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  • The Sunday Seven: Relax Yourself Girl, Please Settle Down

    Hey Folks, I’ve been asking for volunteers to put their iPods on shuffle and let me know what they’re listening to (in totally random fashion, of course), and lo and behold, somebody bit!

    Ladies & Gentlemen, coming straight out of the Jersey suburbs, here’s my boy Kyle, taking over the Sunday Shuffle from me. Kyle is a full-on hip-hop head, although he’s also enjoyed music by everyone from John Mayer to Ben Folds (which means that this is someone who has damn good taste in music similar tastes in music to mine). Take it away, Kyle!!

    Aight, since my iPod lacks a working skip button thanks to a dumb decision I once made to listen to it during a long walk during a rainy vacation day I was thinking about listening via iTunes, but decided I might as well just listen to it through my iHome. There are plenty of times I skip songs just to get to ones I wanna hear, so I am not doing that today.

    “Puppy Chow” – Common: Maybe it’s finally time I try to write a review of “Can I Borrow A Dollar?” (although one of these days I also have to do “One Day It’ll All Make Sense”.) I’m sure as of now there are plenty of people ready and willing to write an essay comprising 24 paragraphs about how and why Common has fallen off (even though I’m worried about his new album too) but I won’t go into detail about that right now, I’ll fight temptation. This song is fun and has a lot of Common’s hard-to-describe old style, but it’s definitely not as memorable as some of my favorite tracks on his debut.

    “Electric Relaxation” – A Tribe Called Quest: I’ve been meaning to pull out my copy of “The Low End Theory” for weeks (although I do think “Midnight Marauders” is better.) My opinion of this song is no different from any other big hip-hop head/Tribe fan, and it also has a classic Phife Dawg punchline, great stories from both emcees (I’m relistening to Q-Tip’s November solo album to see how much I like it) and I accidentally once found out the actual words they say in the chorus. There’s actually been a remake of the song by producer Marco Polo and J*Davey (that I thought wasn’t too good) and I think it’s also been sampled a few times in hip-hop songs as well. Probably the best song on their best album.


    “Mama Had A Baby And It’s Head Popped Off” – Atmosphere
    : Not my favorite Atmosphere song (off my favorite Atmosphere album – their debut “Lucy Ford”.) It’s got some interesting lyrics from Slug regarding God and politics, but the beat is just sinister and not something I really like. I don’t know what else to say about this one…wish a better song from them came up here.


    “The Definition” – DJ Jazzy Jeff & Kel Spencer
    : The emcee Kel Spencer (ed.: Isn’t Kel Spencer the dude who was on “All That” with Kenan Thompson back in the 90s?) raps over some pianos and DJ scratches here about observing the bad habits and trends perpetuated by wack emcees around him, and how he doesn’t like being overlooked by them. Jeff’s last album, “The Return of the Magnificent” was started off by lesser-known rappers like Kel (that has so far been the only time I’ve heard him) but still was one of 2007’s best, and perfect to listen to during a long-ass road trip (the album concept was that Jeff was forced to listen to the radio during a trip between Philly and Florida because there was no CD changer in his rent-a-car.)

    “Final Frontier” – Blueprint & RJD2
    : I want Soul Position to release another album, and I also want to know whether or not it has been confirmed that RJD2 is no longer doing hip-hop producing. This is kind of a tough song to describe thanks to Blueprint’s unusual lyrics, which some people could say are obviously pretentious. Blueprint also needs to release another album – it’s been pushed back for years. He’s done better than this song, but it’s still enjoyable (although the best performance on “Deadringer”, RJ’s first album which this is on, is from Copywrite on “June”…but that’s another story.)

    Final Frontier – RJD2

    “American Dreamin” – Jay-Z: This song is kinda moody. Jay rhymes about trying his hardest in the New York grind he’s detailing, and he sounds good throughout the whole song (even though there are many other tracks I’d rather listen to from “American Gangster”.) Considering Nas and Kanye West dropped great albums I was really anxious about this year, hopefully Jay will next year.

    “Inherited Scars” – Sage Francis: Damn, had to end this on a depressing note. And I’ve been in a decent mood today so far too. He’s an easy artist to play when you want self-pity or are reflecting about your life’s misfortunes, but here he’s kinda vulnerable, talking about a secret his sister told him about a deadly habit of hers and is not sure what to do about the situation. The lyrics are fantastic as is the message, and he details what he’s feeling and what he expects his sister is feeling, hoping for empathy from her side. I’m gonna have to listen to some more happy music soon.

    Inherited Scars – Sage Francis

    There ya go, folks. Thanks Kyle, for sharing at least a portion of your music collection with us. Now that someone has thrown down the gauntlet. Anyone else wanna share? You know where to find me.

  • Chart Chat 12/7/08: Kanye Beats Axl Down

    Let’s party like it’s 1999! For the first time in 2008, every album in the Top Ten scans over 100,000 copies. Of course,this tracking week includes Black Friday, explaining this sudden rush of good fortune in the music industry. Lots of interesting news within the chart as well. Let’s see what’s going on with this week’s Billboard Albums Chart. All charts are the sole property of Billboard Communications, Inc.

    1) 808s & Heartbreak-Kanye West

    Kanye has reason to celebrate as well as reason to worry. 808s is his third #1 album (out of four albums), but it also scores the lowest first-week sales of his career, a testament to this album’s polarizing nature.

    2) Fearless-Taylor Swift
    3) Chinese Democracy-Guns ‘n Roses

    What the hell happened? G’N R fans were supposed to be trooping to Best Buy in droves to pick up this long, long awaited album, and not only did it not come close to toppling Kanye, but it couldn’t even top Taylor Swift!! What gives?

    4) I Am…Sasha Fierce-Beyonce

    Sasha Fierce is in control of the singles chart, where Single Ladies jumps into the top spot, wresting control after two months of non-stop T.I.. Beyonce also finds herself at #3 with If I Were a Boy. Don’t fret for T.I., though. He’s enjoying his last few weeks of freedom with the #2 and #4 singles in the country.

    5) Theater of the Mind-Ludacris
    6) Day & Age-The Killers

    People still care about The Killers. How unfortunate.

    7) Dark Horse-Nickelback
    8) Twilight-Original Soundtrack
    9) Various Artists-Now That’s What I Call Music 29
    10)David Cook-David Cook

    The 2008 American Idol champion is off to a way better start than his predecessor. Jordin Sparks’ debut scanned just over 100,000 units in its’ first week, a record-low for an Idol winner, while Cook is about 100,000 copies away from Gold after only two weeks. However, proving that it’s not where you start, it’s where you finish, Sparks’ album has crossed the Platinum mark and remains on the chart a year after its’ release. Thanks Chris Brown!!

    11)High School Musical 3: Senior Year-Soundtrack
    12)Black Ice-AC/DC
    13)The Promise-Il Divo
    14)The Greatest Songs of the Eighties-Barry Manilow

    The bored housewife section of the chart is right here, as classical-esque boy band Il Divo come in at lucky #13 this week, while the immortal Barry Manilow (kids, he was Clay Aiken thirty years ago, with all that that implies) pops up a notch below, with yet another tribute album. This one was not as successful as its’ predecessors, one of which actually hit #1 on the charts a couple years back. Check out the cover, too. That man’s face is tighter than Spandex on Mo’nique.

    15)Prospekt’s March-Coldplay
    16)Paper Trail-T.I.
    17)Joy to the World-Faith Hill
    18)And Winter Came-Enya
    And now we’re at the Christmas holiday portion of the chart, with festive albums from Faith Hill and Eny…hey, wait. Something tells me that an Enya holiday album won’t exactly have you rockin’ around the Christmas tree. Oh, well. Feliz Navidad!!

    19)David Archuleta-David Archuleta

    Something tells me Blake Lewis is sitting at home right now going “Fuck! They couldn’t have done this with me?!? Sorry, bro. Cute, innocent teenagers are infinitely more commercial than beatboxers.

    20)Funhouse-P!nk

  • Infatueighties #65: I Keep Forgettin’

    Much like fellow blue-eyed soulsters Hall & Oates, Michael McDonald has only recently started to get his propers. The episode of What’s Happening?! featuring McD and his fellow Doobies is regarded as a cult classic, fellow karaoke-ers have discovered what a freaking difficult song “What a Fool Believes” is to sing, he got a spot on the “South Park” soundtrack some years ago (proving that he has a sense of humor), Justin Timberlake gave him a shout during his recent spot on SNL’s “Weekend Update”, and over half a century after jumping off the Doobie Express and onto the Solo Train (not to be confused with the Soul Train…I’m not sure if he ever made it there), you’ve gotta admit that almost all of McDonald’s work is fantastically sung, and he had at least a five-year run of good material.

    Even if you don’t count the 66,000 pop songs that he sang backup on during the Eighties, there’s still “Yah Mo B There” and “Real Love”, “Sweet Freedom” and “On My Own” (both from the McD-heavy summer of ’86). There’s also lesser-known gems like “I Can Let Go Now” and “I’ll Be Your Angel”. Of course, there’s also “I Keep Forgettin”, the song that kicked off his solo career back at the end of ’82. This sorrowful ballad (which charted Top 10 pop and R&B) is sung so passionately that you can’t help but feel for poor deluded Michael by song’s end. Some folks listening may find it to be soft-rock pablum, I consider it one of the decade’s best heartbreak songs from an underrated album-“If That’s What it Takes” was essentially the American answer to Phil Collins’ similarly underrated solo debut “Face Value”.

    This song alone makes me forgive all of those crappy Motown covers compilations. It also makes me forgive the God-awful video. C’mon Mike, you know like I know that there ain’t one note of acoustic piano anywhere in that damn song.

    Now would you expect so much soul from a guy who looks like he would win a “bear” competition at your local gay bar?