web analytics

Pop Rock Nation

Tag: Pitbull

  • American Idol Season 12: And The Winner Is…

    Via American Idol's YouTube channel
    Via American Idol’s YouTube channel
    On Wednesday night’s final performance show, Candice whipped Kree like she stole something.

    Much like I wrote Wednesday night on the American Idol finale 2013, there have been some terrible voting decisions by America. There’s no way Lee DeWyze should’ve beat Crystal Bowersox. And in the worst one of all, there’s no way Kris Allen could hold Adam Lambert’s jockstrap in a suitcase.

    Thus, it’s plausible that Kree (who I’ve nicknamed Kreeyore for her sourpuss performance face) can win this show. Of course, if she did, it would mean America was deaf.

    It’s time to go blog this time capsule style:

    0:11 – After the final 12 did the customary group performance opener, The Band Perry started performing Done and you know who showed up to help out. If you said Bucky Covington, you’d be wrong. It was Janelle!

    0:17 – Shots fired! After a slightly funny package about all the guys leaving early which ended up with Jordin Sparks pretending to mastermind it, she tells them that their future will be okay because Idol leftovers have been doing really well on The Voice. Zing!

    0:20 – The top 5 boys perform a medley and Frankie Valli comes out to sing Can’t Take My Eyes Off Of You. Lauryn Hill must’ve been busy paying taxes tonight.

    0:29 – Our girl Mariah performed a quick medley. It’s kind of what I’ve been waiting for all season long.

    0:38 – American Idol loved them some Emeli Sandé this season. She and Amber Holcomb did a duet on stage. For some reason, Amber was wearing some camo stretch pants with gold heels.

    0:53 – I’ve determined that Keith Urban is much more entertaining while bobbing his head and singing along to other’s performances than he is performing himself.

    0:57 – Candice performed a Natalie Cole song with Jennifer Hudson and it was pretty cool to see them try to out-diva each other. Candice’s confidence is inspiring to see.

    1:05 – Angie Miller and the great Adam Lambert performed Titanium. Lambert doesn’t get enough props for how big he got after Idol. He’s the forgotten Idol superstar. Jessie J, who is Angie’s idol, showed up and performed with Angie. Mariah threw out a look that said that she wasn’t quite into Jessie.

    1:10 – After watching Angie have a blast on stage and be so charismatic, Kree must be wondering how the heck she made it to the final two.

    1:21 – Not Keith Urban shredding, Randy Jackson on bass, or Travis Barker on drums could save Kree and her performance of Where The Blacktop Ends. Kree is usually at a 3 and she ramped it up to a 5, but she needed to be a 10 on finale night.

    1:32 – Aretha Franklin performed from New York while the top five girls sang backup. I think Aretha should’ve been on the diva showdown with J-Hud and Candice.

    1:49 – Jennifer Lopez is a beautiful woman. Terrible singer, but beautiful woman. Pitbull is a terrible rapper. Terrible rapper, but terrible rapper.

    2:01 – And the winner is…Kreeyore! Okay, just kidding. America wasn’t that dumb this year.

    Candice Glover!

    One last Nicki gif for the season – will she be back?

  • American Idol Season 10 – Who Makes The Final 4?

    After last night, it seems like Jacob is going home. Don’t worry. I’m not going to sit on my pedestal and shout at everyone who doesn’t like Jacob. He didn’t have a great night and if there’s a week that he goes home, I’d be fine if it was this week. It doesn’t mean that I’m off the Jacob bandwagon because I think he has the best voice of anyone bar none, but he didn’t perform at the level that everyone else did, per their standards.

    J. Lo Booty Alert
    She did a full twirl this time, but she’s wearing a poofy skirt so though I saw the junk, I didn’t really see the trunk.

    After a 5-person ditty, they are in the kitchen making omelets with Chef Ramsey. What this has to do with American Idol, I have no idea, but it has a lot to do with cross promotion. Lauren won the omelet contest, much like she’s going to win the American Idol contest.

    Lady Antebellum is singing Just A Kiss. Is there a band out there featuring women called Sir something or other? Sir Mix-A-Lot doesn’t count. He just ogles female backside. They don’t count as part of the band.

    Ryno tells James to stand up. Jimmy Iovine says James’ voice shut down on the ballad because of emotion and gave him an 8 out of 10 on last night’s performances. Ryno tells him to start a group on the far side of the stage.

    Lauren is up and Jimmy says that she wussed out of hitting the big note last night on Unchained Melody and predicted that she’d be in the bottom two. Lauren goes on the opposite side of James.

    Back to the horrible Chef Ramsey cross promotion. Lauren and Jacob are in a competition where they have to put on blind folds and figure out what kind of food they are given, which Lauren won.

    It’s J. Lo’s turn to perform live. Let’s hope she doesn’t sing live. She’s wearing some baggy gold pants that don’t do much for her, but I have a feeling we’re getting a good look at that money maker. We got one good look and it’s not the same as it was during the Selena (Selenas!) days, but it’s still grand. Oh ya, and she did sing live. Pitbull joined her as well.

    It’s Jacob’s turn. Jimmy says that Jacob had a rough night and he lost confidence. He gave him a six. Jacob joins Lauren’s side of the stage.

