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Tag: Mark Ronson

  • Big in Europe: Plan B “She Said”

    Not to be confused with a German band who mined a far less confrontational hybrid of hip-hop and soulful pop in the mid 1990s, Plan B is the wildly ambitious British singer-rapper-actor-producer-aspiring filmmaker Ben Drew, whose 2006 album Who Needs Actions When You Got Words?, a record as nightmarish, epic, and unstoppable as a British Petroleum oil spill, elicited breathless comparisons to artists as varied as Eminem, Justin Timberlake, and Damien Rice. Like Eminem, Plan B knows how to tell a good story, but where Mr. Mathers’ rhymes are self-referential and reek of embellished memoir, Mr. Drew writes mostly bleak and bloody urban fictions centered around drug addicts, gang-bangers, and other assorted denizens of East London’s early-21st Century underworld.

    His latest album is a sort of Northern Soul opera called The Defamation of Strickland Banks, and while the record has been lingering at the top of the British pop and soul charts since its release in April 2010, its second single “She Said”, four minutes of achingly tense but oh-so-old-school-groovy courtroom intrigue, has been storming the pop charts all over the mainland as well. Drew takes a cue from Mark Ronson’s pointedly organic strings-and-horns productions for Amy Winehouse, but here that treatment feels more about advancing a sinister plot – heightening the song’s tension – and less retro-for-retro’s sake. A big band underscores the song’s insistent syncopations and Drew’s pleading vocals like a musical judge and jury nodding along with the defense’s arguments while quietly forming their rationales for a guilty verdict they’d long since unanimously decided in their heads.

    “She Said” may evoke nostalgia, but it doesn’t do so cheaply or lightly. Plan B may know Eminem’s name, but Strickland Banks suggests that Ben Drew has spent a lot more time with his parents’ Smokey Robinson records and that he’s never taken those Lenny Kravitz posters down from his bedroom wall. This is not backward looking music. This is, rather, almost surely what Maroon 5’s next album is going to sound like. Only not as good. (And I sorta like Maroon 5. Just sayin’.)

    The song’s also supported by an instant classic of a video, and Drew is apparently working on a short film of the same title to accompany The Defamation of Strickland Banks which will likely incorporate the videos for record’s singles. If “She Said” is any indication of what the final product might look like, I’m totally in line for the DVD.

  • “Sol-Angel & The Hadley Street Dreams”: Little Sister Strikes Back

    The cover of "Sol-Angel & the Hadley Street Dreams", the sophomore effort from Solange Knowles.
    The cover of "Sol-Angel & the Hadley Street Dreams", the sophomore effort from Solange Knowles.

    The musical landscape is littered with them: artists trading on the talent and fame of their more talented, more famous sibling. Most music fans are smart enough to know that whenever “the brother or sister-or son or daughter- of chart-topping singer XXX” arrives on the scene, they should run for cover. My pals at Popdose recently dedicated an entire article to the phenomenon, bringing back some famously awful examples of a few artists who assumed that sharing a bloodline with someone meant sharing their talent as well.

    So you have every right to be frightened by the sophomore effort from Solange Knowles. Yep, Solange is the little sister of world-famous diva singer/actress Beyonce Knowles, sister-in-law of Jay-Z. She’s occasionally stepped in as a fourth member of Destiny’s Child, co-written songs for her sister and her sister’s bandmate Kelly Rowland, and released a fairly horrid album of her own half a decade ago, “Solo Star”. However, she’s probably most known for creating a chink in the fresh-scrubbed Knowles family image by getting knocked up at 17 (Papa Mathew Knowles almost immediately made Solange marry the baby’s father, a move that Mr. & Mrs. Spears would have been wise to emulate). Now a 22 year old divorcee, Solange makes her re-entry onto the musical scene with “Sol-Angel & The Hadley Street Dreams”, a title so pretentious you almost want to hate the album before it starts playing.

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  • Lindsay Lohan’s "Bossy": How Lo Can You Go?

    Of course, no one would expect a musical offering from Lindsay Lohan to provide any kind of creative sustenance. But, damn. Even for throwaway pop music, Lohan’s new single, “Bossy”, is bad. Not bad meaning “good”, but BAD.

    Although Linds tried to go “rocker chick” on her flop last album, “Bossy” finds her in the same dance-pop mode as her former BFFs Britney and Paris. Actually, if you combined Brit’s “Gimme More” with Janet Jackson’s “Feedback” and gave it several Ambien, you’d get “Bossy”. Lindsay sounds like she’s singing while drying her nails, and this is a definite low point in the career of Ne-Yo, who co-wrote the song in association with his normal production team StarGate.

    Maybe next time, Lohan will ask her girlfriend Sam Ronson for a favor and let Sam’s Grammy-winning producer Mark put together some tracks for her.