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  • Soul Patrol! What Will Tay-Tay Do Next!?!?!??!

    For the record, I was one of the folks that *liked* Taylor Hicks.
    American Idol Season 5 was the first season I watched, and despite the fact that Taylor looked nothing like the typical “American Idol” looked like, I cheered him on and was happy that he won. I wasn’t impressed by Daughtry (but apparently 4 million other people saw what I failed to), and I thought Kat McPhee was a stuck-up bitch. Elliott Yamin, Paris Bennett and Taylor were my favorites. You could tell Taylor didn’t want to be a *star* per se, but he was in it for the chance to get his music heard by as many people as possible.
    I even liked the guy’s album! Granted, as a child of Eighties pop (think Steve Winwood or Michael McDonald), I would. But his album, from a qualitative standpoint, is better than any “Idol” winner’s debut, with the possible exception of Carrie Underwood’s. Unfortunately, it also sold the least (roughly 700,000 units moved), which means that shortly after one winner has been put out to pasture (Ruben Studdard was dropped about a week ago), Taylor has lost his contract with Arista Records. So two of the six American Idol winners are now label-less, and it’s more than likely due to lack of malleability more than it is talent.
    Let’s face it, Ruben’s fat. And his weight was a hindrance to his “image”. As a male R&B singer, the assumption is that no one cares about you unless you either dance like Michael Jackson or are capable of taking your shirt off and doing a few hundred pelvic thrusts. And Taylor’s “old”…granted, he looks a few years older than he actually is (at 30, he’s younger than I am), but a prematurely grey, slightly pauncy singer (no matter how talented he is) is not gonna fly in this “i want millions sold now”/”Idol”-disposable music world. While Rube is headed for Boradway (and I see a Weight Watchers/Jenny Craig deal in his future), Taylor goes back to being a bar musician, screaming his lungs out for the love of music. And something tells me that suits him a lot better than selling himself out for Clive Davis and his minions.
  • It’s The Same Old Song

    It’s one thing for a writing or production team to have a signature sound, quite something else when someone basically writes 100 versions of the same song, right?

    At least back in the day, folks had a sense of humor about it, right? Motown stuck so close to formula on the first few Four Tops hits (“I Can’t Help Myself (Sugar Pie, Honey Bunch)” and “Reach Out, I’ll Be There”) that the next song they did was called “It’s The Same Old Song” (wink, wink…nudge, nudge).

    This process started getting really stale in the late Eighties, when every faceless dance act released a second single that sounded exactly like the single before (Rick Astley’s “Never Gonna Give You Up” and “Together Forever”, Real McCoy’s “Another Night” and “Run Away” and Ace of Base’s “All That She Wants” and “The Sign” being just a few examples), but the Norwegian production team of Stargate has gone just a wee bit overboard. Although for some reason I can’t quite pinpoint, I actually *like* all of these songs!!

    Compare for yourself:

    Ne-Yo’s “So Sick”: http://www.youtube.com/watch?v=-hvI9kAUTKA
    vs.
    Lionel Richie’s “I Call it Love”: http://www.youtube.com/watch?v=jx-PJfsvR5Q
    and Elliott Yamin’s “Wait For You”: http://www.youtube.com/watch?v=MEskpfHOTAk

    AND

    Beyonce’s “Irreplaceable”: http://www.youtube.com/watch?v=FFtICBASrpY
    vs.
    Chris Brown’s “With You”: http://www.youtube.com/watch?v=OqumjziPTzk
    and Ne-Yo’s “Go On Girl”: http://www.youtube.com/watch?v=49P8X438NZk

    What do YOU think??

  • There’s Something About Mary

    I’ll tell you one thing. If I’m reading about a TV telecast and it says Mary J. Blige is going to perform, I am *there*. Whether ripping the Grammys apart with performances of “No More Drama” and “Be Without You” or delivering an emotionally stunning version of “One” with U2, there is no question that Mary J. is one of, if not the most emotionally resonant performer in popular music today.

    It took all of two listens for her new album “Growing Pains” (currently the #1 album in the country, the fifth of her career) to make an impression on me. While some people may think Mary’s music caters to a very specific audience, her music is far-reaching, whether it hits you for the beats, Mary’s luxurious (if not always perfect) voice or for the messages of empowerment and self-love that she delivers with a fierce honesty.

    Here’s a CNN performance of “Come To Me (Peace)”, which is the last track on her current album and one of the best songs she’s ever done in my opinion. Enjoy.

    http://www.youtube.com/watch?v=b2PftBAidT4