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Tag: Diana Ross

  • New Video: Lionel Richie’s “Just Go”

    lionelYou’ve got to give Lionel Richie some credit. The singer-who turns 60 this year-has kept himself relevant for nearly forty years and doesn’t get the props that most other singers with his resume would. Then again, I think of things like the “Hello” video, getting his ass kicked by his (now-ex) wife after she found him with another chick, and dancing on the fucking ceiling and I realize why some people aren’t willing to give up the propers yet.

    Nevertheless, you’ve gotta give Lionel his dap for sticking around. His last album was contemporary without sounding awkward and he was rewarded with his first Gold album in the U.S. in well over a decade. When I heard that Lionel was recording with Akon, I immediately assumed the worst, but the first fruit of their collaboration, “Just Go”, is a pretty pleasant (if unsubstantial…insubstantial?) track. Coming off like a cross between Lionel’s own “All Night Long” and Jason Mraz’s recent hit “I’m Yours”, this song makes me think of white sandy beaches and strong drinks in bright colors. And anyone who can make Akon tolerable (a list that includes Gwen Stefani, india.arie and Whitney Houston) gets an extra star in my book.

    Check out the video, try not to imitate the lame choreography, and tell us what you think.

    By the way, the kid in the video is Evan Ross, whose mother, Diana, scored her last Top 10 hit in 1985 with “Missing You”, a song that Lionel wrote and produced.

    I can’t post something about Lionel without going old-school, so here’s a bonus treat for you:

  • The Sunday Shuffle is Back: Still Here

    So I finally did the smart thing and bought an external hard drive to store my music, figuring that keeping 70MB of music on a laptop’s hard drive probably wasn’t a good idea. Hopefully, this one doesn’t poop out on me the way my previous one did, after only five months. Damn you, Windows Vista!!

    I was gonna let the new “Genius” feature on iTunes take over for me, but I’ll save that for another time, plus we’ll have a feature on Genius at some point this week. No point in doubling up, right?

    Anyway, we’re off:

    Track 1: “Fast Car (Fugee Remix)”-Wyclef Jean feat. Lupe Fiasco

    Wyclef Jean’s “Carnival II” will surprise the few of you who’ve actually stuck with ‘Clef’s last few (phenomenally shitty) albums. On the album, this song is a moody piece with vocals by Paul Simon (yes, THAT Paul Simon). On this remix, Wyclef gets a quick verse from rap phenom Lupe Fiasco and also takes it back to ’96 by virtue of the Tribe Called Quest “Bonita Applebum” sample, which broke Wyclef’s old band (The Fugees, ‘memba them?) worldwide via its’ use on their version of “Killing Me Softly”. This remix is decent, the album version is better.

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  • "The Happening" and the Fickle Finger of Fate


    I can’t be the only one who’s had (of all things) a Supremes song stuck in his head ever since seeing a trailer for M. Night Shyamalan’s forthcoming disaster flick (which is being heavily touted for carrying Shyamalan’s first R rating): The Happening. Despite the film’s deliciously retro title which evokes images of arsty hippies staging random acts of public randomness, the trailer brims over with Shyamalan’s by now familiar (to the point of virtual self-parody) bubbling stew of supernatural terror and quasi-religious inscrutability. Urgh. On the other hand, the scariest thing about The Supremes‘ positively rapturous 1967 single “The Happening” (their 10th #1 hit on Billboard‘s Pop chart), is the way Diana Ross’s smile (to say nothing of her Bruckheimer-scale hairdo) threatens to consume the rest of her face (and everything else in the immediate vicinity) as she effortlessly maneuvers through the song’s brisk tempo and relentlessly acrobatic melody in this live performance.

    This dizzyingly catchy song, a collaboration between Motown’s venerable Holland-Dozier-Holland team and TV theme composer Frank DeVol (whose most famous composition centers on the story of a lovely lady bringing up three very lovely girls), was written for the 1967 movie The Happening starring Anthony Quinn as a mobster restauranteur who gets kidnapped by a bunch of hapless hippies (including Faye Dunaway in her screen debut!) in a plot that would get recycled for Ruthless People in the mid-80s. But despite the song’s boundlessly chipper veneer, it marks a pivotal point in the Supremes’ history. Their very next single – the #2 hit “Reflections” – would be the first one credited to “Diana Ross and the Supremes”. Meanwhile, Florence Ballard, who gave the group their name, would soon be signing away her rights to it. Considered by many to have the superior voice, Ballard actually sang lead on some of the group’s earlier tracks, but with Ross’s star ascendant, she was increasingly marginalized in the group. Her alchohol problem didn’t help matters: though she sang on “Reflections”, she’d been fired from the Supremes (replaced by Cindy Birdsong of Patti LaBelle and the Bluebelles) by the time it was released. In 1976, she died of heart failure at the age of 32. What did they say about that fickle finger of fate?

    -P. Lorentz