web analytics

Pop Rock Nation

Tag: Nick Cannon

  • No Plastic – Kiss You Back

    As I stated in February, I decided to stop buying actual CDs and buy all my music through iTunes. Let me update you on my iTunes journey.

    The month of April saw me purchase three full albums through iTunes. The first was Diddy’s anti-bitchassness group Day26. The album was standard R&B fare and earned Diddy another number one record, but failed to set the world on fire. But what does these days? Marketed as a new New Edition, the boys from Making The Band put together a few songs that worked like Silly Love, the first single Got Me Going, the dreamy Co-Star, and hard hitting Exclusive.

    Next was Mariah Carey’s not so fulfilling E=MC², which should’ve been titled The Emancipation of Nick Cannon. Just kidding Nick. Actually, I’m impressed that the dude had it in him. Before, I remembered him most from giving the movie audience that serious drumming face in the movie Drumline, but now he’s the guy that put that ring on Mimi’s finger. Though I didn’t like the album much and thought it was smack dab in the middle of her career works, iTunes did give me one extra song that wasn’t on the CD version. Though, I’m not sure if it was a truly bonus or not because it was the track 4real4real featuring Da Brat and though she might’ve been cool in 1994, the words “featuring Da Brat” might be the worst marketing in music today. Ok, that was wrong of me. But actually, at least we know that Da Brat is still working. Also included with the extra song was a digital booklet (iTunes version of the physical CD booklet) and the Touch My Body video, which is impressive for how well a late 30s Mimi looks.

    The third full album was the best of the bunch. Before I even tell you what it is, I have to ask, “Who is the most consistent music group in the game today?” You probably wouldn’t answer The Roots, but if they aren’t the most consistent, they are close. Their latest gem is called Rising Down and it’s probably the best album I’ve bought all year. From the killer Rising Up, with Chrisette Michele on the hook to the Talib Kweli assisting I Will Not Apologize, there’s not a bad song on the record. While they might not have the one or two head turning tracks on this album like they usually have, it’s still just damn good. Also included as an iTunes bonus is their duet with Fall Out Boy, Birthday Girl, which was vetoed off the original album and as first single for not sounding Roots enough. I kind of dig it, but I understand where they’re coming from.

    I also bought a bunch of one off songs. If you remember, April was the month of “Idol Gives Back” and instead of donating money, I bought a few tracks including Carrie Underwood’s George Michael cover of Praying For Time, the group version of Rihanna’s Don’t Stop The Music (my kids can’t get enough of this one), and Snoop Dogg’s Can’t Say Goodbye featuring Charlie Wilson. On that same day, I also purchased Bon Jovi’s Bad Medicine and Fuel’s Leave The Memories Alone with the latter being the theme song to the Nature Boy’s Ric Flair retirement. I just had to throw one wrestling reference in.

    Lastly, I purchased Digital Underground’s silly song Kiss You Back. One day, it was in my head and I decided to get it so I could hear it a few times. Without iTunes, I would’ve had to find a used copy of Sons Of The P, and that wasn’t going to happen without making a trek to a used record store some 30 miles away.

    The next edition of “No Plastic” will feature the return of some Boston boys and a man on a mission to get some grown assed respect.

  • Mike’s Gripes Vol. 1: Mariah Carey


    No, I’m not writing this to discuss her marriage to bad actor/bad rapper/semi-funny comedian Nick Cannon. Hey, if Mariah’s happy (after what seems like decades of bad relationships), then more power to her.

    I’m writing this to discuss the slippery slope of suckitude that her music has bobbled around for nearly a decade now. Not that Mariah’s ever been a particularly consistent listening experience-even this diehard pop fan can’t think of more than 2 or 3 Mariah albums completely worth your time. However, her last two albums in particular have been hailed almost as masterpieces by a segment of the critical community when they’re, well…they’re not very good.

    Hey, I don’t want to hear “Hero” again either, you know? But I can see what people are getting at when they turn their noses up at “hip-hop” Mariah. Not only has she caught the same excessive collaboration bug that’s afflicted just about every pop & R&B performer of recent days, but she seems to have regressed lyrically. She’s never exactly been Joni Mitchell (or even Mary J. Blige), but her earlier songs had a maturity to them that newer songs like “Touch My Body” completely lack. And “Touch” is one of the *better* written songs on her new “E=MC2” album.

    Despite the fact that “E=MC2” is well on it’s way to unseating Jack Johnson as 2008’s best-selling album, it’s not much different qualitatively than Mariah’s two relative “flops”: “Glitter” and “Charmbracelet”. From the hip-hopped out “One Sweet Day” rewrite of “Bye Bye” to about 4 or 5 songs that directly rip Mariah’s comeback smash “We Belong Together”, the album is overall a lazy and unadventurous experience. And while contemporaries like the aforementioned Blige seem to be at their creative peaks in their late thirties, Mariah (who’s just a year and change older than Mary J.) seems to be regressing. Listen to “Love Takes Time” or “Can’t Let Go” (two of her best early career songs) and then listen to…well, just about any song on “E=MC2” or even half of “Emancipation”. The difference is almost startling.

