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Tag: Ben Folds

  • Sing Off with Glee

    NBC wanted a singing reality show too so the network dusted off Nick Lachey and decided to reinvent doo-wop and scatting by creating an a capella competition.   This pale imitation of American Idol has a couple of good things going for it and some things positively cringe-worthy.  You’re excused if you missed the flurry of three shows in 3 nights from the same network that brings you prime-time Jay Leno five nights a week.  That’s actually one of the good things.  Someone give me a backbeat and let’s talk about Sing-Off.

    Great Stuff About Sing-Out

    1.  No reality show back stories.     You sing, you mug a little for the camera, you get some judging criticism and you’re off the stage.

    2.  The lightning fast eliminations.   The show started with 8 groups and began cutting mid-show immediately.  That’s a fun concept. I love watching judges cut acts in mid-show.

    3.  Sing-Off is getting tons of song clearances with the winners promises a Sony/Epic contract.  Mind you, no one said anything about promoting that record, but you get a studio, and probably a producer too.

    4.   A couple of the performances have been fun to watch.  A capella isn’t for everyone.  I don’t know if it’s for me, but that’s where the show’s lightning pace helps.

    5.  Watching Shawn Stockman from Boyz II Men in the Simon Cowell role is a treat.  Think some amateur a capella singer is going to argue with Stockman?  And on last night’s show he rocked a bow tie and argyle sweater that still made him look like the coolest guy in the house.

    Not So Great Stuff About Sing-Off

    1.   Ben Folds is my man.  I love Ben Folds.  I have everything — the rarities, the imports, the whole catalog.  He has 100% musical credibility in my eyes. C’mon, he covered Snoop as a tender ballad!  Unfortunately, he’s Randy Jackson on Sing-Off.  I don’t know whether that makes me like Folds less or Jackson more. It’s just weird.

    2.   There are times that the show is trapped in a Glee casting session.  Watching the SoCals do Journey last night was actually pretty darn good until they went straight into Don’t Stop Believin’.    Between the Glee kids, the final episode of The Sopranos and now this, I don’t want to hear this song for another five years.  Amazingly well-crafted song.  Really good album.  Stop playing the song, and Lord, please stop covering the 30 year old track.

    3. The Beelzebubs are a hoot to watch.   They did campy stuff in the Straight No Chaser vein until last night when they did a Who medley (catch it below) that has 3 songs I would pay to download.

    Things I Hate About Sing-Off

    1.  Nicole Sherzinger, the Paula judge, makes Paula Abdul sound like a Rhodes Scholar lecturing on music theory.    Like Paula, Nicole can sing, had a string of hits off an album (although Abdul had bigger hits over a longer period of time), but this is one boring judge.  By the time she offered her opinion a third time, we were yelling at her through the television to shut up.  Alas, she did not.  Money Mike promised us Pussycat Dolls were no more, but I forgot to check if Nicole would continue talking.  Perhaps that’s a New Year’s resolution.

    2.  No one expects Nick Lachey to be Seacrest or Dick Clark.    Maybe next time we roll out Wayne Brady or someone who actually, you know, doesn’t sound like a young John Tesh.

    Bonus Thing I Loved:   Simon and Randy (I mean, Shawn Stockman and Ben Folds) arguing over a cover of Man in the Mirror.  Stockman ripped into the group, told them they were technically sound and missed the emotion of the song, which he happily sang to them.  Folds defended them, told them not to be afraid of the original, and Stockman leaped over the table and beat Folds with a chair calling him a “sissy cracker who makes fun of black people in songs”.    Actually, I made that last up.   What Stockman did was interrupt Folds and chastise the kids again.  He made his point by Slapping. The. Desk. With. Each. Word.    Got it?  Good.   Although I have a Franklin down on Stockman if he and Folds decide to throw hands in the finale.

    The finals are Sunday on NBC.  I do love that lightning fast get-em-outta-here aspect.   Meanwhile, enjoy The Who as sung by a bunch of a capella geeks.  I’m guessing Pete is smiling because it’s pretty darn good.

  • New Release of the Week 4/28/09: Bob Dylan’s “Together Through Life”

    dylan

    I’ve got no problem admitting that I’m not the world’s biggest Bob Dylan fan. While I think he’s an ace songwriter, there are very few people I can think of whose singing I enjoy less. It seems to have gotten worse as he’s gotten older. Some people (Joni Mitchell) get better as singers as they age. Mr. Zimmerman? Not so much. Anyhow, the guy’s a legend no matter how you slice it, and he has a new album called “Together Through Life” out today. Given the slow release schedule, this could very well become Dylan’s first #1 album debut EVER. I smell an early front-runner for Grammy’s Album of the Year.

