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  • SonicClash Handicaps The 2009 Grammy Awards Part III: Year of the Gentleman

    judThis year’s R&B categories boast two strange omissions-Alicia Keys and Mary J. Blige. Both are extraordinarily loved by Grammy voters, and yet they’re almost nowhere to be found. Instead, the NARAS folks are honoring soul music’s new guard, with multiple nominations for newcomer Jazmine Sullivan and relative newcomers Ne-Yo and Jennifer Hudson. Let’s see how the categories shake out.

    Best Female R&B Vocal Performance: Me, Myself & I (Beyonce)/Heaven Sent (Keyshia Cole)/Spotlight (Jennifer Hudson)/Superwoman (Alicia Keys)/Need U Bad (Jazmine Sullivan)

    Will Win: Jennifer Hudson

    Should Win: Keyshia Cole

    The obvious first question is “Why is Beyonce nominated for a song that’s over 5 years old?”. Apparently, it’s an audio track from a live DVD and Grammy saw fit to nominate her instead of Mary J. Blige or any of the other deserving females that could have potentially been up for this award. She won’t win anyway. The R&B category this year is going to be very kind to either Hudson or Sullivan I’m betting the sympathy factor works in J. Hud’s factor. However, Keyshia Cole deserves this simply for making me love a song by an artist I detest.

    Best Male R&B Vocal Performance: You’re the Only One (Eric Benet)/Take You Down (Chris Brown)/Miss Independent (Ne-Yo)/Can’t Help But Wait (Trey Songz)/Here I Stand (Usher)

    Will Win: Ne-Yo

    Should Win: Usher

    This is Ne-Yo’s year, point blank. Count on him to challenge Coldplay for most awards won tonight (although I think parity will be the name of the game this year). I don’t see anyone else getting this award. Usher has won three times in this category, but the fact that he has the strongest song in the bunch will be negated by the fact that his album was perceived as a flop.

    Best R&B Performance by a Duo or Group: Ribbon in the Sky (Boyz II Men)/Words (Anthony David feat. india.arie)/Stay With Me (By the Sea) (Al Green feat. John Legend)/I’m His Only Woman (Jennifer Hudson feat. Fantasia)/Never Give You Up (Raphael Saadiq feat. Stevie Wonder & CJ Hilton)

    Will Win: Al Green feat. John Legend

    Should Win: Raphael Saadiq feat. Stevie Wonder & CJ Hilton

    The average music fan doesn’t even know that Boyz II Men is still around. It’s not 1994, so it’s doubtful they will win, which leaves the 4 collaborations. Raphael Saadiq and india.arie both have a history of getting Susan Lucci’ed at the Grammys, so that leaves J. Hud and Fantasia (who can sneak in and nab this one, and the beautiful Al Green/John Legend duet, which will probably snag the prize.

    Best Traditional R&B Vocal Performance: A Change is Gonna Come (Wayne Brady)/You Got the Love I Need (Al Green feat. Anthony Hamilton)/Baby I Know (Linda Jones with Helen Bruner & Terry Jones)/Love That Girl (Raphael Saadiq)/In Love with Another Man (Jazmine Sullivan)

    Will Win: Al Green feat. Anthony Hamilton

    Should Win: Al Green feat. Anthony Hamilton

    Linda Jones has been deceased for over thirty-five years. The younger contingent of voters isn’t going to know who she is. Hell, the OLDER contingent of voters won’t know who she is. Wayne Brady, despite being totally qualified to win this award, isn’t as well known as a musician as he is a TV personality. If Jazmine Sullivan gets on a roll, she might get this one, but the save bet is Rev. Al, the Ladies’ Pal. And it would give Anthony Hamilton a well-deserved first Grammy! Sweet!

