The more of a star he became, the less righteous rage he could muster up. This is why his last studio album, “Encore” (which is nearly five years old now), struggled to stay afloat. For every righteously indignant masterpiece like “Mosh”, there were twice as many pee and poo jokes-things that might have been appropriate for Em’s daughter Hailie, but not for the hip-hop fans who’d anointed Slim Shady one of the best emcees of all time.

    Those of you that thought a few years off might recharge Eminem’s creative batteries? Sorry, y’all. “We Need You” finds Eminem right where we left him. His flow is still ridiculous, but who told him to keep rhyming in that idiotic Triumph the Insult Comic Dog voice? Who told him that people still care about Jessica Simpson? (surely, he must read Billboard). Just like the first singles from each of his past three LPs (I say that since we don’t know where “Crack a Bottle” will end up), Eminem has gone ultra-pop and has resorted to cheap jokes to grab a hit, and the sad thing is, he still has a ton of fans who will eat this shit up. It’s sad.

    You can check out this piece of hot garbage here on MTV.com.

  • New Release of the Week 4/7/09: Rascal Flatts

    flattsBased on this week’s articles so far, you might think we’ve turned into a country website. Never fear, the cowboy hat is only temporarry, but country music informs this week’s new release column as well.

    Fresh off their ACM win for Best Country Group (unseating Brooks & Dunn after something like 14 straight wins), Rascal Flatts release their new album, “Unstoppable”, today. Now, I don’t have a problem with these guys per se. Let’s face it, most modern country acts are pretty vanilla. But, as I’ve said in a column before, Rascal Flatts is basically *Nsync with tight jeans and cowboy boots. I’ve honestly got no desire to seek out music by them, but if something’s playing, I won’t change the station. Nevertheless, these guys sell kajillions of records without my help. Watch for them to challenge U2 for the best-selling first week of the year so far.

    Here are some of today’s other hot releases:

    Billy Ray Cyrus “Back to Tennessee”– Talk about improbable comebacks. Turns out all Billy Ray Cyrus had to do to remain relevant was cut his mullet off and have a kid. Since Miley’s career blossomed two or three years ago, Billy Ray has undergone a career resurgence. “Back to Tennessee” is poised to continue that hot streak. Not so coincidentally, it contains duets with Miley, as well as a song that will be featured in Miley’s upcoming “Hannah Montana” movie.

    Fat Joe “Jealous Ones Still Envy 2”– Fat Joe is one of those guys who has just kinda stuck around for no good reason. A couple of catchy singles here and there shouldn’t take away from the fact that Mr. Cartegena is pretty much a one-note rapper. A head-scratcher in my eyes is how he seemed to improve as a rapper as soon as Big Pun came on the scene. While I believe that the man hires some solid ghostwriters, that has yet to be proven. “J.O.S.E. 2” features guest appearances by (surprise) Akon, (bigger surprise) T-Pain, and (oh my God!) Lil’ Wayne

    Jadakiss “The Last Kiss” -Five years between albums for a moderately successful rapper should be a career-killer, and I don’t think anyone expects the former LOX member to break any sales records with this album-he’s simply been away for too long, and as everyone knows, the tastes of rap fans are very fickle. “The Last Kiss”, his first album for Roc-a-Fella Records (does Jay-Z even have anything to do with this label anymore) thankfully does not feature Akon, T-Pain or Lil’ Wayne, but does feature Ne-Yo, several members of the Wu-Tang Clan, and Faith Evans on “Letter to B.I.G.”, which was released earlier this year on the “Notorious” soundtrack.

    Jason Aldean “Wide Open”– Quiet as kept, Aldean’s career has gotten off to a pretty solid start. His 2005 debut went Platinum, and the follow-up went Gold. Current single “She’s Country” has blasted up the charts, which augurs good things for his third album. Will this album bring Jason up to the ranks of guys like Kenny Chesney, Tim McGraw, Keith Urban and Brad Paisley? Hard to tell, but this is one to definitely keep an eye on. He’s pretty easy on the eyes, too.

    James Taylor “Other Covers”– I love JT. Really I do. But damn man, think of some more original album titles, PLEASE. His first covers set, released last year, was called simply “Covers”. So he’s releasing a follow-up EP and what does he call it? “Other Covers”. Maybe his next album will be called “Album”. Or “Songs”. Anyhow, Taylor’s getting a little soulful here. Among the songs he tackles are Wilson Pickett’s “In the Midnight Hour” and Eddie Floyd’s “Knock on Wood”. I just got a mental picture of JT doing “Knock on Wood” in disco style a la Amii Stewart. Gave me a little chuckle. Ha.

    You can get a full list of today’s releases here.

  • Jamie Foxx Gets It WRONG

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    I was watching the Academy of Country Music Awards last night, when Jamie Foxx came on & made a complete fool of himself. He told the audience what a BIG fan he is of country music. He was making a point of saying how radical it was to see a black man onstage at a country music event. “Darius Rucker, WOW!”, said Jamie.

    Boy, what a fan Jamie is! I guess he’s never heard of Charlie Pride, an African American country singer who has had 36 number one songs on the Billboard country music charts, and who is a member of the Grand Old Opry. Or perhaps he’s never heard of Cleve Francis, another African American country singer who released three albums on the Liberty Records label, and had four of his singles on the Billboard country music charts.

    By trying to be hip & cutting edge & jump on the Obama train, Jamie’s done a major disservice to all African American country artists, and to the entire genre of country music. He’s severely understating the accomplishments of his fellow African Americans, and looked very foolish in the process. If you’re going to get up at an awards show, at least know what you’re talking about……