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Pop Rock Nation

Category: News

music-news-from-breakups-to-the-lastest-buzz

  • First Listen: Dave Matthews Band’s “Funny the Way it Is”

    dmb

    I have no problem admitting that when it comes to Dave Matthews Band, I am coo coo for Cocoa Puffs. I’ve seen them more than any other band I’ve ever seen in concert (truth be told, I’ve lost count. But I’m somewhere between 11-15 times). Not only are these guys tighter musically than Ralphie May in Spandex, but there’s something in Dave’s lyrics that speaks to me. Does that mean I’m an overgrown frat boy? Possibly. Hippie? Maybe. Do I smoke too much pot? Well, some may argue that there’s no such thing as too much pot.

    Anyway, “Funny the Way it Is” is the first single from “Big Whiskey & the GrooGrux King”, DMB’s upcoming album. Due out June 2nd, it’s the band’s first album without saxophonist LeRoi Moore, who tragically passed away last year from complications resulting from injuries sustained in an ATV accident. As any DMB fan would probably suspect, the band is celebrating LeRoi’s life more than they are mourning his death, and “Big Whiskey” will contain a healthy amount of input from Moore, scrounged up from hours of tape they had of him performing.

    “Big Whiskey” is produced by Rob Cavallo, who has worked with everyone from the Goo Goo Dolls to Green Day, and the song is fairly recognizable as one of his productions. It’s got a crunchy rock sound, polished to a gleam. The lyrics are typical Matthews musings. Although his songwriting has grown by leaps and bounds over the past fifteen years, you can still spot a Dave lyric pretty easily. Overall, I like the song (and enjoy it more with each listen), and think this bodes quite well for the new album.

  • New Release of the Week 4/14/09: Day26

    day26

    Not exactly the most exciting week for new releases (man, how much have I been saying THAT lately?), we begin this week’s column with a group that begs two questions: What happened to the R&B group? and Are there any acts left on Bad Boy Records? Shit, think back fifteen years, and the R&B scene was littered with groups: Boyz II Men, Jodeci, Shai, Silk, Intro, Hi-Five, Color Me Badd…now I can barely think of any besides Mint Condition (the only R&B band left on the scene). BIIM’s last release was a covers record,  New Edition pretty much now exists only as a touring group, and everyone else broke up, it seems. What the hell, man?

    Similarly, remember when Bad Boy’s roster boasted The Notorious B.I.G., Faith Evans, Mase, 112 and a handful of others? Well, Biggie’s dead, Mase found Jesus (again), 112 split up, Faith switched labels, and the only acts left on Bad Boy appear to be Diddy himself, Cassie (who really doesn’t need to release another albums) and Day26. Although I’m not the biggest fan (actually, I’m not a fan at all), I at least give props to these cats for carrying the torch.

    Here’s some other stuff hitting stores this week that you may find interesting.

    Beck “One Foot in the Grave” (remastered w/bonus tracks)– Remember when Beck first came out, he had two record deals? His pop stuff was released through Geffen, while his more indie-flavored, uncommercial stuff was free to be released on other labels? Well, for those who don’t remember, “One Foot in the Grave” was the first of those lo-fi recordings after the success of “Mellow Gold” in ’94. Me? I’m not so much a fan of lo-fi Beck, but it’s nice to see his work getting the deluxe treatment.

    Easy Star All Stars “Easy Star’s Lonely Hearts Dub Band”-Following in the footsteps of “Dub Side of the Moon” and “Radiodread” (which tackled “OK Computer”), this album features a reggae makeover of the entire “Sgt. Pepper’s…” album. Not sure how appealing that sounds to you if you’re a Beatles fan, but the previous installments of this series have been quite listenable, actually. The album features everyone from Jamaican legends Steel Pulse to the hellbent-on-proving-he’s-not-a-one-hit-wonder Matisyahu. Remember him?

    Fastball “Little White Lies”– Those of you who thought Fastball disappeared after scoring smash hits with “Out of My Head” and “The Way”, well, you’re wrong. The power-pop trio is back with their first album in five years. Although I don’t know much beyond the two singles, I have friends who swear these guys can do no wrong, and they certainly have a way with a hook. This one might be worth a listen.

    Bernie WIlliams “Moving Forward”-Although my body is in Boston these days, my baseball heart will always be with the Yankees (that sound you just heard was me getting kicked in the head by 100 Red Sox fans). Retired Yank Bernie Williams has released albums of his instrumental guitar work before, and they’ve been surprisingly well-received-or at least well-received enough that I can’t think of a comparable athlete’s venture into music that was as successful. Anyway, Bernie pulled in the big guns for this release, as he got Bruce Springsteen to appear on this album. I always knew The Boss had good taste in baseball teams.

    Get your complete list of this week’s new releases here.

  • Grinding My Gears: More on the ACM Awards

    WTF is up with Taylor Swift? The girl CANNOT sing. Period. Not even close. I saw her on “Saturday Night Live” and she was so bad that it was truly embarrassing. Yet I like her records. Just shows the magic that Autotune can do for a mediocre singer.

    Rascal Flatts once again annoyed me. They won Best Vocal Group for the seventh straight year, beating the record set by Alabama. Lead singer Gary LeVox mused “gee, now I think I know what Brooks & Dunn feel like”. Uh, Gary, you will NEVER be Kix Brooks OR Ronnie Dunn. Brooks & Dunn have had 40 singles on the Billboard charts, 20 of which reached #1. Rascall Flatts have had 23 singles chart, with nine hitting #1. Rascall Flatts are a smarmy, cheesy brand of country that just irritates the hell out of me. Maybe it’s because I’m getting older, maybe it’s because I like a lot of “old time” country, but I’d rather hear George Strait than Sugarland. I’d rather hear Alabama than Rascall Flatts. I think there are artists (like Kenny Chesney) who started out writing great, heartfelt songs (“There Goes My Life”, “The Good Stuff”) and have caved to the “weekend warrior” country fans & started writing “let’s go to the bar & get drunk” songs (“Have Another Beer In Mexico”, or any of the last few Kenny singles). Artists like Brad Paisley straddle the line (I think he’s great, but that “Ticks” song, well, it just ticked me off…). While I realize that Keith Urban draws more people to his shows than Alan Jackson, how country is Keith? He’s a good looking guy, with an enormous (mostly female) following, but his songs could fit just as well on pop radio. (I’d love to see David Allan Coe open for Keith, just to see the looks on those ladies faces……)

    With the music business in the current state that it’s in, I should be happy that Keith & Rascall Flatts are selling as many records as they do. I just like my country…with a little bit more country in it.