    Best Urban/Alternative Performance: Say Goodbye to Love (Kenna)/Wanna Be (Maiysha)/Be OK (Chrisette Michele feat. will.i.am)/Many Moons (Janelle Monae)/Lovin’ You (Music) (Wayna feat. Kokayi)

    Will Win: Chrisette Michele

    Should Win: Kenna

    Simply put, Grammy voters are going to vote for who they know. So unless Puffy gets everyone he knows to vote for Janelle Monae, the NARAS folks are gonna recognize will.i.am’s name and put a checkmark next to it. I personally would give Kenna the award, seeing as he singlehandedly redeems The Neptunes for half a decade of truly mediocre music.

    Best R&B Song: Bust Your Windows (Jazmine Sullivan)/Customer (Raheem DeVaughn)/Heaven Sent (Keyshia Cole)/Miss Independent (Ne-Yo)/Spotlight (Jennifer Hudson)

    Will Win: “Spotlight”

    Should Win: “Customer”

    One would think that with two nominations in this category (he also wrote “Spotlight”), Ne-Yo would cancel himself out, but for some reason my Spidey Sense tells me that won’t happen this time around. This is another category that I think Jazmine Sullivan has a chance at, especially if she gets on a roll, but this’ll probably end up another J. Hud sympathy vote although, considering she didn’t write the song, she won’t get an award.

    Best R&B Album: Love & Life (Eric Benet)/Motown: A Journey Through Hitsville USA (Boyz II Men)/Lay it Down (Al Green)/Jennifer Hudson (Jennifer Hudson)/The Way I See It (Raphael Saadiq)

    Will Win: Al Green

    Should Win: Raphael Saadiq

    I still don’t know the difference between an “R&B Album” and a “Contemporary R&B” album. Can someone help me out here? Grammy likes to bestow honors on artists late in their careers, so I think 2009 will be the year Al Green gets honored, not just for “Lay it Down”, which is a great album in its’ own right, but for making “Let’s Stay Together” and “I’m Still in Love with You” and all the 70s hits he wasn’t honored for initially.

    Best Contemporary R&B Album: Growing Pains (Mary J. Blige)/Back of My Lac (J. Holiday)/First Love (Karina)/Year of the Gentleman (Ne-Yo)/Fearless (Jazmine Sullivan)

    Will Win: Ne-Yo

    Should Win: Ne-Yo

    Who’s Karina and why is she nominated? Must investigate. Didn’t J. Holiday’s record come out two years ago? Anyway, there’s three solid nominees here, and even though I wanna say Mary J. might come up and spirit this one away, it’s Ne-Yo’s night. He wins again.

    Best Rap/Sung Collaboration: American Boy (Estelle feat. Kanye West)/Low (Flo-rida feat. T-Pain)/Green Light (John Legend feat. Andre 3000)/Got Money (Lil Wayne feat. T-Pain)/Superstar (Lupe Fiasco feat. Matthew Santos)

    Will Win: “American Boy”

    Should Win: “Green Light”

    I don’t know that the conservative bloc of Grammy voters is going to vote for Lil Wayne. Besides, he’s dragged down by the presence of T-Pain, whose two nominations will probably cancel one another out (not that it worked last year. I can’t believe T-Pain has a Grammy). Grammy loves Andre 3000 and John Legend, but Grammy loves Kanye even more, and “American Boy” was probably the most popular song of the 5 nominated. Plus, Estelle & Kanye are performing on the show. I think that’s the tipoff right there.

  • SonicClash Handicaps the 2009 Grammy Awards: Viva La Coldplay!!

    radioheadWas 2008 a mediocre year for rock music? Judging from the nominees in Grammy’s rock categories, it’s pretty easy to think so. Almost no new artists are represented here. Even the alternative category is filled with veterans. Also, what’s up with the continued absence of a Female Rock vocal category. There are still quite a few rockin’ chicks out there. I’m surprised women’s groups haven’t protested this oversight!

    Anyway, here are the categories…

    Best Solo Rock Vocal Performance: “Gravity” (John Mayer), “I Saw Her Standing There” (Paul McCartney), “Girls in Their Summer Clothes” (Bruce Springsteen), “Rise” (Eddie Vedder),”Hidden Path” (Neil Young)

    Will Win: Springsteen

    Should Win: Can’t argue with The Boss

    Mayer and McCartney are pretty much spaceholders-nominated for live performances of old songs. While it would be nice to see Eddie Vedder pick up a Grammy for his haunting “Into the Wild” soundtrack, this one goes to Springsteen, whose profile is higher than it’s been in years.

    Best Rock Performance, Duo or Group: “Rock ‘n Roll Train” (AC/DC), “Violet Hill” (Coldplay), “Long Road Out of Eden” (The Eagles), “Sex on Fire” (Kings of Leon), “House of Cards” (Radiohead)

    Will Win: Coldplay

    Should Win: Kings of Leon

    I feel a Coldplay sweep coming on. The Eagles’ appearance in this category is laughable, and while it’s cool to see AC/DC nominated for a Grammy (for the FIRST time), they probably won’t win (now watch them turn around and give the award to AC/DC). I say this award (and most of the others in this category) goes on Chris Martin’s mantelpiece, although “Sex on Fire” is one of the best songs of the year, regardless of genre.

    Best Hard Rock Performance: “Inside the Fire” (Disturbed), “Visions” (Judas Priest), “Wax Simulacra” (Mars Volta), “Saints of Los Angeles” (Motley Crue), “Lords of Salem” (Rob Zombie)

    Will Win: Disturbed

    Should Win: ???

    Rob Zombie’s automatically excluded, because his entry is a live performance. Every once in a while, the Grammy folks like to prove that they’re cool, which means that they’ll bypass old-school faves Judas Priest and Motley Crue and give the award to relative newcomers Disturbed.

    Best Metal Performance: “Heroes of Our Time” (Dragonforce), “Nostradamus” (Judas Priest), “My Apocalypse” (Metallica), “Under My Thumb” (Ministry), “Psychosocial” (Slipknot)

    Will Win: Metallica

    Should Win: Dragonforce

    Oh, come on. Any metal Grammy category that includes Metallica has already been decided. The four-headed behemoth will trounce the competition. However, Dragonforce deserves some props for delivering metal that takes it all the way back to 1983, albeit with superior instrumental prowess.

    Best Rock Song: “Girls in Their Summer Clothes” (Bruce Springsteen), “House of Cards” (Radiohead), “I Will Possess Your Heart” (Death Cab for Cutie), “Sex on Fire” (Kings of Leon), “Violet Hill” (Coldplay)

    Will Win: Coldplay

    Should Win: Death Cab for Cutie or Kings of Leon

    Remember I said something about a Coldplay sweep? It will continue in this category. The Springsteen track is too old, Radiohead will win the alternative category (see below), and KOL and Death Cab are still relatively new artists. However, DC4C’s Ben Gibbard deserves this award just for writing the creepiest stalker song of the year.


    Best Rock Album: “Viva La Vida or Death & All His Friends” (Coldplay), “Rock ‘n Roll Jesus” (Kid Rock), “Only by the Night” (Kings of Leon), “Death Magnetic” (Metallica), “Consolers of the Lonely” (The Raconteurs)

    Will Win: Coldplay

    Should Win: Kings of Leon

    In this category, the biggest seller usually wins, but in this case, the biggest seller is Kid Rock. Ain’t nobody givin’ Kid Rock a Grammy award. Metallica has an outside chance, but Coldplay’s picking up steam and will most likely snatch this one up too. How’d The Raconteurs end up here? Does anyone even remember that they released an album last year?

    Best Alternative Performance: “Modern Guilt” (Beck), “Narrow Stairs” (Death Cab for Cutie), “The Odd Couple” (Gnarls Barkley), “Evil Urges” (My Morning Jacket), “In Rainbows” (Radiohead)

    Will Win: Radiohead

    Should Win: Any of these is worthy.