    For my money, her best work came on mid-career albums like “Daydream” and “Butterfly”. The former album is her only completely satisfying listening experience other than her debut. I can even tolerate her somewhat sappy cover of Journey’s “Open Arms” (although I’m not sure I can say the same about the overwrought Boyz II Men collaboration “One Sweet Day”, which I’ve deliberately avoided listening to for at least a decade) but it’s the album that best balances “Adult Contemporary Mariah” with “Urban Mariah”. The latter album ODs a bit on the collaborations (“Breakdown” with Bone Thugs ‘n Harmony, is particularly atrocious), but makes up for it with a wicked awesome song built on Mobb Deep’s unforgettable “Shook Ones” sample (“The Roof”), her all-time best ballad (the title track) and a truly bizarro cover of Prince’s “The Beautiful Ones” with Dru Hill (‘memba them??). She’s more or less been off the rails ever since. And even though I own each of the five albums she’s recorded since, there’s maybe an album and a half’s worth of great material between them.

    Despite her astounding success (hell, she has more #1 singles than anyone except for the friggin’ BEATLES) and the fact that critics seem to actually dig her nowadays, it’s probably safe to say that not only has Mariah’s music been decidedly average for the past ten years or so, but that it’s *never* been consistently great. How she’s sustained a two-decade career as (more or less) nothing more than a pretty solid singles artist is one of those mysteries I don’t think I’ll ever figure out.

    …but it might be interesting to see her as a guest on “Wild ‘N Out”…

  • VH-1 Hip Hop Honors ‘07

    This year, VH-1 gives honors to Snoop Dogg, Missy Elliot, and A Tribe Called Quest. Two of those things is not like the other. I guess in order to get ATCQ honored, we have to sit through Snoop and Missy. Oh well, it’s worth it. Tracy Morgan is hosting. I wonder if he’ll dress up like Hustle Man, like when he was on Martin.

    • Does KRS-One really go by KRS-One Tha Teacha now?
    • I wonder is Missy Elliot is going to show up in that rubber balloon suit tonight? I can’t stand the rain, rain, rain.
    • Wait, they’re honoring Whodini and New Jack swing too? Does that mean we get some Teddy Riley up in here?
    • Isn’t Kerry Washington supposed to be blind? Wait, that’s just in Fantastic Four.
    • Missy says that she met Timbaland through Magoo. Can anyone throw Magoo a bone these days? Where is that dude?
    • At least we know Tweet is still alive.
    • Timbo decided to bring the guns to the gun show.
    • Eve and her hair decide to make an appearance. Wait, that’s probably not her hair.
    • Nelly Furtado and her ass decide to make an appearance.
    • Ciara and her Adam’s apple decide to make an appearance.
    • Is Diddy supposed to pronounce the H in homage?
    • Look at Waterbed Hev dancing in shorts.
    • I feel like a kid again listening to Guy.
    • Andre Harrell describes New Jack Swing as a merging of hip hop, R&B, and funk.
    • I wish I could be as cool as Doug E. Fresh.
    • Someone give T-Pain his synthesizer back. He needs it. He’s making me not want HER.
    • If Kool Moe Dee was this big when he rapped back in his day, they’d have called him Heavy Dee.
    • Ne-Yo is doing Remember The Time, which was produced by Teddy Riley and is new jack swing, but Eddie and Iman and her bird were nowhere to be found.
    • All I wanna do is zoom a zoom zoom zoom and a boom boom, just shake your rump. That might be the greatest lyric of all time.
    • Wait, is that Chauncey, who Kanye said was from Blackstreet and was as black as the street was? And if so, where’s Dave Hollister when you need him?
    • LL is out to talk about Wild Style and you know Timbo is in the back like, “My arms are bigger, and I can fit two microphones and a turntable on my arm.”
    • Rappers don’t age well, or at least you’re not used to seeing old men with shades on rockin’ the mic.
    • Well, except if you are KRS-One.
    • Grandmaster Caz just said, “Grandmaster Caz and Wild Style, greatest of all time.”
    • Who did Whodini piss off to have Nick Cannon, Nelly, and Don Chi Chi to represent them?
    • Pharrell seemed a little light in the ass to rap off Doggystyle compared to Ice T.
    • Common and Skateboard P actually did a great job with Scenario in setting up Busta Rhymes for his big spot, and the man just doesn’t have it anymore.
    • Tribe still has it. They need to put out an album immediately.