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Author: Money Mike

  • SonicClash Handicaps The Grammys Part 1: Rap

    jiggaGrammy has had an interesting relationship with hip-hop over the years. They didn’t institute a rap category until 1988, and for those first few years, it seemed like the rap categories were some kind of joke. They went to safe-rap artists like Young MC and DJ Jazzy Jeff & the Fresh Prince, while unquestionably more talented artists like Public Enemy went winless. Hell, I’m not sure if Ice Cube, an undisputed hip-hop legend, has ever even been NOMINATED for one of those statues.

    Over the past years, Grammy’s reputation has gotten better, although it could be argued that they still play it safe to an extent. Eminem, Kanye West and OutKast have almost completely ruled the rap category this decade, with Jay-Z swooping in for a few trophies along the way. This year’s nominees don’t offer anything embarrassing, but I wonder if seeing the same names over and over is an indication of Grammy’s unwillingness to look beyond the status quo or an indication of how much hip-hop fuckin’ sucks these days.

    Anyway, here are the nominees in the rap categories

    Best Rap Solo Performance

    • Roc Boys (And The Winner Is)…(Jay-Z)/ A Milli (Lil Wayne)/ Paris, Tokyo
      (Lupe Fiasco) / N.i.*.*.e.r. (The Slave And The Master)(Nas)/ Sexual Eruption
      (Snoop Dogg)

    Will Win: Jay-Z

    Should Win: Jay-Z

    WTF?: After the kind of year T.I. had, where the hell is he?

    All five nominees in this category are pretty solid. However, Nas’s track is a political hot potato, which should be enough for it to not win. Snoop’s song is more singing than rapping (as good as it is), and Lupe Fiasco, despite a Grammy win already, isn’t well known enough to take this one home. There’s the possibility that Wayne could walk away with this in light of having the biggest selling album of the year, but I go with Jay-Z, due to his previous Grammy success (one of his five trophies is in this category for “99 Problems”) and because his song’s the best of the five nominees.

    Best Rap Performance By A Duo Or Group

    • Royal Flush (Big Boi Featuring Raekwon And Andre 3000)/ Swagga Like Us (Jay-Z & T.I. Featuring Kanye West & Lil Wayne)/
      Mr. Carter (Lil Wayne Featuring Jay-Z)/ Wish You Would (Ludacris Featuring T.I.)/ Put On (Young Jeezy Featuring Kanye West)

    Will Win: “Swagga Like Us”

    Should Win: This category sucks

    WTF: The Roots (previous Grammy winners) made a great record, and they’re actually a rap GROUP as opposed to a superstar collaboration. Where are they?

    Despite the fact that all four artists on the song are nominated elsewhere in the SAME category, or maybe because of it, this one’s a no-brainer for the “Swagga” camp. The fact that they’re performing on the show seals the deal. The only other song that has a snowflake’s chance in hell is “Mr. Carter”. The Big Boi and Ludacris songs aren’t especially well-known, and while “Put On” was the biggest hit, I just can’t see Young Jeezy winning a Grammy.

    Best Rap/Sung Collaboration

    • American Boy (Estelle Featuring Kanye West)/ Low (Flo Rida Featuring T-Pain)/ Green Light (John Legend & Andre 3000)/ Got Money
      (Lil Wayne Featuring T-Pain)/ Superstar (Lupe Fiasco Featuring Matthew Santos)

    Will Win: “American Boy”

    Should Win: “Green Light”

    WTF?: T-Pain gets nominated twice. Sigh.

    Well, the good thing about seeing T-Pain twice in this category is that he’ll more than likely cancel himself out, leaving three songs with a legitimate chance of winning (despite “Low” being the year’s biggest single, I can’t imagine anyone giving Flo-Rida a Grammy). Lupe’s song feels like it’s been out for 10 years already, so people have already forgotten. The Grammy folks love John Legend AND Andre 3000, so there’s a chance that the deserving “Green Light” could sneak in, but I pick “American Boy”, which is the only song in this category nominated in one of the 4 major categories (Song of the Year).

    Best Rap Song

    • Lollipop: D. Carter, S. Garrett, D. Harrison, J. Scheffer & R. Zamor, songwriters (Lil Wayne Featuring Static Major)/ Low:
      Tramar Dillard, M. Humphrey, Faheem Najm, Korey Roberson & Howard Simmons, songwriters (Flo Rida Featuring T-Pain)
      Sexual Eruption: Calvin Broadus, S. Lovejoy & D. Stewart, songwriters (Snoop Dogg)/ Superstar: Lupe Fiasco & Soundtrakk, songwriters (Lupe Fiasco Featuring Matthew Santos)/ Swagga Like Us: Jeff Bhaskev, D. Carter, S. Carter, Clifford Harris, Plain Pat & Kanye West, songwriters (M. Arulpragasam, N. Headon, M. Jones, J. Mellor, T. Pentz & P. Simonon, songwriters) (Jay-Z & T.I. Featuring Kanye West & Lil Wayne)

    Will Win: “Lollipop”

    Should Win:”Superstar”

    This is a songwriter’s award, so while it would be nice to see M.I.A. and the members of The Clash win a Grammy (“Swagga Like Us” samples a line from M.I.A.’s smash “Paper Planes”, which gets its’ musical bed from The Clash’s “Straight to Hell”), the fact is that all of the performers except T.I. give subpar lyrical performances. Wait? Since when does that matter at the Grammy Awards? In this case, I pick Lil’ Wayne to win in this category, because the biggest hit usually wins, and “Low” is automatically disqualified because, again, no one’s voting for Flo-Rida. Lupe’s “Superstar” (and T.I.’s verse from “Swagga”) are the only legitimately solid lyrical accomplishments in this category, however. “Swagga” could sneak past and win this. Either way. Lil’ Wayne is going home with something in this category.

    Best Rap Album

    • American Gangster (Jay-Z)/ Tha Carter III (Lil Wayne)/ The Cool (Lupe Fiasco)/ Nas (Nas)/ Paper Trail (T.I.)

    Will Win: Lil Wayne

    Should Win: Pick’em

    WTF: Again, The Roots should have been represented here. They wouldn’t have won, but they should have been in the category.

    With five solid entries in this category, it’s difficult to pick a winner. Or is it? Nas’s album, despite the album title controversy, flew under the radar and Fiasco’s relative anonymity will be his downfall. I should (and will) pick Lil Wayne to win because his album was the most popular in the category (and is the only one nominated in one of the Big 4, with his nod for Album of the Year), but T.I. is the it guy right now and the Grammy folks might want to pick the artist that’s freshest in their minds. He could sneak this one out, as could Jay-Z, as the elder statesman and a previous winner in this category (for “Hard Knock Life”). “American Gangster” got quite solid reviews (reasoning beyond me), so that could push it over the top.

    Whoever wins which category, I say Lil Wayne brings home a lot of trophies regardless.

  • Infatueighties #55: Hands to Heaven

    handstoheavenA song called Hands to Heaven by a band called Breathe immediately conjures up thoughts of things airy and light. So no surprise that this song is one of the most beautifully ethereal songs to ever hit the Top Forty. Singer David Glasper whispers the verses before going into full out croon mode in the song’s choruses.The prototypical ’80s sax wails away and what you have is one of the most perfect breakup ballads of them all.

    Breathe is one of those bands that should have caught on but never really did. Hands to Heaven peaked at #2 in the summer of ’88, and its’ follow-up, How Can I Fall, landed just a notch behind, however, sales of their album All That Jazz were unimpressive. Album #2, Peace of Mind, brought Glasper to the forefront with a “featuring” credit. That didn’t change the band’s fortunes much. The album bombed, even though two singles landed in the Top Forty. Both albums aren’t bad if you like the whole 80s stately British thing (think Johnny Hates Jazz or Spandau Ballet). I’m sure you can find ’em pretty cheap, so check them out if you desire.

  • The New Music Files 1/27/09: The Boss is Back

    bruceWelcome to the first “big-name” release date of 2009. There’s something for everyone this week, whether you’re an indie snob, a meat and potatoes rock ‘n roller, or a nostalgic hip-hopper. Here’s a quick taste of what’s new and interesting.

    Bruce Springsteen Working on a Dream: There was apparently a wealth of good material that didn’t make the cut on Bruce’s last album, 2007’s Magic, so he and the E Street Band have cobbled the rest of those moments up, polished them a little, and voila. Working on a Dream is here. With Bruce’s usual intense character studies, anthemic rockers and political message, The Boss’s legion of followers is sure to be satiated.

    Franz Ferdinand Tonight!…Franz Ferdinand: The Scottish foursome scored a huge smash with “Take Me Out” a few years back, but their follow-up didn’t fare as well. Album #3 promises more of the dance/rock sound that brought the band fame, with a little bit more emphasis on the “dance” side of the equation. This could be the sleeper of this week’s releases.

    The Bird & The Bee Ray Guns are Just Not the Future: I discovered this mellow duo via their ethereal cover of The Bee Gees’ “How Deep is Your Love”, and picked up their self-titled debut as well as Please Clap Your Hands, the EP that contained said cover. Album #2 should blow them up, hopefully to the status of kindred spirits like Feist. Someone hook these folks up with an iPod commercial, stat.

    Hoobastank For(n)ever: Crappy title, generic band, quite probably the end of their career, unless lightning strikes again and the band comes up with another “The Reason”-type hit.

    Lisa “Left Eye” Lopes Eye Legacy: Why a Left Eye solo album is being released seven years after her death is totally beyond me, especially considering her solo debut (which was released overseas but canned by her label here in the States) was widely available as an import (hell, I own it…). Even more galling is the fact that this album contains plugged-in guest verses from the likes of Missy Elliott, Chamillionaire and Bobby Valentino. This is one I’d definitely say stay away from, or at least tread carefully.

    Elsewhere, Chili Peppers guitarist John Frusciante releases his latest solo album, The Empyrean, which features a guest shot by bandmate Flea. James Ingram tries his hand with gospel on Stand (In the Light), a collection of spiritual songs. Jayhawks frontmen Mark Olson & Gary Louris team up for Ready for the Flood, while my man Duncan Sheik continues his exploration of theater with Whisper House. And for those of you who are up for hearing Steve Martin play and sing, you might wanna check out The Crow: New Songs for the Five-String Banjo, which is sure to be more exciting than “The Pink Panther 2”.

    On the reissue/compilation tip: Grammy Nominees 2009 arrives in stores just a little under 2 weeks before the big show, and Motown celebrates Valentine’s Day with Love Songs collections from The Commodores, Smokey Robinson, Gladys Knight and the Pips and The Jackson 5. Speaking of the J5, the albums Destiny and Triumph are being remastered (finally!) and re-released, from their later days as The Jacksons. Six Alan Parsons albums also get the remaster/reissue treatment, while Kylie Minogue and Rihanna both come out with remix albums. Finally, in the “we never asked for this” column, there’s a 20th Anniversary Special Edition of…Tone Loc‘s Loc-ed After Dark, for those of you (all five of you) who care to delve beyond Wild Thing and Funky Cold Medina.

    Happy shopping, folks. Get your complete list of this week’s releases here.