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Tag: George Strait

  • Mashups, medleys, and songs that just sound alike…

    Last month, I posted about horrible cover songs here on Pop Rock Nation. That post generated some great comments, especially on Facebook, when a poster introduced me to the truly horrible abomination that is Tom Jones’ cover of Johnny Cash’s “Ring of Fire”. I used to think Olivia Newton-John’s cover was the worst, but I think Tom Jones gives her a run for her money. However, despite the atrocity of the musical stylings of Tom Jones doing a classic Johnny Cash song, I have to admit that cover inspired something in me. You see, as I listened to it…

    Tom Jones “Ring of Fire”

    I suddenly realized that it reminded me of another song…

    Lynyrd Skynyrd “Swamp Music”

    Tom Jones and Lynyrd Skynyrd are pretty different musically speaking, but the similar arrangements of these two songs are pretty uncanny. Okay, so they aren’t totally the same, but especially at the beginning, they mesh pretty well. And then it occurred to me that both songs sort of reminded me of a third song…

    George Thorogood & The Destroyers “You Talk Too Much”


    George Thorogood’s brand of bluesy rock is a far cry from Tom Jones’ sexbomb style or Lynyrd Skynyrd’s southern rock. But he seemed to channel them with his song, “You Talk Too Much”.

    Several days later, I got a sudden urge to listen to an old song by country singer, George Strait.

    “The Fireman” George Strait

    And as I was listening to George Strait singing about puttin’ out fires, I was reminded of a song by Van Morrison…

    Van Morrison “When That Evening Sun Goes Down”


    It’s done in the same key and a similar tempo, and again, could probably mashup pretty well with George Strait’s 80s era number.

    I’m always intrigued when someone takes a couple of songs and strings them together into a medley or, even better, turns them into a delightful mashup blend. Back in 1983, when Michael Jackson’s Thriller was all the rage, some brilliant soul decided to mashup his hit song “Billie Jean” with the Steely Dan hit, “Do It Again”. This is what we got from that blend.

    Club House “Do It Again/Billie Jean”

    A few years later, Depeche Mode did it with their cover of “Route 66” and their own song, “Behind The Wheel”.

    The first time I heard this mix, I was a disc jockey at WLCX radio station at Longwood College. And, much to my shame, I have to admit this was probably my first real taste of Depeche Mode. Sure, I had heard their music, but this was the first song I had ever really listened to by them that made me want to listen to more of their music. It turned out this particular mix was a rare find. At the radio station, we only had it on a 45 record, which someone else grabbed before I could score it during a big inventory purge. Thank God for YouTube.

    I love music by Carole King and James Taylor and they’ve worked together a lot.  Back in 2010, they had their magical “Live At The Troubadour” tour.  In that concert, they seamlessly blended their versions of “Up On The Roof”, a song King wrote with her ex-husband, Gerry Goffin back in the early 60s.

    Carole King and James Taylor “Up On The Roof”

    I like both versions, but actually prefer what James did with it compared to Carole’s rendition. Still, it’s awful cool that they were able to string them together so perfectly. On the other hand, I like Carole King’s version of her song, “You’ve Got A Friend”, better than James’ take. I’m surprised they didn’t try to mash them up, too.

    Lots of people are getting into the act. The Wax Audio Channel on YouTube has quite an interesting mashup of “Stayin’ Alive” by the Bee Gees and “Another Brick In The Wall” by Pink Floyd, as well as quite a few other blends of excellent songs. Are you ready for a mashup of “Smells Like Teen Spirit” by Nirvana and “The Final Countdown” by Europe? How about “Careless Whisper” by Wham! and “Rebel Yell” by Billy Idol?

    WaxAudio “Stayin’ Alive In The Wall”

     

    “The Final Teen Spirit”

    “Careless Rebel”

     

    Now I’m excited. I might have to hang out on YouTube all day and see what other craziness I can dig up.

