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  • FORTY-FIVE REVOLUTIONS PER MINUTE #35: Ass Burgers

    Rage Against The Machine's "Bullet In The Head"

    RAGE AGAINST THE MACHINE  “Bullet In The Head”  b/w  “Darkness” (Epic Records #35-74927 promotional single, 1993)

    Now-legendary L.A. alterna-agit-punk-rap-funk-metal-core alchemists Rage Against The Machine rose like a phoenix from the ashes of the eternally-youthful (and forever broke) late-’80’s Revelation Records leftist hardcore scene in ’92, signed to Epic Records, released a stellar multi-platinum debut LP, took their face-melting show on the road with Perry Farrell’s first Lollapalooza tour and never looked back.  Critics balked.  How could de la Rocha, Morello & Co. hold the machine in contempt, much less rage against it, while simultaneously massaging the giant American corporate schlong to wargasm by selling their souls to a major?

    One word:  Platform.  The little toupeed, four-eyed midget spouting misinformed Biblical shit at the top of his lungs every Saturday from the town square sidewalk won’t get heard by anyone.  But the giant, towering behemoth on the big stage with the loud PA system and the pummelling electric guitar and thunderous bass will be heard by all.  At a time when students shelled out $20 for Che Guevara T-shirts, the RATM boys knew all too well that revolution sells.  Not only will it be televised, the networks will shuck for ad space.  The time was right.  Let’s get the word out.

    Rage Against The Machine's self-titled 1992 debut LP

    Married to Japanese corporate giant Sony, Epic Records (who over a decade earlier had begrudgingly released The Clash’s budget-priced 3-LP Socialist manifesto, Sandinista!) squeezed out this little promo 45 in ’93, probably to fan the flames of RATM’s blazing Lolla showcase.  Side A is their notorious smackdown, “Bullet In The Head” from ’92’s eponymous debut LP.  According to the sleeve art, the track clocks in at 4:67.  Very cute, guys.  Just close your eyes & smell the mosh pit.

    Play \”Bullet In The Head\” by Rage Against The Machine

    I probably should’ve warned you…these clips are full of F-Bombs.  But you knew that already, so hopefully you covered Junior’s ears.  (He hears nastier stuff daily on the playground, I assure you.)  Anyway, as great as “Bullet…” is, side B holds the real gem here with the non-LP “Darkness” (also known as “Darkness Of Greed”).  This soft/LOUD/soft showstopper later became widely available on a rarities comp, but for a brief and shining moment, I wore the crown of Mixtape King through mere possession of this promo.  Get your crowd-surf on…NOW!

    Play \”Darkness\” by Rage Against The Machine

    Since the days of this earth-shattering debut, RATM released more stunning LPs (including one of covers), got banned from this and censored from that, and broke up and reformed several times.  Tom Morello took his guitar pyrotechnics to the very successful Audioslave (as well as projects such as The Nightwatchman and Street Sweeper Social Club), while Zach de la Rocha’s long-talked-about collabs with ?uestlove and El-P never fully materialized.  But their style, sound, intensity and hands-on activism still remains as a heavy influence to today’s youngsters.  So I’m warning you, always keep one eye glued to the RATM website, ’cause you never know when or where they’ll turn up, amps cranked and fists raised.  And you won’t want to miss it.

    NEXT WEEK: I cry tears in my coffee.

  • New Release of the Week 5/12/09: Green Day

    green-day

    They’re ba-a-ack!

    After a five year layoff, America’s favorite punks have returned with yet another “rock opera” sort of album, called 21st Century Breakdown. First single Know Your Enemy is already burning up the charts (it’s currently the #1 modern rock single in the country), and this release has the potential to be huge (or at least what passes for huge in the music biz circa 2009). Strangely, Green Day’s record company isn’t putting this one out until Friday, not the typical new release day in America. Let’s see how many folks out there start off their weekend with some Green Day.

    Here are some other notable titles hitting store shelves this week:

    Cam’ron Crime Pays: The Harlem bred-rapper was big in the mid-Nineties, took a bit of a layoff, came back strong with singles like Oh Boy and Hey Ma in 2002, and then fell off the radar again, even as his proteges Jim Jones and Juelz Santana spawned hits on their own. He’s back again, with what he hopes will be another comeback album, Crime Pays. I haven’t heard anything from this yet, and Cam’ron’s penchant for wafer-thin lyrics and simplistic rhyme styles means I probably never will!

    Steve Earle Townes: Those of you who can get your hands on a copy of last Sunday’s New York Times should check out an article that was written about alt-country main stay Steve Earle and his relationship with the late Townes Van Zandt. Earle served as kind of an apprentice to Townes, and now the apprentice salutes the teacher with a tribute album.

    Paul Wall Fast Life: Who knew this guy was still around? Asher Roth may have displaced him as America’s second-favorite white rapper, but Houston’s Paul Wall isn’t going to take that challenge lying down. The man with one of the most ostentatious grills in rap music (and quite possibly dental) history is back with a new album. Will the fans who were around for Houston rap’s moment in the sun three or four years ago come back?

    The Crystal Method
    Divided by Night: This electronica outfit has a pretty interesting guest list for their current album. Among the featured artists are Hasidic reggae-rapper Matisyahu, New Order’s Peter Hook, and…wait a second. Is this the same Justin Warfield who recorded the Q-Tip-esque Season of the Vic back in the early Nineties? Apparently not. This Justin Warfield is 1/2 of She Wants Revenge. Oh well. A man can hope.

    Get a complete list of this week’s new releases here, and for those who don’t know who the hell Justin Warfield (not the She Wants Revenge guy) is, here’s a video for you.

  • Timberlake & Samberg Do It Again: “Motherlover”

    It may be a little late to properly celebrate Mother’s Day, but Justin Timberlake & Andy Samberg have the perfect Mother’s Day gift.

    This is from Timberlake’s latest turn as the host of “SNL” and good Lord does he need his own show.

    If you’ve got a case of the Mondays, I suggest you watch this.