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Tag: Bruce Springsteen

  • New Single! Bruce Springsteen “We Take Care of Our Own”

    New Single! Bruce Springsteen “We Take Care of Our Own”

    Bruce Springsteen’s latest single is called “We Take Care of Our Own”. The first single from his forthcoming album Wrecking Ball (due out March 6), it’s been out for about a month now, but it got a boost earlier this week when Springsteen and the E Street Band opened the Grammy Awards broadcast with a rousing performance of it – I believe (could be wrong here), the first televised appearance by the band since the death of saxophonist (and spiritual leader) Clarence Clemons last spring. Their performance was loud and triumphant, and the song itself harkens back to the band’s anthemic stadium rockers of the 80s – songs like “Hungry Heart” and “Glory Days” and, of course, “Born in the U.S.A.”

    I’ve always been more a reluctant Springsteen fan than a true believer. As much as I loved hearing those songs from the Born in the U.S.A. album on the radio, I never actually bought the album – which, having generated no fewer than seven Top 10 singles, was virtually a greatest hits comp – until much later. Even when I did, I rarely listened to it.

    Wherever This Flag's Flown…
    I have a theory about this. Springsteen has certainly put out some intimate, personal, quiet records, but his most popular ones – specifically Born in the U.S.A. – almost require a communal experience in order to work. You can’t – well, I know I can’t – plop Born in the U.S.A. on the turntable and sit down by myself and just listen. It’s a sound that needs some kind of public space and some kind of crowd to really get across and be heard properly, whether that space is a packed arena and a fist-pumping audience, or the virtual space of a broadcast for a crowd of TV viewers or rush hour commuters, preferably with the volume turned up and the windows rolled down. (I just checked, and it appears that at some point, I got rid of my Born in the U.S.A. CD. I’ve never missed it. After all, its songs still get play on the radio.)

    This might also explain why a politician might gravitate to Springsteen’s songs. They sound great at rallies! They’re the audio equivalent of blue jeans and rolled up sleeves. It’s music that brings the people – both bourgeoisie and rebel – together. Hearing the E Street Band, still recovering from their own personal loss, playing “We Take Care of Our Own” to a crowd still reeling from the sudden death of an industry icon; listening to the song’s determined stomp, its optimistic chimes, and its purposeful titular declaration, a thought occurred to me: how long before a Republican presidential candidate uses “We Take Care of Our Own” at a campaign event, totally missing the irony?

    Like many of Bruce Springsteen’s most popular songs, “We Take Care of Our Own” is like a Southern Baptist sermon delivered in Arabic

    It wouldn’t be the first time this year. Mitt Romney’s already run afoul of rapper K’Naan by using the song “Wavin’ Flag” during his Florida primary victory speech. (K’Naan, a Canadian Muslim who was born in wartorn Mogadishu, Somalia, was understandably upset to hear the message of his song co-opted by an overprivileged white American corporatist who proudly claimed to be not concerned with the very poor.) Nor would it really be the first time conservatives have embraced Springsteen. Born in the U.S.A. was released right into the ’84 election season (y’know, the one that brought us the 49-state landslide victory for St. Ronald), and Reagan and his backers boldly appropriated the patriotic sound of Bruce’s message while missing the message itself entirely.

    One could almost have forgiven them their cluelessness back in the 80s. The sound of Born in the U.S.A. is Republican catnip. and whatever political implications one might have drawn from his songs, Springsteen himself largely kept out of politics (until 2004, when he joined John Kerry at some campaign events – in 2008, he publicly endorsed Barack Obama). Like Southern Baptist sermons preached in Arabic, his songs expressed liberal (particularly unionist) sentiments using conservatives’ language: they are crowd songs, they have a patriotic, anthemic feeling; you can wave the American flag to them; you can sing along with them the first time you hear them. His latest is just one more example of that. As triumphant (and triumphalist) as it may sound, “We Take Care of Our Own” is not a song about how we as a country actually “take care our own.” It’s about how we’ve failed to.

    So, note to Ron Paul: when you’re giving that victory speech in Maine this weekend to those die-hard supporters who admire the purist libertarian stance you champion: step away from the Springsteen. Try some Kelly Clarkson instead. Her songs also sound pretty good in crowds, and (bonus!) she knows a thing or two about winning votes.

  • 2012 Grammy Awards Live Blog

    Whitney Houston
    It’s the 54th edition of the Grammy Awards. And with the sad passing yesterday of Whitney Houston, I imagine it’s a much more somber celebration than usual. Our own Paul Lorentz wrote a nice piece on Houston earlier this morning. I participated in Popblerd’s appreciation piece earlier today as well.

    They always say the show must go on. And it will, though I’m not sure I’m ready to remember Houston yet.

    LL Cool J is the host for the show. Yes, a guy who was one of the first hip hop stars is hosting the music industry’s most celebratory day. I don’t imagine many would’ve predicted that when DJ Jazzy Jeff and the Fresh Prince won the first ever Rap Grammy in 1989, that 23 years later, a hip hop star would be hosting this show.

    (While this show has already happened since it started 3 hours ago and I get the West Coast tape-delayed version, I’m going to pretend this thing is live.)

    7:59 – How many times will LL lick his lips tonight? I think the over/under is 100. I’m going over.

    8:00 – The Boss opens up this show. I count three earrings. I once had an earring too … when I was 18. Come on Bruce, the gray hair, receding hairline, and earrings together aren’t a good look. Plus, you don’t need them bruh.

    8:04 – In a matter of seconds after the Boss finished his song, the cameras cut to Katy Perry with blue FU Russell Brand colored hair, Lady Gaga wearing a veil, and before I could anticipate it, Fergie’s face popped up out of nowhere. I could take Perry and Gaga, but I haven’t been that scared after seeing Fergie’s butter-face since watching The Poltergeist.

    8:08 – LL just gave a classy speech about “his sister” Whitney. Who says hip hop can’t be classy?

    (I’m not sure how I’m going to make it through this show with all these Whitney clips.)

    8:15 – Holy ****! Bruno Mars just sold a whole lotta albums tonight with his performance.

    8:16 – And can we just be clear about one thing? Mars’ pompadour is nothing more than the Brandon Walsh/Dylan McKay hairdo from 1992. I may have to bust that out too. It’s coming back.

    8:23 – The first Grammy Award is for Best Pop Solo Performance and it goes to Adele. I think Miss Adele is going to have a big night tonight.

    8:25 – I go away to check on my dinner and I miss Chris Brown’s performance. Oh the horror. Chris Brown has a very special talent. His talent is to do some pretty impressive and athletic dance numbers and make them seem so unimportant. I don’t remember any MJ performance ever being so insignificant.

    8:36 – Kanye West and Jay-Z win for Best Rap Performance and you’re telling me Kanye isn’t there? Well, he did get screwed by not being nominated for Album Of The Year. I guess I’d skip too.

    8:58 – I could say that Rihanna’s wig is very Tina Turner-esque, but I’m going with Farrah Fawcett’s dry perm. I think I just dated myself twice. By the way, if you didn’t know based on the hook that was repeated about 75 times, “We found love in a hopeless place.”

    9:14 – The Foo Fighters win for Best Rock Performance. New York Giants wide receivers Victor Cruz and Mario Manningham presented them with the award. I wish they had numbers on their suits so I could tell who was who.

    9:19 – From my friend @freemaneric:

    The Grammys, where Maroon 5 does “Surfer Girl” and everyone dies a little inside.

    9:37 – From Paul McCartney to Common shouting out Gil-Scott Herron? This must be 2012.

    9:37 – Chris Brown wins R&B Album Of The Year and shouts out Team Breezy. Yawn. El DeBarge was robbed.

    9:45 – Give out more awards, give us less Taylor Swift performances.

    9:51 – Adele and producer Paul Epworth win Song Of The Year. Epworth says that he couldn’t have done it without Adele. Really Paul? You mean you couldn’t have won this without Adele’s star power and voice?