    Five nominees, five excellent albums, all of which are Grammy worthy. However, Radiohead’s got the nomination in the major category (Album of the Year), so they’ll take the prize, and thank goodness that Coldplay wasn’t nominated here!!

  • The Sunday Seven 2/1/08: Make Sure You’re Sure

    Congrats to the Steelers for winning what was one of the most exciting Super Bowls in recent memory. That Springsteen guy wasn’t bad either. Let’s throw the iPod on shuffle and see if any Boss comes up:

    01: The Grand Finale by The D.O.C. feat. NWA (1989): A car crash ruined what The D.O.C.’s once promising career, shattering his vocal cords and turning his booming baritone into a rasp. While the Doc has gone on to success as a ghostwriter for the Death Row camp (and one of a laundry list of Erykah Badu baby daddies), his debut No One Can Do it Better remains one of the best debuts in hip-hop history. Ice Cube, MC Ren and Eazy-E all join The D.O.C. on this track, a classic all-time posse cut…over a live band, to boot!

    02: Make Sure You’re Sure by Stevie Wonder (1991): Can someone tell Stevie that he needs to do a standards album? This jazzy piano ballad is one of the highlights of the “Jungle Fever” soundtrack. Considering Stevie’s personal release schedule, though, it’s unlikely we’ll see any new music from him until 2016. I love me some Spike Lee, but I have never seen “Jungle Fever” (although considering my own personal dating tastes, maybe I should). I’ll rent it someday.

    03: The Happy Song (Dum Dum) by Otis Redding (ca. 1966): It’s hard to believe Otis Redding was only 27 when he died, not because he made so much music in his few short years as a musician, but because he SOUNDED so much older. The man had the soul of someone 10 if not 20 years older, as evidenced by the fact that he sings the shit out of a song that’s pretty inconsequential lyrically like this one.

    04: Daddy Called Me Niga ‘Cause I Liked to Rhyme by Young Black Teenagers (1990): YBT, contrary to their name, consisted of five white kids. Discovered and produced by The Bomb Squad, they released two pretty decent albums. The subject matter of this song is apparent from the title. Strangely, there wasn’t much of an outcry in the media when these guys came out. Can you imagine the ruckus this would cause if it were released now? Talk about progression (yes, I’m being sarcastic). Most of the YBT returned to civilian life after their 15 minutes were up, but their DJ, Skribble, wound up becoming a fixture on MTV for a while, and his latest mix CD debuted in the Top 20 on the Billboard charts earlier this year.

    There’s no video for “Daddy…”, but if you want some YBT flavor, here’s a video for you. This was the jam back in ’93.


    05: Good Thing by Fine Young Cannibals (1989): This good-natured Motown rip was a huge hit in 1989. Two things I always wondered about FYC: 1) what planet did Roland Gift come from? (he looked like a bloody alien) and 2) how come their huge album “The Raw & the Cooked” (which contains this song) never got followed up? Such are the mysteries of the music world. Anyone remember the skit from “In Living Color” called “Old Train”, where one of the Wayanses as Don Cornelius mangles the name “Fine Young Cannibals”? Finally, did Barry Gibb ever call Roland Gift and tell him he wanted his voice back?

    06: She Needs My Love by The-Dream (2007): Some producers are better off not making their own records. I’m still on the fence about The-Dream, who’s written and produced songs for Usher, Mary J. Blige, Britney, Celine Dion and Rihanna’s “Umbrella”, among others. Dream’s no great singing talent, but the 80s-tastic production (similar to modern-day Timbaland) redeems this and many of the songs on his album “Love/Hate”. This song would be just as good as an instrumental.

    07: Sleep All Day by Jason Mraz (2003): Mr. A-Z’s a little too precious for my tastes sometimes, but this remains one of my favorites from him, maybe because sleeping all day is one of my favorite things to do. This song is actually the perfect soundtrack for a mid-afternoon summer nap. I can picture the hammock now…

    As usual, I’m taking submissions from anyone who would like to participate in a Sunday Seven someday (say that five times fast). Enjoy your week!!