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Pop Rock Nation

Tag: John Mayer

  • …As The Best of Lists Come Floating In…

    Check out this list of iTunes and last.fm’s top downloaded singles of 2008. As you can see, it was quite the year for Coldplay and Rihanna, both of whom will probably figure heavily when the Grammy Award nominations are announced tonight. Every year, I predict the winners of the February award ceremony, and I generally call the winners pretty closely (which says as much for my prognostication skills as it does the Grammys’ predictability). Here are the artists and albums I think will be nominated in the three major categories.

    Record of the Year: Coldplay’s Viva La Vida is the front runner here. Leona Lewis and John Mayer are probably sure things for Bleeding Love and Say (which I also think is the front runner for Song of the Year), Rihanna will probably be nominated for either Take a Bow or Disturbia. Katy Perry could snag a nod for I Kissed a Girl. I wouldn’t be surprised to see Kanye grab a nomination for Homecoming. We might see some love for Chris Brown’s With You, with outside shots for M.I.A.’s Paper Planes and Adele’s Chasing Pavements, and don’t count out Mariah Carey’s Touch My Body or Madonna’s 4 Minutes, despite the relative disappointment of their album sales.

    Album of the Year: Coldplay is again the front-runner in this category, far and away. Also look for Radiohead’s In Rainbows to score a well-deserved nomination. Lil’ Wayne had the year’s biggest selling album with Tha Carter III, but Grammy generally doesn’t roll out the red carpet for hardcore rap acts. Alicia Keys is almost certain to get a nod for As I Am, while labelmate Leona Lewis could score big here, too. Dark horses here include Jack Johnson, Metallica and Carrie Underwood, and we can’t forget The Eagles’ huge-selling Long Road Out of Eden.

    Best New Artist: Leona Lewis is the obvious front-runner here, but we could see love for a variety of different artists. Fellow Brit chanteuses Adele, Duffy and Estelle (whose American Boy could also see a Record of the Year nomination) could all follow in the steps of last year’s winner, Amy Winehouse. Indie faves Vampire Weekend and The Ting Tings could pop up in this category, as could Timbaland proteges OneRepublic. Also watch out for country group Lady Antebellum as well as American Idol’s Jordin Sparks and Jennifer Hudson.

    We’ll do a recap of the nominations tomorrow after the announcements have been made!!

  • The Best You’ve Never Heard: Wheel by John Mayer

    This series caused me quite a few headaches. I mean, how in the world was I going to pick ONE shoulda-been-a-hit song out of all the albums that I’ve digested over the years? When I first put pen to paper, I was going to go for the okey-doke and pick one of the million Michael Jackson or Prince songs that weren’t released as singles. Then I changed my mind and decided to go for something a little off the beaten path, like “Shiver” from Coldplay. Finally, I decided to settle on Wheel, for the simple fact that it’s probably the song that affects me most emotionally.

    John Mayer gets a bad rap. Maybe he started his career off as a Dave Matthews clone (and there’s nothing wrong with that-I love Dave), but at this point in the game, there’s no comparison between the two at all. While I roll my eyes at the Hollywood starlet-dating tabloid-friendly side of John, his music is good enough that I’ll forgive the obvious fact that he revels in being a “star” and enjoys all the trappings that come with.

    Wheel     is the final track from his excellent sophomore album, Heavier Things,and it’s based on a simple premise that I learned nearly twenty years ago from my 8th grade teacher, Mr. Waxman. If you put good in (or, in this case, love) it will eventually come back to you. It’s acted as a soothing balm during times of disappointment and heartbreak, and also keeps me firm in the belief that even goodbyes don’t necessarily last forever.

    If you never stop when you say goodbye/Give it time, you just might find/You will wave hello again

    It’s a little hokey, sure, but how many of us base our life philosophies on hokiness? I’d be willing to bet that most of us do.

    Wheel is a pretty lengthy acoustic ballad, and I’m not 100% sure it would have even been a radio hit had it been released, but then again I never figured Daughters (probably the worst song on Heavier Things) to be a huge hit either, much less a Grammy-winning Song of the Year. The imagery used in this song is almost cinematic, and I would’ve loved to have seen a video for Wheel. As it stands, though, it’s a forgotten album track buried at the end of John Mayer’s second album, and although I think the chance may have been missed to make this song a hit, that’s OK, because I can imagine the song is my little secret. Well, after I write this, it probably won’t be as much of a secret anymore, but you get what I’m saying, right?

    Columbia Records, methinks you missed out on a smash…or at least the opportunity to have John Mayer viewed as a stellar songwriter a short time before everyone caught on.

    More On “The Best You’ve Never Heard” week
    The Best You’ve Never Heard – Introduction

  • Compare & Contrast: “Free Fallin’”

    I feel kinda stupid writing a John Mayer fanboy post less than two weeks after my most recent John Mayer fanboy post, but, fuck it.

    As many of you know (well, you do if you read my new release column on Tuesdays), John Mayer recently released a live album called “Where The Light Is”. Technically speaking, it’s his *third* live album (although to be fair, one of the three included almost all new material). However, since I already own one Mayer live album, I decided to bypass this one and purchase the two songs that interested me most. One of the two is a remake of one of the most revered rock songs of recent years, “Free Fallin’” by Tom Petty. Mayer’s acoustic remake plays around with the melody a little bit, giving it more of a plaintive feel than Petty’s version. While I can’t necessarily say that Mayer’s version is the equal of Petty’s version, I think it’s pretty damn close, and it’s pretty much been ruling my iPod for the past week or so. Check both versions out for yourself (if you haven’t already decided that the first 40,000 times you’ve heard Petty’s version is enough) and let me know what you think.

    Here be the original version…

    And there be Mayer’s remake: