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Tag: Blake Lewis

  • Chart Chat 12/7/08: Kanye Beats Axl Down

    Let’s party like it’s 1999! For the first time in 2008, every album in the Top Ten scans over 100,000 copies. Of course,this tracking week includes Black Friday, explaining this sudden rush of good fortune in the music industry. Lots of interesting news within the chart as well. Let’s see what’s going on with this week’s Billboard Albums Chart. All charts are the sole property of Billboard Communications, Inc.

    1) 808s & Heartbreak-Kanye West

    Kanye has reason to celebrate as well as reason to worry. 808s is his third #1 album (out of four albums), but it also scores the lowest first-week sales of his career, a testament to this album’s polarizing nature.

    2) Fearless-Taylor Swift
    3) Chinese Democracy-Guns ‘n Roses

    What the hell happened? G’N R fans were supposed to be trooping to Best Buy in droves to pick up this long, long awaited album, and not only did it not come close to toppling Kanye, but it couldn’t even top Taylor Swift!! What gives?

    4) I Am…Sasha Fierce-Beyonce

    Sasha Fierce is in control of the singles chart, where Single Ladies jumps into the top spot, wresting control after two months of non-stop T.I.. Beyonce also finds herself at #3 with If I Were a Boy. Don’t fret for T.I., though. He’s enjoying his last few weeks of freedom with the #2 and #4 singles in the country.

    5) Theater of the Mind-Ludacris
    6) Day & Age-The Killers

    People still care about The Killers. How unfortunate.

    7) Dark Horse-Nickelback
    8) Twilight-Original Soundtrack
    9) Various Artists-Now That’s What I Call Music 29
    10)David Cook-David Cook

    The 2008 American Idol champion is off to a way better start than his predecessor. Jordin Sparks’ debut scanned just over 100,000 units in its’ first week, a record-low for an Idol winner, while Cook is about 100,000 copies away from Gold after only two weeks. However, proving that it’s not where you start, it’s where you finish, Sparks’ album has crossed the Platinum mark and remains on the chart a year after its’ release. Thanks Chris Brown!!

    11)High School Musical 3: Senior Year-Soundtrack
    12)Black Ice-AC/DC
    13)The Promise-Il Divo
    14)The Greatest Songs of the Eighties-Barry Manilow

    The bored housewife section of the chart is right here, as classical-esque boy band Il Divo come in at lucky #13 this week, while the immortal Barry Manilow (kids, he was Clay Aiken thirty years ago, with all that that implies) pops up a notch below, with yet another tribute album. This one was not as successful as its’ predecessors, one of which actually hit #1 on the charts a couple years back. Check out the cover, too. That man’s face is tighter than Spandex on Mo’nique.

    15)Prospekt’s March-Coldplay
    16)Paper Trail-T.I.
    17)Joy to the World-Faith Hill
    18)And Winter Came-Enya
    And now we’re at the Christmas holiday portion of the chart, with festive albums from Faith Hill and Eny…hey, wait. Something tells me that an Enya holiday album won’t exactly have you rockin’ around the Christmas tree. Oh, well. Feliz Navidad!!

    19)David Archuleta-David Archuleta

    Something tells me Blake Lewis is sitting at home right now going “Fuck! They couldn’t have done this with me?!? Sorry, bro. Cute, innocent teenagers are infinitely more commercial than beatboxers.

    20)Funhouse-P!nk

  • What Kind Of Fu**ery Is This? Best Of Music 2007

    I hate putting these lists together. Ok, I lied. I love doing it. But it’s so hard. Putting all of the songs and albums together that I heard in 2007 into one conclusive list is tough. There are even things that came out in 2007 that I know are good, but that I haven’t even listened to enough to make a solid decision on.

    Vital Idol

    But let’s start with the American Idol stuff. I guarantee that I’m the only one thinks about Idol albums on “best of” lists like this. In 2007, a bunch of Idol albums came out with the best being Elliot Yamin’s self titled debut. Carrie Underwood followed up her big hitter rookie album with another strong album titled Carnival Ride. I’m certain more than one song on the album is about Tony Romo. Kelly Clarkson argued with Clive and released an album that’s emotional and all her own, but yikes, does that mean I have to listen to her downpour of depression? Even Katharine McPhee dropped an album that was actually decent. It bricked (and caused her to get dropped from her record deal), but it was much better than it had any right to be. In late 2006 (but they count here for me for being so late in the year), Fantasia and Taylor Hicks put out good albums, though both didn’t sell. And Hicks’ debut got him dropped from his deal. So much for the idea that all Idol winners are stars. Also, Ruben Studdard’s third album dropped and it was a mess and a half. Not surprisingly he was also dropped from his deal as well. There were others that I didn’t get a chance to listen to like Kellie Pickler and Bucky (that dude should just drop his last name).

