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  • Bein’ Green…

    Bein’ Green…

    Spring has sprung here in Texas! It’s not that easy “Bein’ Green” when you have allergies!

    Fortunately, where we live in Texas, there doesn’t seem to be a lot of pollen, so my allergies aren’t flaring up too much at the moment. Still, I’m reminded of an old Muppets song about the color green. Why? Because the other day, I was listening to the many stylings of “Bein’ Green” on YouTube. I found some really good renditions of a great song. And it’s green here in Texas… or as green as it can get in a place where there are very few deciduous trees.


    The original “Bein’ Green” from 1969.

    There’s something very moving about the plain, melancholy way Kermit the Frog (Jim Henson) sings this sweet song about being sad about being ordinary. Done right, this song becomes extraordinary.


    Big Bird sings “Bein’ Green” at Jim Henson’s memorial service in May 1990.

    I cannot watch this rendition of “Bein’ Green” without crying. When Jim Henson suddenly died of pneumonia in May 1990, I felt like I’d lost an old friend. Big Bird singing this at Jim Henson’s memorial service is just so incredibly moving. I can tell that he’s about to cry.


    The lovely Sophie Milman sings her wistful jazzy version of “Bein’ Green” live…

    I love the way Sophie Milman sings this, explaining why this song means something to her. She’s come a long way from being a picked on kid to a beautiful jazz chanteuse.


    Of course, “Bein’ Green” is not always done in such a sad way.

    CeeLo Green sings with Kermit on The Voice. It’s poignant, but not a tear jerker. I think CeeLo’s church lady outfit helps keep the levity alive.


    The folks on Glee sang “Bein’ Green” too…

    I like Glee, but their songs sound a bit auto-tuned sometimes.


    I think this may be my favorite version of “Bein’ Green”.

    Ray Charles just kills this song. The first time I heard this version of it was on The Cosby Show, when Rudy Huxtable got in trouble for trying to wear a summer dress on a chilly day. I love watching Ray Charles sing this while he plays piano. He turns a sad song into something triumphant and magnificent.


    Shirley Horn’s tribute to Ray Charles…

    Shirley Horn’s jazzy version of “Bein’ Green” is poignant and lovely, with elegant, dramatic piano playing accompanying her rich, velvety voice. Listening to this version makes me wish I had stuck with piano lessons. I’d love to be able to play this the way Shirley Horn does.


    And here’s the version that made me decide to write about this song today…

    Van Morrison gives this song more of an upbeat styling, with funky guitars, swanky saxophone, and his own assertive voice. While this version of “Bein’ Green” is not quite as shattering as some of the other renditions, I still like it. In fact, I liked what Van Morrison did with this song so much that I went looking for the album it came from, which is now out of print. I ordered a used copy of Hard Nose The Highway after listening to several tracks on YouTube and determining I had to have it.

    I have myself also sung this song…


    I need to learn how to play piano… and lose lots of weight so I look good on camera. *Sigh*… It’s not easy bein’ green.

    I hope your green days of spring are just lovely. Remember all the ways green can be beautiful! Especially if you have good allergy meds.

  • #40 album of 2013 – Of This & Other Worlds by Hidden Masters

    Artist: Hidden Masters

    Album: Of This & Other Worlds

    Of This and Other Worlds, the 2013 debut of Glasgow’s Hidden Masters, would have slipped nicely into some record label’s 1971 release schedule. Something like Love’s Forever Changes crossed with the Who Sell Out, with extra doses of Odessey and Hidden_MastersOracle vocal harmonies and the loudest Beatles and Thirteenth Floor Elevators riffs and mysticism, it is unembarrassed psychedelic retro, and it is *really good at it*. My ranking it at #40 serves only as a reminder, first, that all my rankings are compliments, and second, that if you care more about classic rock more than I do, you might rank it way, way higher.

    Opening track She Broke the Clock of the Long Now shows off quite a few of their tricks in 4:39: fierce-but-catchy flanged guitar, agile tempo changes, fast solos, sharply-composed vocal harmonies (behind the confident, smooth lead vocals of David Addison), a slowed-down spacey bridge. Into the Night Sky kicks off with rapid, perky folk-rock, works in Procol Harum organ, slows down into a drum/ piano/ wavery-bass workout (highlighted by more vocal harmonies), jumps back into double-time, then almost immediately delves into a-cappella, then tricky rhythm changes; seems ready to return to the slowed-down bit, but instead lets everyone stand aside for a proto-Black Sabbath guitar solo; jumps into spy-chase music; and winds back up at perky folk-rock. Perfume is, on average, slower and grander (it still shifts around a lot), and makes extra-sure you notice how good a drummer John Nicol is and how much he enjoys echo.

    See You in the Dark plays a Lovin’ Spoonful cheerfulness at extra velocity. Like Candy is a different side of Lovin’ Spoonful, their gentle bubblegum pop, done Hidden Masters style — which means it detours into something more like an Everly Brothers duet, perhaps if they’d been produced by someone tripping, and then into something a bit like the Archies trying to make Immigrant Song, then into clean-cut finger-snapping college a-cappella group in front of the Byrds’ instrumentalists or something. Grey Walls Grey brings the syncopation and the organ and even more enthusiastic harmonies than usual; Fall in Line, while on average rather dignified and stately, keeps bringing in new ideas for almost six full minutes. And none of the variation is in the show-off-ish Bohemian Rhapsody/ Mr. Roboto style; all the songs on Of This and Other Worlds can pass for standard first-wave psych-rock, until you make yourself wonder “How did we get here from *there*?”

    I can imagine someone having no interest in classic psychedelic pop-rock. I can imagine someone who *does* like classic psychedelic pop-rock finding it inherently ghoulish for a band of young men to never once draw on a single muse more recent than the first three Blue Oyster Cult albums. Still, either of those attitudes would be a pity. If you’re not stuck with either, then the Hidden Masters, within the chosen confines of those old forms, bring a surplus of abilities, fresh ideas, harmonies, and hooks into the open.

    – Brian Block

    To see the rest of our favorites, visit our Favorite Albums of 2013 page!

  • Guilty pleasures part 2… The 70s and 80s edition

    Guilty pleasures part 2… The 70s and 80s edition

    Sometimes you just have to write about guilty pleasures…

    Back in June of 2013, I wrote a blog post here on Pop Rock Nation about songs that are guilty pleasures. As I sit here on this April day, contemplating the week and the fact that here it is April again and people are going batshit crazy, I decided I needed to post something lighthearted. And so I’ve decided that today’s post will be about guilty pleasures and the artists who create them. And hell, you can’t get any more lighthearted than Air Supply…


    Okay, so many this isn’t a lighthearted song… It is, though, kind of a guilty pleasure for me.

    I was looking at SingSnap.com this morning for my daily dose of karaoke and “All Out Of Love” was one of the “featured” songs. I don’t like all of Air Supply’s music, but I will admit that a few of their songs were gems. I loved “Lost In Love” when it first came out. Of course, I was six or seven years old at the time… Anyway, having grown up in the 70s and 80s, I became well-versed in the magic of Air Supply. Some of their songs really were okay… sort of. They definitely count as “guilty pleasure” songs for me, though. I think it’s funny that Air Supply songs are featured on SingSnap, since they are basically male duets. I imagine most men worth their salt wouldn’t want to sing these “sensitive” numbers from the 80s!


    I have to admit it… I do enjoy a lot of Barry Manilow’s music. Here’s a nice medley.

    I was reminded of Barry Manilow last week as I was exploring Styx and Tommy Shaw made a comment about how he didn’t want Styx to start sounding like Barry Manilow. Granted, too much of his music may soon traipse into super annoying territory, but there’s a reason why the man was so popular in the 70s and 80s. He can sing and play piano and writes his own songs… though curiously enough, he didn’t write “I Write The Songs”. That song was written by Bruce Johnston in 1975, but Barry made it very popular indeed. Listening to the medley I posted here, I can’t help but notice that Barry has a flair for the melodramatic.


    Randy Newman is a definitely guilty pleasure…

    Randy Newman is not the greatest singer in the world and a lot of his songs have a very recognizable sound that immediately scream early 80s commercial to me. I like him, though, because he’s very witty and I get a kick out of his voice. He makes me laugh. Randy’s song “Short People” was such a hit that the Harlem Globetrotters sang it with Goldie Hawn. Talk about a guilty pleasure!


    Snicker… if this isn’t a guilty pleasure, I don’t know what is…


    Just about everything by Culture Club qualifies as a guilty pleasure as far as I’m concerned.

    I remember how much this song used to irritate me when it was popular. Boy George is a very talented singer, but in the 80s Culture Club’s music was so ridiculously catchy that it would get stuck in my head and torment me for hours. I haven’t heard “Karma Chameleon” in years, though, so I figure it’s safe to include it in this post about guilty pleasures. It’s nice and peppy anyway, right?


    Not really a hit, but definitely a guilty pleasure…

    Jermaine Jackson had a couple of hits in the 80s and for some inexplicable reason, he recorded a ridiculous song called “Escape From The Planet of the Ant Men”. I kind of wonder if he was trying to emulate his brother Michael’s song, “Thriller”. It fails, but in a delightfully guilty pleasure way. I have to admit that when I’m in a certain mood, I really enjoy this song.


    Oh my God…

    Wham! was another one of those bands long on talent and guilty pleasure chops. This song is so 1984 it’s not even funny. I remember how the video spawned the fad that had everyone wearing painter’s caps and t-shirts with big letters on them. Or was that Frankie Goes To Hollywood that did that? Don’t know… but this song is so infectious I need an antibiotic and a painkiller… preferably in the form of an alcoholic beverage. “Wake Me Up Before You Go Go…” That’s a hell of a title for a guilty pleasure song.


    Anything involving Menudo qualifies as guilty pleasure territory…

    Here’s a classic clip from the 80s era sitcom Silver Spoons. Although this episode was about Menudo, everyone my age had the hots for Ricky Schroeder. I know he goes by Rick now, but he’ll always be “The Ricker” to me. Is it me, or are these guys way off key? Egad!


    And finally, there’s “We Are The World” by USA for Africa

    This song is pure melodrama, but I can’t help but love it for the video alone. Look at all those celebrities! LaToya Jackson is in the choir, for Chrissakes! Yes, I loved it in 1985 and I love it now. It is a guilty pleasure, though. I get a huge kick out of Stevie Wonder’s jaunty solo interspersed with Bruce Springsteen’s constipated screaming at the end. It’s pure 80s magic! And sorry, the remake just doesn’t cut it.


    Justin Bieber is no Lionel Richie.

    This version sounds suspiciously auto-tuned. Okay, I admit it… it’s making me verklempt. I still like the original better, though.

    Have a great weekend everyone!