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Pop Rock Nation

Tag: Ben Harper

  • New Release of the Week 5/5/09: Elliott Yamin

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    Happy Cinco de Mayo, everyone!

    Elliott Yamin’s debut album became one of the more unexpected successes of 2007, scoring Gold sales and spawning a huge hit single with “Wait for You”. After releasing a pair of holiday albums, Yamin is officially back with his second proper album, entitled “Fight for Love”. Elliott took a more active role in the songwriting this time around, and also found the budget for some more big-name collaborators. While Yamin has thankfully not gone the guest rapper route, he is collaborating with the likes of Stargate (who also co-composed “Wait for You”) and Jermaine Dupri. We’ve premiered the single and the video here on SonicClash, so rest assured that this is an album we’re pretty excited for.

    Here’s what else is arriving in stores and online this week:

    Ciara Fantasy Ride– Ciara’s third album was originally scheduled to come out last fall, but got pushed back due to a variety of reasons. Now, with a pair of hit singles under her belt (“Never Ever” with Young Jeezy and “Love, Sex & Magic” with Justin Timberlake), Ciara is ready to unleash her latest project onto the world. Other collaborators on this album include Missy Elliott and Chris Brown, who was somewhat controversially not removed from his featured track after the whole Rihanna brouhaha.

    Chrisette Michele Epiphany-Still an unknown to most people who aren’t fans of contemporary R&B, the jazzy-voiced Michele initially scored as a hook girl for Def Jam labelmates Nas and Jay-Z before scoring a modest hit with her debut album “I Am”. She even won a Grammy earlier this year for the song “Be OK”, which featured will.i.am. Michele’s second album moves her into a more contemporary zone, with up-to-date writing and production by the likes of the ubiquitous Ne-Yo. This one might be worth checking out-look for it to be the sleeper hit of the week.

    Ben Harper & Relentless 7 White Lies for Dark Times-I’ve never been much of a Ben Harper fan-he’s always struck me as a milquetoast version of Lenny Kravitz (some of you may argue that Lenny’s already milquetoast enough). Anyway, he’s certainly prolific, releasing albums at an almost once-a-year clip. “White Lies” features a new band called the Relentless 7. The jury’s out as to whether that’ll make his music any more interesting, though.

    Peaches I Feel Cream-If Prince had never found Jehovah and was still putting out nasty records by his female proteges, it would be pretty easy to see him getting behind Peaches, for whom filthy is an understatement. I’m not exactly sure what “electroclash”, but I guess that’s a hipster way of saying she makes modern-day dance music, kind of like a Lady GaGa with a much worse attitude and stronger libido. She’s an acquired taste, but if you’re into her, you’re probably already on your way to the record store to pick this up.

    As usual, get your full list of this week’s new releases here.

  • The Sunday Seven 12/21/08: Stop Trippin’

    Thanks to my buddies Kyle and Paul for the guest columns they provided for the past two weeks. I’m back like spinal cords, however, taking you on another tour through my music collection. It’s keeping me from watching my Giants play, but considering the score right now, that’s OK. Here’s what we get when we shuffle:

    Track 1: “Hip Hop” by Mos Def (from “Black on Both Sides”, 1999)

    Damn, what happened to Mos Def? He’s a legitimate triple threat as a singer, rapper and an actor, but he’s wasted his talent lately on half-baked albums (remember “Tru3 Magic”, the album that was released without a cover?) and mediocre movies (“Be Kind Rewind”). He’s got a new album scheduled for release next year. Hopefully, it’ll bring back the Mos we knew and loved, before the baby mama drama and the punching out photographies.

    Track 2: “Dr. Heckyll & Mr Jive” by Men at Work (from “Cargo”, 1983)

    Um…if you check yesterday’s posts, you’ll see that I just talked about Men at Work yesterday. This is an interesting little kowinkydink. When I was a kid, I loved this song. I’m honestly not sure I’ve given it a full listen since I was 7, though. Still a pretty good song. And it has a video. Wanna see it? I thought you’d never ask.

    I’ll drag up a Police comparison once again and say while the Po-Po made better records, MAW made better videos.

    Track 3: “Crack (demo)” by Run-DMC (from “Tougher Than Leather-Expanded Edition”, originally released 1988)

    Remember back in the days when everyone had to do an anti-drug song? This was obviously before selling drugs became cool in hip-hop circles. This song is typical Run-DMC back and forth, but the most intriguing thing about “Crack” is the rumor that the song was supposed to be recorded with Michael Jackson, but Run, DMC and Jay found Mike weird and couldn’t relate. You don’t say, guys.

    Track 4: “Why You Wanna Trip on Me” by Michael Jackson (from “Dangerous”, 1991)

    I swear to you this was totally coincidental. This song was track 2 on “Dangerous” and finds the KOP bitching out the press for focusing on his…uh, pecularities while there are more urgent issues going on in the world. The man had a point. This was at the beginning of MJ’s new jack swing stage and stands as one of the better tracks on “Dangerous”, featuring a thumping beat and those signature MJ harmonies.

    Track 5: “Flake” by Jack Johnson (from “Brushfire Fairytales”, 2002)

    This is one of only a handful of tracks I’ve been able to tolerate Ben Harper on. For some reason, I’ve always thought of him as a poor man’s Lenny Kravitz and I just can’t get into him. This is also the song that introduced me (and most people) to Jack Johnson. I could definitely use anything that reminds me of summer now that I’m buried under 6970989 inches of snow in Massachusetts.

    (and I’ll completely ignore the fact that the song is called “Flake”).

    Track 6: “Bleeders” by The Wallflowers (from “Bringing Down the Horse”, 1996)

    I will say this and watch any musical integrity I ever had completely evaporate: I enjoy hearing Jakob Dylan sing more than I enjoy hearing Bob Dylan sing. That said, I wish Jakob would come up with material as consistently well-written as his dad has. “Bringing Down the Horse” remains The Wallflowers’ only essential album. “Bleeders” sounds kinda like old-school Springsteen as sung by Tom Petty. It’s probably the best of the set’s non-singles. Now I feel bad for completely ignoring Dylan’s solo album from earlier this year. Has anyone heard it? Is it any good?

    Track 7: “Reasons” by Earth, Wind & Fire (from “That’s the Way of the World”, 1975)

    This is one of EW&F’s most memorable songs, despite the fact that I don’t think it was ever released as a single. I think I may have mentioned “Reasons” in a Falsettometer article a while back, and the high notes Philip Bailey hits on this song are pretty awesome. Even more awesome is the fact that Bailey can probably still hit the majority of those notes. Pretty amazing stuff. Here’s some old concert footage. The man is bad ass.

    On that note, I bid you all a very smooth good night. If anyone wants to fill in next week, please let me know!!