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  • Britney Spears’ Womanizer Video: I Got Your Crazy!!

    Hard to imagine that just nine months ago, there was a Britney death watch. Now fully recovered, having regained her sanity and looking closer to her original, kinda cute self than she has since she first got knocked up, Britney’s back with a new single and video called “Womanizer”.

    Don’t really have much to say about the video or the song. The song is catchy enough (although is it me or does it sound a lot like Christina Aguilera’s “Keeps Gettin’ Better”?), but the endless repetitions of the chorus are agonizing, and there’s the little fact that Britney still can’t sing. The video is at least entertaining, even though it reminds me more than a little bit of her “Toxic” video.

    Anyhow, this obviously wasn’t made for me since I’m not and never will be anything beyond a casual fan, but have a look yourself and let us know what you think.

  • Award Season Is Upon Us: The 2008 AMA Nominees

    No matter how they try, the American Music Awards will never be able to escape the shadow of being the Grammys’ bastard little brother. Which is why today’s announcement of the nominees was met with a resounding yawn. The show gets ignored for several other reasons too. The awards are voted on by a select poll of consumers, which means we get hit with travesties like Milli Vanilli’s sweep in 1990 and C&C Music Factory’s sweep two years later. There have also been long-standing rumors that AMA winners are tipped off before the show airs, meaning that the winners are a lot more sure to be in attendance.

    This year’s nominees are fairly predictable. Alicia Keys leads the pack with five, followed by The Eagles and Coldplay. Other multiple nominees are Mary J. Blige, Rihanna, Lil’ Wayne, Kanye West, Garth Brooks, Carrie Underwood, Usher, and several others. The only head-scratching category, oddly enough, is Favorite Rap/Hip-Hop Group, where the nominees are G-Unit, Three six Mafia and Wu-Tang Clan. Jordin Sparks’s submission in the Adult Contemporary category is also a bit of a head scratcher. Something tells me the nominating committee struggled long and hard in order to come up with those names.

    The show will be hosted by the usually entertaining Jimmy Kimmel and will in all likelihood be live-blogged by yours truly. Expect the usual snark and wishes for a Michael Jackson sighting.

    The show airs on November 23rd, and in a new wrinkle, they’re allowing the public of the wide world of internets to vote on the winners. You can log on to vote here.

  • Infatueighties: #78: “Only You” by Yaz

    Infatueighties: #78: “Only You” by Yaz

    I’m sure this wasn’t just me. Did anyone else think Alison Moyet was a guy upon listening to Yaz’s 1982 album “Upstairs at Eric’s”. Moyet was blessed with Yaz Upstairs at Eric's Coverquite possibly the most androgynous voice of all-time. What’s up with British singers and androgynous voices anyway? Boy George? Annie Lennox? Geez. There must be something in the water across the pond.

    Anyone who considers synth-pop emotionless has obviously never heard Moyet sing her ass off on “Upstairs at Eric’s”, the first of two collaborations between her and Depeche Mode founder (and future member of Erasure with yet another androgynous singer in Andy Bell) Vince Clarke. The collection of songs on “Eric’s” contains enough drama to have any petulant schoolgirl singing in her hairbrush for months on end. “Only You”, the album’s only real ballad, brings that sense of drama to a majestic climax. Despite the wall of synthesizers, the only thing that really matters is the melancholy of Moyet’s voice. She could be singing this acapella and the song would be as emotional.

    Despite Yaz and “Eric’s”‘ lack of mainstream attention upon its’ 1982 release, both the album and “Only You” have become cult classics over time. The song’s been covered by everyone from Rita Coolidge to Enrique Iglesias, while it’s also popped up in several movies and commercials over the years. Still, it’s unlikely that anyone will come close to the soulful longing as portrayed by Moyet in the song’s original version.