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Tag: Fall Out Boy

  • The New Music Files 12/16/08: Ending the Year With a Bang

    Well, folks, we’ve come to the end of the road for 2008. The last big release date of the year. The labels are emptying their chambers until 2009 (and from the looks of the ’09 release schedule…those chambers won’t be emptied until we’re way into 2009). Here’s what you can expect to see on the new release shelves in stores today.

    Fall Out Boy Folie a Deux: This is supposed to be Pete Wentz and the boys’ “political” album, originally scheduled to release on Valentine’s Day. While I kinda like FOB (their last album impressed me, actually), I’m not so sure that I want to hear them talking about politics. Anyway, Folie a Deux continues their move from emo to power-pop as evidenced by their hit single “I Don’t Care”. Debbie Harry and Lil’ Wayne-of course-are among the guests on this album.

    Anthony Hamilton The Point of it All: This man, ladies and gentlemen, is a soul singer the way they used to make ’em. His first two albums have been excellent, and even the pre-fame vault releases that have been put out are pretty good. The Point of it All is touted as a more uptempo effort from Anthony, but I’ve heard the whole album, and it’s not much different from his first two. This is a good thing, because I was scared when I found out the first single had a cameo from rapper David Banner.

    Keyshia Cole A Different Me: It took Mary J. Blige 13 years and seven studio albums before she went from “troubled” to “diva”. Keyshia Cole is trying to turn the same trick in five years and three albums. Of course, Mary had to deal with drug and alcohol addiction and an abusive relationship. Keyshia’s pretty much only had to deal with being a hoodrat. This new album is already off to a shaky start, as the first single heads back to the grave of Tupac Shakur one more time. Leave the man alone! He’s been dead 12 years now!!!

    Soulja Boy Tell ’em ISouljaboytellem.com: What’s that sound? It’s the sound of Soulja Boy Tellem’s career dying a quick and undignified death! The maker of last year’s biggest novelty hit returns for round 2, only this time, no one cares.

    Jamie Foxx Intuition: Back when Jamie was playing Ugly Wanda on “In Living Color”, did anyone think the words “Oscar winner” would precede his name? Probably not, but here we are a decade and a half later, and Foxx has a successful dual career as actor and singer. This, his third solo album, features more slightly lecherous R&B (dude, you’re 40!) with cameos from T.I., Ne-Yo, and (you guessed it) Lil’ Wayne.

    But wait, there’s more!

    The All-American Rejects follow up their breakthrough album, Move Along, with When the World Comes Down, which features the hit single “Gives You Hell”. They’re joined on this week’s release schedule by rapper Plies (didn’t he just release an album?), Josey Scott & Saliva, and in this week’s oddest release, Vibes,a reggae album by Heavy D. Yes, that Heavy D.

    On the reissue tip, The Bee Gees re-release their Love Songs compilation a full month and a half in advance of Valentine’s Day.How thoughtful. There’s also the annual Dave Matthews Band live album (I think this might be one of the last shows sax man Leroi Moore played), a best of from Ghostface Killah, and budget compilations from the likes of Bob Dylan, Brooks & Dunn and REO Speedwagon, so if you’ve been interested in checking these bands out, you can do so at a low price.

    Get your full list of this week’s new releases here.

    And with that, “The New Music Files” is taking the remainder of 2008 (and the first week or two of 2009) off. Enjoy the holiday season and see you next year!!

  • Whoooooooooo!: MHW Live Blogs The TRL Finale

    So it’s not an awards show per se, but tonight is the night MTV says goodbye to Total Request Live (or TRL as it’s more popularly known). While the right way to send it off would be to play 1/4 of a video, have some obnoxious kid screaming over it, and feature lots of “whooooooooo!”s, they are sending the show off with a 2 1/2 hour special that’s sure to feature some serious star power. I have selflessly decided to sit through this event with my trusty bag of sour cream and onion Ruffles (Frito-Lay, y’all need to pay up). Worst comes to worse, it should be interesting. I will suspend my Jackson alert for this particular event (ironically, just as some video footage of Michael standing on top of a car (relax, it’s from 2001) pops up on the screen).

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  • Single Life: Nickelback, Brandy, Fall Out Boy, 50 Cent

    Nickelback “Gotta Be Somebody”

    Surprise-I’m not a Nickelback hater. I can think of 4 or 5 songs by them worthy of appearing on my iPod. Not sure if this is one of ’em though. Chad and company have flirted with a poppier, dancier sound before-I mean, Chad’s Santana duet from last year was pretty much a dance record. This song definitely has “hit single” written all over it. Unfortunately, it’s not that “wow, this is catchy” hit single vibe, it’s more of that cold, calculated hit single vibe. Plus, I wish Chad Kroeger didn’t always sound like he was straining on the toilet. Grade: C


    Brandy “Right Here (Departed)

    Guess what? Brandy’s back! Hey, if her talentless little brother can score a Top 5 hit in ’08, why can’t she? This song reunites her with Rodney Jerkins, who produced “The Boy is Mine” and several other Brandy hits, and it does have a little of that “Boy is Mine” bounce. Brandy’s voice sounds stronger than ever, and she looks good in the video, too. Going with the inspirational theme of the song, the clip shows Brandy as sort of a healing angel. It’s pretty interesting, and the song is solid enough to make some noise, although I don’t know if it’s “hood” enough for urban radio. Grade: B+

    Fall Out Boy “I Don’t Care”

    I could spend hours watching this video. Say what you want about Patrick Stump and Pete Wentz, but these guys know how to write a hook AND they know how to make a video. Although “I Don’t Care” sounds a little too much like Pink’s “So What” for my tastes, the video elevates it from a catchy yet derivative tune into a concentrated pile of awesome. Check out cameos from the likes of Pharrell Williams (who will appear in YOUR video for 50 cents and a lollipop), Mark Hoppus of Blink-182, and others, and watch out for an ending that should elicit at least a snicker. Grade: Video: A; Single: B

    50 Cent “Get Up”
    Not that it surprises me or anything, but our man Fiddy is suffering from severe artistic arrested development. “Get Up” is catchy yeah, but Curtis has been down this road with both “In Da Club” and “Disco Inferno”. This sounds like a Dre production-can’t tell whether it is, but it’s in the same vein as Dre’s seriously lukewarm production over the past two or three years (see-Jay-Z’s “Kingdom Come”). If you really want to know the difference between 50 Cent and Kanye West (even if you don’t like their music), Kanye goes out of his way to push the envelope, while 50 is content to recycle the same hitmaking formula over and over, thinking it will bring forth the same return. Grade: C-