    The two albums that dropped late in the year were from Season 6 winner Jordin Sparks and runner up Blake Lewis. While Lewis is going to get shredded because he doesn’t have a great singing voice, his album is the better of the two. It’s creative and in a style you’d expect from him. Sparks’ isn’t creative, and that’s the downfall. She’s at a weird age in which she’s too old to be Hannah Montana and too young to be a sexy songstress. I’d expect much better from her in the years to come. As for Blake, he’s probably not going to last long in this game, but he gets an E for effort. At least Break Anotha was hot.

    One Shot

    I still haven’t been able to give enough time to Lupe Fiasco’s second album, The Cool. I love the single, but in order to put it on a list like this, I have to give it more than just the random listen that I did. I apologize to Lupe. Next time, release your album a little earlier bruh.

    Big Ups

    There are a bunch of albums that I really liked, but didn’t love, or simply haven’t listened to enough to know if I love or not. Unless it’s something I know I’ll love immediately, music and me aren’t necessarily always love at first sight. Joni Mitchell’s Shine is impressive considering I wasn’t raised on Mitchell and thus haven’t heard a lot of her classic work. But when two of my closest friends both told me to give it a shot, I did. And when one of them decided to send me all the songs in e-mail, I really couldn’t say no. To say I was impressed is an understatement. I was also impressed with Bruce Springsteen’s Magic. It’s really the first album of his that I’ve given a hard listen to since The Rising. The single Radio Nowhere was genius. Chrisette Michele is an artist that didn’t get much love, and one can understand why. It’s not a pop album at all. Her I Am is an album that I had to listen to more than once in order to get it, and I don’t even think I’ve fully gotten it yet. It’s very much an R&B/soul/jazz clash that’s void of bubble gum. Joss Stone’s Introducing … is a fun album that takes advantage of her voice and gives her good material to work with. She does good stuff with not only Common, but Lauryn Hill, and no one did anything with Lauryn Hill except for her own ego.

    Maroon 5’s It Won’t Be Soon Before Long came strong out of the blocks with the funky Makes Me Wonder and stayed strong throughout. Talib Kweli and Common also hit with albums this year. Kweli’s Eardrum was consistent throughout and for rap fans, is right up there with the best hip hop releases of the year. But I thought there was definitely something missing. It might just be Kweli. I love his rhymes, but he lacks charisma, and that’s why I think I’d rather listen to a lesser rapper like Kanye, but also one who makes complete songs, even though toe to toe, he can’t flow with Kweli. Common’s Finding Forever wasn’t as good as Be, but it found many spins in my iPod. Spins? To me, The People was one of the bangers of the year. Timbaland took the “featuring …” to another level with Shock Value. It was chock full of radio ear candy. One of the things I love about Timbaland is that he simply enjoys getting people to go crazy in the clubs, but he is not afraid of experimenting with different types of artists. He’s not going to go completely left, but he’ll rock with One Republic and The Hives and then on the same album throw a bone to his old buddy Magoo. He still can’t rap though.

    Ne-Yo and Rihanna converged with Hate That I Love You and at that point, I pretty much considered them one and the same. I found Ne-Yo’s Because Of You superior to his first album. Maybe it was the title track that I loved so much. But I just found more reasons to listen all the way through. Rihanna’s Good Girl Gone Bad was the one album that you could’ve thrown on at a party and not had to worry about changing the music for an hour. She had the biggest single in the world and seemingly grew up right before our eyes. Have you seen the video to Hate That I Love You? If not, go now. You can always come back here. I won’t mind.

     

    One Love

    The list of albums that I loved is much shorter. Though Alicia Keys hasn’t yet made that one near perfect album, she came closer to that goal with As I Am. It’s a much stronger album from a song writing perspective and as with any Alicia Keys song, you know you’ll get your goodie bag of awesome love songs. Like You’ll Never See Me Again was a brilliant second single. Jay-Z’s American Gangster and Kanye West’s Graduation were the two hip hop albums that I played most this year. With Jay-Z releases, I usually get a copy at least a week and a half before it comes out because someone had a bootleg and burns me one. Don’t worry y’all, I then go buy a copy when it’s finally released. With this one, I didn’t hear it until it dropped. I was slightly worried that it would be rushed, but after it was all said and done, it’s one of the best albums of his career. It’s on the soulful tip like The Blueprint, but is even more retro. And it also features the party jam of the year, Roc Boys (And The Winner Is …). We in the house, house, house. West’s Graduation came out of the gate with two singles that weren’t the type of radio song that you were used to. There was no Golddigger to be found. But he sampled Daft Punk and found his black Kate Moss. Stronger might’ve been my single of the year if I had a vote.

    The release date on Elliot Yamin’s debut album wasn’t circled on everyone’s calendar. But when Wait For You dropped, I knew I’d love probably everything on this album. He waits for his girl in Wait For You, sees warning signs in their relationship in Train Wreck, and then kicks her to the curb and wants to date her friend in Movin’ On. But he makes it all better with the iTunes only In Love With You Forever. Dreamgirls was probably my second favorite movie of 2006 (why Rocky Balboa of course) and even if the acting sucked (which it didn’t, and Eddie Murphy was robbed), I would’ve still loved it because of the awesome soundtrack. Even though technically the soundtrack was released in late 2006, I listened to it more than any other album in the first half of 2007. From Jennifer Hudson’s roaring rendition of Jennifer Holiday’s And I Am Telling You I’m Not Going to the bad a** Steppin’ To The Bad Side, it’s the shortest hour car ride ever. And I’ve probably listened to it no less than 35 times.

    My favorite album of the year isn’t a surprise. It’s not an original choice, but oh well. Amy Winehouse may be locked up at a looney bin with Britney Spears pretty soon, but at least someone in the looney bin will be able to sing. Ok, that was mean. I enjoyed Brit’s Blackout more than I probably should’ve and still think Break The Ice should be sent to the clubs immediately. Winehouse and producers Mark Ronson and Salaam Remi created soul music that simply isn’t created these days unless your name is Anthony Hamilton. Though Rehab was the hot single, Love Is A Losing Game and Tears Dry On Their Own are the real head turners. Back To Black is one of the few anythings I gave 5 stars to this year.

    Favorite Song Of The Year

    It’s true that I live in a whole different house
    But that doesn’t mean I won’t come around
    I’m still best friends with your mom have no doubt
    We’ll still make time to hang out
    I promise I won’t let you down

    I will admit to liking things that others won’t even dare listen to. One of my favorite songs of the year was the Carrie Underwood song I’ll Stand By You, which was only found on iTunes I believe. My favorite sing isn’t earth shattering and it’s not going to hit the charts anytime soon, but it was the most meaningful to me. Not simply Babyface anymore, Kenneth “Babyface” Edmonds penned a song that could’ve been written for me. Not Going Nowhere is a love letter to his son about why he and his ex-wife Tracy Edmonds (Edmonds-Murphy?) decided to be best friends. It really touched home with me because my ex-wife and I made a promise to each other that we would put away any hard feelings we have for each other and work to keep our family together. Our two sons are too important for pettiness and so far, we’ve done that. I live 2 minutes away from my boys, have them whenever I want, and life isn’t really all that different. The boys will have to deal with us having new significant others (and they’ve really done great in that area), but having a family with divorced parents is much better than having a divorced family. Thanks ‘Face.

    I know you feel a little scared
    I know you think it’s not fair
    And you think it’s all your fault
    But it’s not I swear
    If it wasn’t for you things could never be so cool
    So I thank you
    For being the one in our life
    That showed both of us we did something right

    (forgive the ads in the beginning)


  • Lawsuits, Taped Calls and Murder. Doesn’t Anyone Just Sing Anymore?

    In a week that should have been marked by good news — the start of the summer concert season, new albums from Linkin Park, Bon Jovi and Wilco, reunion tours from The Police while Kenny Chesney and Beyonce hit the road as well — this is summer. Even Jay-Z is around more and more often. Look for his very cool multi-part interview on Joost if you have have a beta copy.

    Instead of the tunes, though, we have the trials.

    Brandy, whose auto accident 6 months ago left a man dead, is being sued and is countersuing for all sorts of things. We haven’t seen an album out of the almost 30 something for 3 years now. I would rather her sing than sue.

    Meanwhile, Phil Spector’s role in the latest Trial of the Century drags on in Los Angeles. There are diaries and secret codes and Phil looking like the picture of Dorian Gray. Ultimately, though, popular opinion everywhere seems to believe he did the deed. The trial begin May 19, shows no signs of slowing down and will be haunting the gossip columns for weeks. In case anyone cares, the dead woman’s name is Lana Clarkson. Spector gets all the attention so it only seemed fitting that we actually recognize Clarkson.

    And in terribly minor news, George Michael actually admitted guilt to a British court when he was found slumped over in his car. Perhaps he can give Lindsay Lohan his number.

    Spinning In The CD:

    Still laughing at Jon Bon Jovi’s reaction to Blake Lewis modernizing You Give Love A Bad Name on American Idol, one would assume he doesn’t mind the songwriting royalties pouring in from the country’s #18 song this week. The best part — Jordin Sparks yodeling This Is My Now is only at #15. Granted, the original went to #1 when Jon, Richie and the gang released it, but that was 20 years ago. Time for a b-b-b-beat, beat, beatbox arrangement.

    **Alert: Look for TV Help Web’s blog this weekend on the sale of American Idol**