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Category: Reviews

music-and-concert-reviews-you-wont-see-anywhere-else

  • Remembrance

    As much as I’d like today not to be about music for a minute, the fact of the matter is that 9/11/01 did fall on a release date (Tuesday). I was managing the music department of a store at that time, and I remember one eye being on the registers with another eye on the news. I remember closing the store early and finding the streets of NYC in absolute chaos. I remember taking the subways and watching the stunned looks on everyone’s faces. I remember getting back to my apartment, staring at a sky thick and black with smoke, with nothing else to do but listen to the music I’d just bought. There was no phone service in Manhattan, no internet…nothing to do except slap the headphones on my ears and try to make sense of the tragedy that had just occurred.

    Of course, music went on to become a healing balm for many after the events of 9/11: plenty of songs took on a special significance. Music has always provided the answers to my questions at times when nothing else could answer, so everything from POD’s “Youth of the Nation” to Five for Fighting’s “Superman” to…well, just about anything from U2’s “All That You Can’t Leave Behind”. Although I was 25 when the attacks happened, the suddenness of everything and the lack of reasoning behind what was going on almost turned me into a five-year old again. With no one to provide a rational explanation to what was happening and no one to offer a solution or even any kind of consolation, I (and many others I assume) took solace in music.

    And this is why, no matter how many businessmen say that the music BUSINESS will die, music itself remains as vital as ever. For many people, music is the one of the few things that makes sense in an uncertain world. You can celebrate, mourn, motivate and take solace in music in a way that no other media can really offer.

    But let’s forget about music for a second and take a second to mourn as well as show appreciation for the lives that were unnecessarily lost, the brave firemen, policemen (and women) and ordinary civilians who gave selflessly in a time of need. Let’s appreciate our servicemen and women fighting overseas. Whether you agree with the war or not, the men and women out there need our support. Let’s take a second and look in the mirror and realize that tomorrow’s not promised. Let’s try to do good things for and to people-not just today, but every day. Let’s show a little more tolerance, a little more appreciation, a little more love. So many of us just take for granted that life will continue as is, and we fail to appreciate the little things in life as they happen (hell, sometimes I do too).

    Kanye, 50 and Kenny Chesney can wait. I thought taking a second to remember was more important than discussing music that comes out today. I hope you agree.

  • Can We Burn Paris Now?

    The CDs, I mean?

    Having heard Stars Are Blind on heavy rotation on many hit stations, there is no doubt that Hilton’s song will assault our ears all summer. When I last heard her, the blathering wanna-be was sandwiched between The All American Rejects and Nick Lachey. I like AAR, the Lachey song isn’t awful, and frankly, Stars are Blind isn’t terrible. Paris is terrible. The song, written by Fernando Garibay, who has also written for Enrique Inglesias, Ricky Martin and Marc Anthony among others, penned a pretty good dance song. Paris, even with the wonders of modern recording equipment, is just awful. I can’t imagine how there could ever be a concert tour.

    Spinning in the CD player today:
    Ben Folds’ tracks from Over the Hedge. With tickets this week to see Folds for the second time with the Baltimore Symphony Orchestra, I felt compelled to learn anything new the piano guy might slip into the set. Atttending a Folds concert is like attending a rock concert version of The Rocky Horror Picture Show. If you don’t know your cues, you’re out in the cold.

  • MIXTAPE MONDAY vol. 4

    This week’s Mixtape up for review, DJ Whoo Kid’s “POW Radio Vol. 1”.

    When I talk to rap fans about mixtapes, a very common complaint is that the annoying shout-outs that seemed to be laced in every song like a batch of bad drugs, take away from the music. Mixtape music for my sake is a way of listening to music I would never have access to outside of a mixtape in a raw form. While I understand the reasoning behind a DJ wanting to insert random sounds or sayings that authenticate a song as being produced by them, you can’t deny the presence of these annoyances in mixtape music and their negative effect. DJ Whoo Kid’s newest mixtape “POW Radio Vol. 1” is guilty of using the shout-out to a point where the music gets compromised. It’s sad to think that the energy, soul and lyrical excellence rappers put into their music gets ruined when all of a sudden a classic rap track gets hit with “WHOOOOOOOO KIDDD….” or a gun shot or any other of a plethora of annoyances that fall under the umbrella of being a shout-out.

    “POW Radio” is a mixtape full of very commercial, pop sounding, radio friendly music. The names on the mixtape are huge whether it be 50 Cent, Jay-Z or T.I. The lead track of the mixtape is T.I.’s “Hands in the Air”. The first part of the song isn’t incredible, but T.I. kills it on the song’s final verse: “I don’t want to make it seem like I’m bragging to you/ ‘Cause I don’t think that’s one of the things a rapper should do/ but if I happen to forget I’ll be back in a few/ I got a Phantom, leather truck, Cadillac and a Coupe”.

    Lloyd Banks has a few appearances on the mixtape including a 70 bar long freestyle. Banks, as he has since he came on the mixtape scene a few years ago, improves any mixtape he raps on including this one. In the freestyle, Banks has a clever rhyme scheme rapping about “having a bitch for every letter in the alphabet”. In a very Pappose-ish “Alphabetical Slaughter” style, Banks rhymes names of woman for every letter in the alphabet (well at least up to the point where he gets stuck on the letter J), while still rhyming. Freeway also has a hot freestyle on the mixtape to the beat of Lil’ Wayne’s “Hustler Muzik”.

    There are a couple of interesting appearances by Jay-Z on this mixtape, but not Jay-Z the rapper, Jay-Z the businessman. In an interlude between tracks, there is audio of an interview with Jay-Z by an unnamed interviewer in which Jay talks briefly about how he is focusing on the business side of rap for right now, essentially squashing any rumors of a lyrical comeback. The two-minute interview then turned toward the subject of Cam’Ron. When asked what he was going to do about the beef that Cam has with him, Jay responded simply “I’m really trying to doing the boardroom thing right now”. Later in the mixtape, on a track called “Talent Search” we hear Jay-Z the comedian come out. In an unnamed radio appearance, Jay addresses a caller trying to rap for him by simply telling him his lyrics are “hot” after the caller only spoke one word. The conversation between the two is funny, and Jay-Z has a couple of hilarious lines.

    Kanye West gets on the mixtape with a track a few seconds longer than a minute called “Murder She Wrote”. In addition there are tracks by Jae Millz and a hot track from Peedi Crack. With a fast flow and constant rhymes Peedi’s song “Bury Niggas” serves the mixtape as a hot song from a lesser-known artists. One of the hottest beats on the album is from a Lloyd Banks and Avant collaboration called “Xclusive”. Papoose has a hot verse on the song “Throw Yo Guns in the Air” which also features a rapper named Riz.

    Overall this mixtape has some quality to it. There are some hot freestyles and a couple of tracks you won’t find on the radio. However, the shout-outs are way to frequent and disrupt the flow of the mixtape. Additionally, this is a very mainstream sounding mixtape, which will definitely dissuade some hardcore rap fans from picking this one up.

    OVERALL SCORE: 7 out of 10