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  • Forgotten bands of the 1980s

    When was the last time you thought of these forgotten 1980s era bands?

    Somehow, I scratched my eye the other day, which made me break out my glasses in order to be able to see.  I hate wearing my glasses because they make me feel frumpy.  I mean, I’m often frumpy anyway, because I usually wear sweats all day and rarely wear makeup.  But as I was sitting here, pondering how much I hate wearing my glasses, I suddenly had a flashback to the 1980s to songs that were once sexy and are now forgotten.

    Back then, I was just a kid and loved the radio.  At that time, you could turn on a top 40 station and hear an eclectic mix of what was then considered pop music.  For people with very eclectic musical tastes like mine, it was an exciting time.  Anything from Led Zeppelin to James Ingram was liable to be played and usually by a local disk jockey who might even take requests.  During that time, there were a lot of one hit wonders from bands that had some moderate success with a song or two or maybe even a few songs.  Then they’d fade into oblivion, only to pop into my consciousness decades later.

    So this morning, as I nurse my irritated bespectacled eyes, I remember the band Naked Eyes, which had moderate success with a few songs.  The one I remember best and liked most was “Promises, Promises”.

    “Promises, Promises” by Naked Eyes

    Maybe it’s a little dated, but I’ve always liked this song.  I think Naked Eyes had a good pop/new wave sound, too.  I wonder why they only had a handful of hits.  Was it just because of their music or did their band just not have a catchy enough name? Naked Eyes is still around. Recently, they released a special edition of their 1983 album, Burning Bridges and have plans to release a new album, Piccadilly, in 2013. Will the new album launch Naked Eyes back into the public eye? We’ll see… hopefully with contact lenses again.

    “You Don’t Want Me Anymore” by Steel Breeze

    Moving on, I started thinking about other forgotten bands from the 1980s and the next one that popped into my brain was Steel Breeze.

    Lordy… this is one old and forgotten 1980s song. I was in fifth grade when this video had regular rotation on MTV. It was popular and then… they just plain disappeared. Was it because of the band’s name, which was evidently coined from a phrase in Pink Floyd’s song “Shine On You Crazy Diamond”? I don’t know, but it seems like Steel Breeze wasn’t strong enough to blow away the competition.

    “Sausalito Summernights” by Diesel

    What about Diesel? Remember them? They were a Dutch pop group that had some success with a song called “Sausalito Summernight” way back in 1981. I remember loving this song back in the day and it was the only hit Diesel had in America.This song is about a road trip in a car that is literally on its last legs… or tires as the case might be. I never really paid attention to the lyrics when “Sausalito Summernights” was popular because I was too taken by that catchy guitar hook and odd harmonies on the verses. Diesel ran out of gas in the early 80s and failed to fuel up again, making them a true one hit wonder act, at least in the United States.

    “You Could Take My Heart Away” by Silver Condor

    How about a love song? Before the Internet, I was frequently tormented by forgotten songs that weren’t on the radio anymore. One song that tormented me for years was a song by a band called Silver Condor. In 1981, they had a hit called “You Could Take My Heart Away”. It was a radio staple for awhile, then went away. Every once in awhile, it would get stuck in my brain. I was delighted when I could finally search for it on the Internet by plugging in what few lyrics I could remember.

    Here’s a clip from Solid Gold, yet another relic from the 1980s. Since the vast majority of acts that appeared on that show lip-synced, this video is an excellent representation of how that song sounded on the radio. Wow… it sounds very early 80s. No wonder this band failed to soar, though I have to admit this forgotten song remains a guilty pleasure today. The lead singer, Joe Serisano, had a great voice that sort of channeled Steve Perry of Journey and Dave Bickler, of Survivor.

    “Sweetheart” by Franke and the Knockouts

    Another band that always takes me straight back to 1981 is Franke and the Knockouts, who had a hit with “Sweetheart”.

    Seems like this was their one big hit, though I did learn by reading Wikipedia that Franke Previte and Billy Elworthy, two guys behind Franke and the Knockouts, are responsible for writing two very well-known hit songs.  Remember “Hungry Eyes” and “(I’ve Had) the Time of My Life” from the hit 1987 film Dirty Dancing?  They wrote the music and lyrics and sang the original versions.

    “Brite Eyes” by The Robbin Thompson Band

    The next song that popped into my head this morning is truly obscure… at least it was to me until a few months ago, when I finally figured out who sang this song that kept running through my brain.

    It took some time to find this song because I kept spelling the word “bright” correctly. When I finally spelled it “Brite”, I found it and was plunged back into early 80s bliss. This song reminds me of something The Eagles might record. Robbin Thompson has recorded with Bruce Springsteen and Timothy B. Schmit and is based in Richmond, Virginia, which sort of excites me since I’m from Virginia.

    “Mexican Radio” by Wall of Voodoo

    As a kid, I used to watch HBO a lot and they used to kill time between movies with “Video Jukebox”, where they would show videos from obscure early 80s artists. Two songs I well remember from that age are “Mexican Radio” by Wall of Voodoo and “Turning Japanese” by The Vapors.


    I can only guess what life events prompted Wall of Voodoo to write “Mexican Radio”.

    “Turning Japanese” by The Vapors

    Okay, so “Turning Japanese” got some airplay in the classic John Hughes film Sixteen Candles, but whatever happened to The Vapors? Actually, come to think of it, these two songs sort of give this post a little international flair.

    I’m sure if I tried, I could sit here all day and think of more obscure hits from the 1980s. But it’s time to get on with my day and stop pondering as to why these forgotten 80s bands, who once had successful hits, have become distant memories to those of us over 40.

  • #28 album of 2012 – Feast of Hammers by Birdeatsbaby

    Artist: Birdeatsbaby

    Album: Feast of Hammers

    Birdeatsbaby play outgoing piano-rock with cabaret aspects. With Amanda Palmer now a solo act, Birdeatsbaby (led by singer/pianist Mishkin Fitzgerald) are the obvious nearest successors to the Dresden Dolls for me; they also suggest Stephanie Rearick with a full band and a birdeatsbaby_feastconfident strut. Feast of Hammers has several impressive singles, smart and catchy. Love Will Bring You Nothing and Anchor have nimble tempo-shifts; elegant violin; long looping melodies; dramatic choruses; and piano playing that veers from the ambitiously melodic to the demonstrated power of a single note repeated at just the right level of firmness. Incitatus is savage, rising from sinister whisper, to domineering chorus and urgent group shouts, retreating into lulling “ooh”s only to roar back into force; the fiercest of tribal beats, the most powerful of that world-colonizing 19th-century technology the piano, the most de-inhibited of oom-pah beats, and just enough of the trickiness of progressive rock.

    The closest thing to a negative I can say about Feast of Hammers — and we’ve reached the point in the countdown where I want to rank everything in the top 10, and am mad that mathematics won’t let me — is that while all the other songs are good, they show you the same tricks the singles do. Well, the Sailor’s Wife does sound like a dinner-party ballad from early last century, playing through an old Victrola. Through Ten Walls and Victoria start out prettier than the singles, the former almost classical, the latter nearly pop-jazz — but they give into temptation, and surge into heavy drums and pounding piano and gracefully keening violin solo, and eventually Fitzgerald’s singing takes on its shouter aspects. (Her singing voice is classy, expressive, and theatrical, and I like it, but it’s thin and quavery at her quietist, and it slips off-key at her loudest).

    The lyrics could distinguish the songs, and if you’re really into goth-y (or Nick Cave-y) tales of relationship derangement, they will. To me, there’s a tendency for the adultery, despair, and arson of Love Will Bring You Nothing to blend in with the murderer’s declaration of love on Victoria and the admission of betrayal and “a price upon my head” in Tastes Like Sympathy, but they’re well done. Incitatus  is a standout here as well, ruthless advice inspired by the viciousness it would claim to save you from: “Swim, little fish, get away from the lobsters/ Quick, here they come, they’re relentless mobsters/ Drown, if you have to, don’t share the secret … Rich men walk through the eye of a needle/ poor men limp on a dog that is feeble/ I know a path that is quick and evil”. Anchor too: “Come home to me. I won’t be grateful but I will not leave your side… So now you’ve won, let the water fill your lungs. I’ll watch and pray, cuz I know that everybody has to die someday”.

    The worst thing I can say about Feast of Hammers, really, is that I’m still fond of my wife and my former girlfriends. How is that Birdeatsbaby‘s fault? Clearly, it isn’t, and they’ve made a heckuvan album.

    – Brian Block

    To see the rest of our favorites, visit our Favorite Albums of 2012 page!

     

  • 2013 Grammy Awards Fun, Not Memorable

    Watch the 2013 Grammy Awards with Pop Rock Nation

    Nothing has happened at the 2013 Grammy Awards yet, but I know that I never want one of my younger relatives dating Taylor Swift.

    I just learned Kat Dennings. a pretty actress on a bad sitcom, is presenting. I approve.

    Taylor enjoying the Alice in Wonderland dominatrix scene. She is now not allowed to date older or younger relatives. Somewhere Nicki Minaj thinks things are tame. Taylor writes a pop hook as well as anyone, but Katy Perry wants the schtick back. As I type that, the camera flashes to Katy wearing a halter thingy so she technically breaks the “no boobs, buttocks or genitals rule” CBS wanted tonight.  Those sure looked like boobs.

    Tswizzle?  Because Taylor Swift is, nah, never mind.

    (more…)