    9:59 – Lady A won for Country Album Of The Year and I’m happy just so that we don’t have to see Hillbilly Taylor come up with her banjo again.

    10:10 – So Adele performed and she put boots to asses on everyone. It’s her night. She better win the whole damn thing.

    10:24 – Talk about catchy. “Like a rhinestone cowboy…” From @IAMJericho:

    Watching McCartney clapping along to Glenn Campbell is true class. #rocknrollisfamily

    10:31 – Carrie Underwood is on stage singing “It Had To Be You” with Tony Bennett. Another Tony, Tony Romo just pointed at the TV and said, “Me?”

    10:33 – That’s how you pronounce Bon Iver? And I’m so confused how they are a new artist, but oh well.

    10:45 – I really wanted to like Jennifer Hudson’s performance and I’m sure it came straight from the heart. But I don’t think it was very good and it was the wrong song to sing. Also, Melanie Amaro channels Whitney better than Jennifer does.

    11:04 – Common presented earlier and now it’s Drake’s turn. Sweet. I mean, um, yeah.

    11:08 – I think Nicki Minaj thinks this is her Lady Gaga moment. Sadly, it’s not.

    11:11 – This is Adele’s year. You can’t stop Adele. You can only hope to contain her. She also wins Record Of The Year.

    11:21 – And she wins Album Of The Year. She gives a raw reaction and not something preconceived or prepared, unlike a lot of what’s wrong with music in 2012.

    11:25 – Sir Paul McCartney goes HAM to end the show. See you next year.

    Whitney Houston photo is in the public domain.

  • Awesome Song Alert! Titus Andronicus “A More Perfect Union”

    This is a song Glenn Beck stole from Sam Adams. Titus Andronicus is stealing it back. It’s a seven minute indie-rock epic, named for a clause from the Preamble to the Constitution. It opens with an excerpt from Abraham Lincoln’s 1838 Lyceum Address. It ends with a quote from prominent 19th Century abolitionist William Lloyd Garrison. Along the way, it (literally) shouts out punk rock transliterations of Bruce Springsteen, Billy Bragg (a folk singer who, unlike most recently polled Americans, can speak with some authority on what is and what is not socialism), and “The Battle Hymn of the Republic”, all while sounding like Bright Eyes singer Conor Oberst trying his damnedest to front a volume-uncompromised Thin Lizzy, circa ’76 (Seventeen-76, that is.). I had no idea what I was watching when I, half-sleeping, caught my first glimpse – the last thirty seconds or so – of the video for this song on TV a couple months ago, but it kept me awake that night, the same way watching Spielberg’s remake of War of the Worlds did.

    “A More Perfect Union” is the lead single from the New Jersey quintet’s sophomore album The Monitor, and it comes on with the sort of triumphal mob rage that Lincoln’s Lyceum Address presciently decried and warned against – the 28-year-old Lincoln believing more than anything that the Union’s demise would come not at the hands of some foreign conqueror (or al-Qaida), but by the pitchforks and nooses of its own rioting hordes (Fox News?) – the same triumphal mob rage that seems to fuel the current Tea Party movement, blindly and nonspecifically angry, fairly puking on its own broad hubris, wrapping itself up in the spirit of the American Revolution, creating itself in the time-and-history-and-politics-distorted image of the Founders. It’s a punk rock opera built out of slogans – “Rally around the flag!” – and proud nationalistic proclamations – “Will I not yell like hell for the glory of the Newark Bears!”. In couplets that Woody Guthrie could sue over, they sing (?) the praises of “brutal Somerville summers” and “cruel New England winters”; of interstate highways, the Garden State Parkway, and the lights over Fenway. You could imagine Sarah Palin as a compulsively literate New Jersey loyalist (I think I just discovered the formula for Sarah Palin anti-matter!); or maybe Springsteen as a fervent, third generation punk rocker on the campaign trail for Van Buren ‘48. Either way, this song is wicked awesome.

    Sadly, the video edits the song down to a more manageable length, but it’s well worth hearing in all its unruly 7 minute glory. Listen here: