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Tag: Madonna

  • Is Entertainment Weekly’s List of the 100 Greatest Albums of the Past 25 Years a Purple Mess?

    I actually meant to discuss this a couple weeks ago when it was actually current news, but hey, better late than never.

    I’m a list guy. I can spend hours, days on end attempting to make sense of lists of the best sitcoms of all time, or whether “Off the Wall” or “Thriller” is the Purple Rain Cover better Michael Jackson album (“Off the Wall” is), or…well, you get the picture. Anyway, the folks at “Entertainment Weekly” published their 1,000th issue a couple weeks ago (congratulations to them), and they posted lists of the 100 greatest TV shows, movies, books and records of the past 25 years. While the TV and movie lists were interesting (book lists don’t move me), I was most intrigued by their list of the Top 100 albums. Sitting pretty at the top of the list was…”To the Extreme” by Vanilla Ice.

    Obviously, I’m kidding. The album they picked for the #1 spot was Prince’s “Purple Rain”, which struck me as sort of a strange choice. I mean, it’s logical. Hell, it’s an incredible fucking album. It’s just not a standard or expected choice. I would have expected “OK Computer” or “Nevermind” (both of which would have been as deserving…”Nevermind” didn’t even make the list), or, if the EW folks wanted to be edgy, Winehouse’s “Back To Black” or any of the three qualifying Kanye West albums. But “Purple Rain” just seems like sort of a left-field choice, or as left-field as any album as huge as “Purple Rain” was can be, considering the damn thing spent damn near six months at #1 on the charts.

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  • Janet Jackson’s "Discipline": FAIL!!!!

    http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003813980

    At the beginning of the year, Janet Jackson’s “Discipline” was touted as one of 2008’s most anticipated releases. It was her first album for Island Def Jam after two consecutive albums on Virgin had met with dwindling sales in light of the infamous Super Bowl incident with Justin Timberlake. First single “Feedback” was widely blogged about, MTV lifted it’s ridiculous four-year ban on Jackson, and it seemed like the album was capable of restoring Janet to the heights she enjoyed as one of the biggest selling female artists of the Eighties and Nineties.

    So, um…what happened?

    Despite “Discipline”‘s #1 debut on the album charts, it quickly sank. Scanning close to 200,000 units in its first frame, it’s barely doubled that in the 3 1/2 months since. “Feedback” didn’t catch on at radio, despite a radio-baiting Timbaland remix featuring Ciara. None of the follow-up singles caught fire, either, as “Luv” met with a middling response at urban radio and its pop counterpart, “Rock With U” bombed. To add insult to injury, Janet’s found herself outsold by contemporaries like Madonna (ironically teaming up with Timberlake) and Mariah Carey, not to mention the reissue of the 25 year old “Thriller” album, which has scanned nearly 200,000 more copies than “Discipline” in roughly the same amount of time, with significantly less promotion.

    Janet has resorted to the age-old artist trick of taking her label to task for what she calls inadequate promotion of the album, and has indicated that Island Def Jam is more or less pulling the plug on “Discipline”. Hell, if I was L.A. Reid, I’d probably do the same thing. I honestly don’t think the album’s relative lack of success has anything to do with the label’s efforts. They shot two videos, put Janet on just about every TV show they could think of, made nice with MTV and basically gave “Discipline” every chance to succeed.

    At least some of the blame has to go with Janet herself. “Discipline”, while not an awful album by any means, isn’t the stylistic equal of Janet’s most successful work. “Control”, “Rhythm Nation”, “janet.” And “The Velvet Rope” were fairly ballsy works, even if they trafficked in the mainstream pop/R&B realm. Janet had her finger on the pulse of what worked at radio while still maintaining some semblance of artistic credibility. Her last two albums have reeked of flop sweat, from the duets with Nelly to the alignment with producers-of-the-moment on “Discipline”. It sounds like Janet chasing trends as opposed to setting them, something that is quite disappointing in light of these comments Janet made shortly before the release of “The Velvet Rope” in 1997.

    “The applause will die. It happens to every single person in this business…It’s okay. I’d rather for people not know what I am, what I have, or who I am and to accept me for me”.

    So, the question then becomes, can Janet get her groove back? While the days of Janet Jackson, world-class megastar are probably over, I don’t see why Janet can’t continue to put out Gold, if not Platinum albums (and “Discipline”should have no problem crossing the half-million mark once Janet goes on tour). Step one would probably be to go back to Jimmy Jam & Terry Lewis. The former Time members may not be the producers of the moment anymore, but they know Janet best. They bring out the artist in her. Think of the abomination that was “20 Y.O.” and remember that the album’s two best tracks, “Daybreak” and “Enjoy”, were Jam/Lewis tracks (with no Jermaine Dupri input). Next? How about dropping the nymphomaniac image? A sexual Janet was a breath of fresh air in 1993, interesting in 1997, boring in 2001, desperate in 2004, and in 2008, everyone is over that shit. Don’t be a one-trick pony. Madonna didn’t make “Erotica” for ten years, you don’t need to sing about your titties and vajayjay on every damn record. The reason folks liked those early Janet records so much is because they were relatable and autobiographical. A concept album about being a 42-year old woman in a contented relationship, dealing with career issues and wanting to start a family (while also contending with a pre-existing family of nuts?), now that’s the kind of album I wouldn’t mind hearing from Janet. As Prince once said “act your age, not your shoe size”. Not to say she should button herself up to the neck, but give the coochie a break, girl. Damn.

    The final thing to do would be to accept the fact that your star has dimmed somewhat and stop blaming people for things. Yeah, what MTV did to you was fucked up (and racist), but it was your idea to expose your breast in the first place. If she’d just fessed up initially and said “Hey, this was a publicity stunt that went awry”, people would have forgiven you a lot more quickly. It was your decision, you suffer the consequences. Same goes here. She strayed away from her artistic template and sold out with “Discipline”. Unfortunately, as she’s learned, selling out doesn’t always equal cashing in, and this is why the former Princess of Pop finds herself in the situation she’s in now.

    Hmmm…she also might wanna think about putting out a no-holds-barred autobiography. Now that’s some shit I would read cover-to-cover!!

  • Chart Chat 5/11/08: Usher, Colbie Caillat, Plies & More!!


    Happy once de Mayo, ladies and gentlemen!! Let’s travel into the land of the Top 20 singles and albums, courtesy of Billboard Magazine!!

    Top 20 Albums:

    1) “Hard Candy” Madonna
    2) “E=MC2” Mariah Carey
    3) “Spirit” Leona Lewis
    4) “Lyfe Change” Lyfe Jennings
    5) “Songs from the Sparkle Lounge” Def Leppard
    6) “Rising Down” The Roots
    7) “Third” Portishead
    8) “Mudcrutch” Mudcrutch
    9) “Now That’s What I Call Music Vol. 27” Various Artists
    10) “Greatest Hits-Limited Edition” Tim McGraw
    11) “Taylor Swift” Taylor Swift
    12) “Nine Lives” Steve Winwood
    13) “Juno Soundtrack” Various Artists
    14) “Alvin & The Chipmunks Soundtrack” Various Artists
    15) “This Kind of Love” Carly Simon
    16) “Sleep Through the Static” Jack Johnson
    17) “Flight of the Concords Soundtrack”Flight of the Concords
    18) “Troubadour” George Strait
    19) “Coco” Colbie Caillat
    20) “The Best of Both Worlds Concert” Hannah Montana/Miley Cyrus

    Top 20 Singles:

    1) “Bleeding Love” Leona Lewis
    2) “Lollipop” Lil’ Wayne feat Static Major
    3) “No Air” Chris Brown & Jordin Sparks
    4) “Love in This Club” Usher feat. Young Jeezy
    5) “Sexy Can I” Ray J. & Yung Berg
    6) “4 Minutes” Madonna feat. Justin Timberlake
    7) “Touch My Body” Mariah Carey
    8) “Pocketful of Sunshine” Natasha Bedingfield
    9) “Love Song” Sara Bareilles
    10) “Leavin’” Jesse McCartney
    11) “Damaged” Danity Kane
    12) “Low” Flo-Rida feat. T-Pain
    13) “Say” John Mayer
    14) “See You Again” Miley Cyrus
    15) “Forever” Chris Brown
    16) “With You” Chris Brown
    17) “Stop & Stare” OneRepublic
    18) “Don’t Stop the Music” Rihanna
    19) “Bust it Baby” Plies feat. Ne-Yo
    20) “Realize” Colbie Caillat

    *Colbie Caillat might be the most befuddling music purchase I’ve made in the past year. I guess it was one of those “let me see what the fuss is all about” purchases, and the fact is, she’s the most boring, white bread girl with an acoustic guitar in the history of music. She makes Jack Johnson (who I love, by the way) sound like freakin’ Mastodon by comparison.

    *Hmmm…so I thought Plies was going to be a one-hit wonder. Thanks to Ne-Yo, “Bust it Baby” becomes his second hit. Too bad I can’t even remember what the first one was.

    *Record industry folks, take a look at this stat. Of this week,s Top 20 singles, only five are by artists who have been around for 10 years or more (Li’l Wayne, Usher, Mariah Carey, Madonna and Ray J.). It also might be worth noting that of those five, Wayne, Usher and Ray J, are all under 30. Now, check out the album chart, where of the 16 albums that are not soundtracks or compilations, 10 of the artists/bands have been around for 10 years or more (and yes, I’m counting Mudcrutch, Tom Petty’s latest side project). Of the 6 remaining artists, all except Miley Cyrus are considered more “adult”-type artists. That should provide the world’s simplest reasoning for the fact that kids are buying singles (possibly because they can’t *afford* albums…hello??) and adults are buying albums. Can it get any more simple?

    *Usher finds himself in the bizarre position of having the same song on the Top 100 twice…sort of. “Love in This Club Part II”, which features Beyonce, is hanging out at #51. I don’t think the Billboard folks have explained yet why the two songs aren’t combined on the chart, assuming “Part II” is just a remix of “Part I”. Even if the songs sound completely different…the two versions of J. Lo’s “I’m Real” were completely different and they charted together.

    *Is Lyfe Jennings, who debuts in the Top 5 for the second consecutive time, becoming the 21st century Gerald LeVert…a consistently-selling R&B crooner that mainstream radio and media COMPLETELY ignores?

    *On their Def Jam swan song, The Roots tie “Things Fall Apart” with the highest debut of their career, at #6 (granted, with about half the sales, but still…)

    *”Idol”‘s ratings might be declining, but it’s influence is still strong. A performance of “Pocketful of Sunshine” moves Natasha Bedingfield into the Top 10 for the second time (following the ridiculously overplayed “Unwritten”), and the album also takes a huge jump. Meanwhile, Neil Diamond, who mentored the contestants in the same episode, is poised to score his first #1 album EVER next week, with “Idol” runner-up Gay…uh, Clay Aiken trailing at #2. In non-“Idol” debuts, look for big singles chart splashes from Rihanna and Coldplay’s new songs.

    …why do I feel like i should now be saying “keep your feet on the ground, and keep reaching for the stars”? Damn you, Casey Kasem!!