    Haley gets graded by Jimmy next and he says she gets a ten. He says that if her confidence is there, she’s a lock for the finale. Haley joins James’ side.

    Last but not least, it’s Scotty Too Hotty’s turn to be graded. Jimmy liked Scotty a lot last night, but didn’t give him a grade. Scotty is safe. Ryno tells him to choose the side to stand with who he thinks is safe. He doesn’t do it, but Ryno puts him with James and Haley and all three of them are safe.

    It’s down to Lauren and Jacob. Lauren is already crying. Jacob has a steel reserve. Jacob goes home. Lauren is relieved. Jacob says he can now go out and make his kind of R&B music. He wails away as he says goodbye, while being surrounded by his Idol friends. Goodbye Jacob. Seacrest out!

  • PAUL’S TOP 100 OF 2010 – PART 6: #50-41 “You came to celebrate, I came to cerebrate…”

    And the countdown marches on…

    #50
    #50: “YOU MUST BE OUT OF YOUR MIND” by THE MAGNETIC FIELDS.
    You have to love a guy unafraid to rhyme “on your knees, yeah” with “anesthesia”. A great song about not letting bygones be bygones sung in Stephen Merritt’s strangely incisive Eeyore deadpan. After releasing a their feedback heavy 2008 album Distortion, the Magnetic Fields returned with Realism the stripped-down acoustic yin to its predecessor’s clanging yang.

    #49
    #49: “THE SKY’S THE LIMIT” by JASON DERULO.
    Petty thievery never sounds so good as when Mister Desrouleaux swipes the essence of “Flashdance… What a Feeling” from Irene Cara. The best reinvention of an 80s soundtrack anthem this year. Which is not to say that the Black-Eyed Peas provided any competition with their insufferable “The Time (The Dirty Bit)”. Also: this song contains my favorite instance of the word “shawty”.

    #48
    #48: “TRIPPIN’ DOWN THE FREEWAY” by WEEZER.
    Although the song is about the persistence of a romantic relationship (and a woman’s awesome “Shirley Applebee” look) against all odds (and all guys named Kevin Green), it could be just as much about Weezer and their fans…
    I loved Weezer from the very start, but since their 1996 album Pinkerton, I’ve run hot and cold with them, and in the last few years, I’ve completely written them off (or thought I had). But they always manage somehow to re-justify their existence and re-justify my love. Example: This damn song. Gawd, I love it. It’s been in heavy rotation on my iPod all year. It made me love the band again. It also made me want to google Shirley Applebee. And then, once I did, it made me love the song and the band even more. Weezer and I are gonna be okay.

    #47
    #47: “ALL NIGHT LONG” by ALEXANDRA BURKE featuring PITBULL.
    The fifth season winner of Simon Cowell’s UK (soon to be US) singing competition The X-Factor, Alexandra Burke throws a wild house party. Although I like this version fine, the Pitbull-less version that appears on Burke’s debut album Overcome has a better build-up and you don’t miss the obligatory rap break at all.

    #46
    #46: “TELEPHONE” by LADY GAGA & BEYONCE.
    Before there was a video for this song, it was just a funny little song about not wanting take calls from a stupid boyfriend when you’re out dancing. I love the video, but it sort of overshadows a lot of what was fun about the song to begin with. Although it does give us some very quotable lines. “Once you kill the cow…”

    #45
    #45: “MARCHIN’ ON” by ONEREPUBLIC.
    “For those days we felt like a mistake, for those times when love’s what we hate, somehow, we keep marchin’ on.” This is a great song to listen to after you’ve spent most of an otherwise pleasant evening arguing about who’s more underappreciated and throwing Tupperware lids at each other.

    #44
    #44: “GRENADE” by BRUNO MARS.
    The guy who wrote “F*ck You” for Cee-Lo Green goes all Christ-like (with a piano instead of a cross) for the video for the second single from his debut album Doo Wops and Hooligans. Awesome lyric: “Tell the devil I said ‘Hey’ when you get back to where you’re from…” Ouch. Also, I love – LOVE – the drums in this song.

    #43
    #43: “BREAK YOUR HEART” by TAIO CRUZ.
    This song is all about its middle eight. If this were a countdown of songs I most loved singing along with, this song’s bridge (“Yeah! And I know karma’s gonna get me back for bein’ so cold…”) would be, like, #7. I deliberately chose the original sans-Ludacris version of the song because I think Ludacris distracts us from the super-awesome middle eight.

    #42
    #42: “THE FIRE” by THE ROOTS featuring JOHN LEGEND.
    Like the rest of their amazing album How I Got Over, “The Fire” is tenaciously, apocalyptically soulful. The video has some disturbing imagery, but despite its ambitions, it’s too incoherent to really work.

    #41
    #41: “CREDIBLE THREATS” by THE ONE AM RADIO.
    A nice little song about contemplating all of the possible demises that await us on a day-to-day basis. Things like turbulent airplanes, shuddering L-trains, and sudden floods of brakelights on I-5. Oh, and foreigners. This is also my favorite choreography of the year. The video was also released in a 3D version. And the 45rpm vinyl version of the single came with a set of 3D glasses and a download card for both the song (in various versions) and the 3D video for it.

    In the next installment: Because “one’s not enough”, an unbroken tie…