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Category: People

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  • Out There!- “Spacer” by Sheila / “Crying At The Discoteque” by Alcazar

    I will admit I am a sucker for a song with a great dance beat.  Back in 2001 during my clubbing days, I was a real big fan of dance music and spent a few days a week listening to KTU radio or buying dance compilation albums.  I used to think One More Time from Daft Punk was the greatest dance song of all time.  Okay, I’ll admit I was wrong.  The best song was an obscure tune from a Swedish pop group called Alcazar with the title of Crying At The Discoteque.  The song was the group’s biggest hit in America, peaking at #44 on the U.S. mainstream dance chart in 2000.  I first got wind of the song from a dance compilation CD I bought so I could proudfully acclaim that I owned Lady by Modjo for my music collection. I ended up almost crying at the discoteque because I never heard this great song played while I was doing my disco disco!  The song has a distinctive melody and some of the cheesiest lyrics of all time.  Check these out: The golden years, The silver tears,You wore a tie like Richard Gere!   Back in those days, my brother and I would ride down the highway blasting this tune as we bopped our heads  like the Night At The Roxbury guys played by Chris Kattan and Will Ferrell.  It wouldn’t be until a few years later that I realized that Alcazar had actually sampled the track from an obscure Swedish pop star of the 70’s.  Considering most great dance and hip hop melodies are stolen, how can I have been so blind?

    The original melody actually was from a super hot 70’s disco queen from France known as Sheila.  The song’s title was Spacer, and the tune was as or if not more cheezy than Alcazar’s tune.  Sheila oddly enough got her stage name from the title of her first release which was a cover of Tommy Roe’s classic tune.  Sheila was actually a folk singer until she changed her music style to disco in 1977.    You know what, she was kind of hot and ranks up there with Agnetha from ABBA as my favorite blondes from overseas.  Spacer was actually written and produced by the team of Nile Rodgers and Bernard Edwards of Chic.  The song never charted in the US, although it was a big hit overseas and peaked at #18 on the British charts.  I’m sure most people don’t even know what this song is.   You probably won’t find it on any disco box sets or compilation albums.  Just like Crying At The Discoteque, I’ve never heard Spacer at a 70’s night or club which is an outrage.  Listen to the song below, and I’m sure you’ll have that melody in your head for the rest of the day.  If not, at last you’ll never forget the images from the video.  “Because he’s a spacer, a starchaser!”  Yah!

    And here’s the Alcazar tune for you to make the comparison which song is more funky for ya!

  • New Music In Stores & Online 10/14/08: Keane, Ray Lamontagne and More!!

    The cover of Keane's new album "Perfect Symmetry".Keane: Perfect Symmetry:

    I posted Keane’s new single “Spiralling” in a Single Life column a couple weeks back, and I was surprised not only with its’ quality, but also with how peppy it was. I mean, Keane aren’t totally mopey, but their songs generally have a melancholy quality to them-those Coldplay comparisons aren’t totally farfetched. Perfect Symmetry is rumored to have a more upbeat, Eighties vibe to it, and I can’t wait to hear it.

    Ray Lamontagne: Gossip in the Grain

    Speaking of mopey, raspy voiced singer/songwriter Ray Lamontagne has not been known for being completely upbeat, but there are moments on Gossip-his third album-that are relatively cheery and even reveal a-gasp-sense of humor!! Of course, there are also plenty of tortured ballads here, but the album would be worth it if just to hear his creepy/hilarious tribute to “Meg White”.

    Nikka Costa: Pebble to a Pearl

    Each of the three artists profiled so far is releasing their third album today. Nikka Costa might be the most frustrating of the bunch. Her first album revealed quite a bit of promise, fusing funk and rock in a way not seen since the heyday of Teena Marie. The follow-up, to put it plainly, blew. Switching labels from Virgin over to Stax, Nikka returns after a three-year layoff with a new album, and I’m skeptical about spending my hard-earned ducats on it, so one of you guys reading is gonna have to tell me how the album is.

    …and, there’s not really much else out this week. You can get your metal fix with the new album from Boston’s own Unearth and check out a new EP from singer-songwriter Ingrid Michaelson. There’s also a new one from alt-country giant Lucinda Williams, plus live efforts from Buena Vista Social Club and Phoebe Snow. Otherwise, it’s all reissues and holiday albums.

    The Ho Ho Ho train is in full swing at this point, as there are new holiday-themed efforts from the likes of Los Lonely Boys (!), Sixpence None the Richer (!!) and the Queen of Soul. Aretha Franklin takes some time from bashing Tina Turner and is putting out the first Christmas album of her five-decade career. Of course, it would have been nice if she’d released a holiday album back when she could actually, you know, sing.

    On the reissue tip, Philadelphia International is releasing several of its’ most treasured classic albums, including selections from The O’Jays, Teddy Pendergrass and Harold Melvin & The Blue Notes. The two-disc compilation “Multi-Dimensional Warrior”, featuring some of Carlos Santana‘s best work, is also in stores. There’s also a 2-CD, 1-DVD special edition of Johnny Cash‘s “Live from Folsom Prison”, and the first compilation from R&B crooner Joe hits shelves today.

    Get your full list of new music here

  • MHW Reads: A Requiem for a Not So Endless Summer

    Bob Greene's book "When We Get To Surf City"How’s this for serendipity?  20 years ago, journalist Bob Greene wrote a book based on a diary he kept as a teenager in 1964.  The book was called Be True to Your School, and, a few years after its publication, it caught the eye of a guy named Gary Griffin, who, as a touring musician, spent a lot of time in airports.  Griffin picked up the book at an airport bookstore – just something to read – and one of the book’s diary entries, in which Greene notes that he picked up the new 45 by the surf music duo Jan & Dean, caught Griffin’s eye.  At the time, Griffin was playing keyboards for the legendary duo as they were making their way across the country in their annual summer tour, and after a few phone calls had arranged for Bob Greene to join them at a show.  
     
    As it happened, Greene’s starry-eyed meeting with the aging rock ‘n’ roll idols of his youth turned out to be the start of a beautiful friendship – with Jan Berry, Dean Torrence, and the guys who helped them deliver there two-and-a-half-minute odes to fun in the California sun to Midwestern state fairs, Mississippi casinos, private corporate parties and reunions across the country every summer; and his latest book When We Get To Surf City is an affectionate memoir of the days and nights he spent on the road with these “Lost Boys”, as he calls them – men in their 40s, 50s, and 60s playing their iconic songs about “The New Girl In School” and places like “Drag City” and “Surf City” as if they were still teenagers, and in so doing, providing the nearest possible approximation to a portable fountain of youth. 

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