  • Chart Chat 8/26/09: Gone Country

    Welcome to the dog days of summer in the music industry. Big name releases have slowed to a crawl, and besides, it’s too damn hot to go out and buy CDs anyhow. This week’s chart boasts a country 1-2 punch, as Reba McEntire enters at the top of the chart with “Keep on Loving You”, scanning 96,000 units in its’ first week, more than enough to unseat last week’s chart champ, George Strait. His Twang album has to settle for the runner-up spot with a relatively anemic 61,000 sold. The chart’s most eye-opening debut, however, has to come from Third Eye Blind, a band many considered to be at least a decade past their sell-by date. Their fourth studio effort (and first on an independent label), Ursa Major, blasts onto the chart at #3, scanning 49,000 copies. It’s the highest charting album ever for Stephan Jenkins and his crew.

    As has been custom for the past few weeks, the top of the chart isn’t exactly the top of the chart. In the wake of Michael Jackson’s death, his albums have taken up permanent residence in the upper reaches of the charts. However, they are not eligible for the Billboard 200 because of a rule which relegates all albums 18 months or older that are not currently being worked at radio to the Catalog chart. Thusly, “Number Ones” does not appear on the chart, despite the fact that it’s sold enough copies in the past week that it would rank at #2 on the chart-if it were allowed to chart.

    Actually, a quick look reveals that “Number Ones” is now THE BIGGEST-SELLING ALBUM OF 2009. With over 1.6 million copies scanned since January (much of that obviously occurring in the past two months), Jackson slides past Taylor Swift to stand alone as the year’s #1 album. Not bad for an album that Billboard won’t even allow to place on it’s chart, huh? How weird will it look if “Number Ones” is able to hold it’s position and ends the year as the 2009’s biggest-selling album despite not appearing on the Billboard 200 at all?

    Moving back to the regular chart, I’m sure there are tears being shed at the Sean Paul household. The formerly top-selling reggae superstar debuts at an anemic #12, selling only 28,000 copies of his latest album, “Imperial Blaze”. Coming off of two consecutive Platinum albums, that’s got to hurt.

    Colbie Caillat is scheduled to debut at #1 next week with a total that will approach 100K.

    Here are this week’s Top 20 comprehensive albums:

    1) Reba McEntire “Keep on Loving You”

    2) Michael Jackson “Number Ones”

    3) George Strait “Twang”

    4) Third Eye Blind “Ursa Major”

    5) Kings of Leon “Only by the Night”

    6) The Black Eyed Peas “The E.N.D. (The Energy Never Dies)”

    7) Neil Diamond “Hot August Night NYC”

    8) Various Artists “Hannah Montana Movie Soundtrack”

    9) Michael Jackson “The Essential Michael Jackson”

    10) Taylor Swift “Fearless”

    11) Daughtry “Leave This Town”

    12) Various “Now 31”

    13) Maxwell “BLACKsummersnight”

    14) Sean Paul “Imperial Blaze”

    15) Zac Brown Band “Foundation”

    16) Michael Jackson “Thriller”

    17) Ledisi “Turn Me Loose”

    18) Soundtrack “Hannah Montana 3”

    19) Jason Aldean “Wide Open”

    20) Lady GaGa “The Fame”

  • New Music In Stores and Online10/7/08: The Streets, Sarah McLachlan, Oasis & More!!!

    Obviously I can’t have a record buying bonanza every week, otherwise I’d go broke. Definitely not a good look in today’s economy. So, this week will mark something of a vacation for me, with only one release that I’m nutso about. Here’s this week’s lineup of releases.

    Mike Skinner AKA The Streets. Photo by "realname".

    The Streets “Everything is Borrowed”:
    Folks on these shores (most of ’em) don’t get Mike Skinner or his style of music. Considering I didn’t think Amy Winehouse would cross over, I think Skinner is long overdue for some American love. “Everything is Borrowed” is his fourth, and reportedly the last album he is releasing under the Streets moniker. Expect more personal raps spiced with enough British slang that you might have to IM your best friend from London to ask “what the hell is he talking about here?”

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