    Elsewhere…

    Ben Folds Ben Folds Presents: University a Cappella : True story. I have my iTunes on in the background, and as I was researching this album, a Ben Folds song just randomly came on. It’s like my computer can read my mind! Then again, the song that came on was “Fired”, so maybe I shouldn’t count on my laptop as a crystal ball yet-at least I hope not.

    Anyway, this is a pretty interesting piece. Ben got a bunch of college students to sing his songs acappella. You can get a little taste of what to expect here.

    Ben Lee The Rebirth of Venus: Folds’ sometime partner in The Bens (along with Ben Kweller, who unfortunately, does *not* have an album coming out today, “The Rebirth of Venus” is the latest effort from the former child prodigy. Why Ben Lee has never caught on in the States is one of music’s great mysteries. He’s a fantastic songwriter who can write a killer hook, and he’s got a sense of humor besides. Maybe he just goes over peoples’ heads.

    Mike Jones The Voice: Who? Mike Jones

    WHO?? MIKE JOOOOOONES

    Remember back when Texas rap was gonna be the next big thing? There was this guy, Paul Wall, Chamillionaire, Slim Thug, and a couple of others. None of them have careers anymore! Ha!! Anyway, after a million and one delays and a much too long gap in between albums, Jones is back. Can he salvage what’s left of his career? I’m betting “no” here, but I’ve been wrong before. Not many times, mind you, but I’ve been wrong before.

    OK-I was kidding with that last comment. My ego’s not that big-yet.

    Urban Mystic GRIII: Old Skool 2 Nu Skool: When I first heard of this guy, I thought he was one of those space-cadet R&B singers, like Maxwell, you know? Come to find out this guy’s just Jaheim with even more hood cliche added. His first album (which I think was self titled) was one of the biggest pieces of shit I’ve ever heard before (and I’ve listened to a LOT of music). For those of you who care, he has a new album out today. That said, if this interests you at all, I have to question your taste in music.

    As always, get your full list of new releases here.

  • First Spin 2/10/08: Lily Allen, india.arie and More!!

    lilyThe slow trickle of new music releases has sped up slightly, with a handful of big name releases scheduled to hit stores (and your local online retailer) right before Valentine’s Day. Here’s what you’ll find in the new release bins this week:

    Lily Allen “It’s Not Me, It’s You”– Lost in the hubbub about Amy Winehouse was the fact that fellow sassy Brit Lily Allen sold half a million copies of her debut album “Alright, Still”. After some tabloid misadventures (including a public miscarriage), Allen returns with a slightly more sober but still cheeky sound on album #2. With Adele, Estelle and Duffy making a solid showing at this year’s Grammy Awards, it would seem that the ladies from across the pond are making more intriguing music than their American counterparts.

    india.arie “Testimony Vol 2: Love & Politics”– The first volume of the neo-soul singer’s “Testimony” series debuted at #1 on the album charts two years back. For the follow-up, arie continues her folksy brand of soul, with a guest appearance by one-time rumored love interest Musiq Soulchild on the first single “Chocolate High”.

    Beastie Boys “Paul’s Boutique 20th Anniversary”– The album that turned Mike D., Ad-Rock and MCA from jokes into serious musicians is now 20 years old. Like I need another excuse to feel old. The reissued version of this classic album now has improved sound (thank GOD!) and includes a pullout poster. For true heads, this special edition is also being made available on vinyl, making it all the more easy to scratch and cut this hip-hop essential, which was one of the first to make a case for sampling as a legitimate art form.

    The Lonely Island “Incredibad”– The first musical spinoff from “Saturday Night Live” in many years, the Lonely Island’s focal point is Andy Samberg, and yes, many of Samberg’s famous digital shorts are here. This set includes “Iran So Far Away” with Adam Levine, “Dick in a Box” with Justin Timberlake, a guest shot from T-Pain (if you look like that, I guess you HAVE to have a sense of humor), and, of course…”Jizz in My Pants”.

    Fleet Foxes “Fleet Foxes”/Ben Folds “Way to Normal: Sticks & Seeds”– The indie darlings and the smartass piano man both get the expanded edition treatment this week, with their 2008 efforts stuffed with even more tracks, pissing off all of the people who may have bought one or both of these albums originally. Sigh.

    Also in stores this week: the third album by anonymous R&B singer Bobby Valentino, the sophomore set by Christian metal-lers Red, a solo album by Black Keys’ guitarist Dan Auerbach, and in the “He’s Still Around?” section of your record store, a new album by Warren G. Methinks Warren would be much better served giving his big bro a call and telling him to release “Detox” already.

    Get yer entire list of new releases here.