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Category: People

all-about-musicians-and-the-people-who-help-them-make-music

  • Infatueighties #61: Who Can it Be Now?

    It makes perfect sense to have a song by Men at Work follow one of The Police (although, if you really wanna get technical, it’s actually in FRONT of a song by The Police, but let’s not talk semantics now). Colin Hay and his band of merry Aussies were often accused of biting Sting, Stewart and Andy, but even if they were a carbon copy, at least they were a good carbon copy. “Who Can it Be Now?” is one of the best debut singles of the decade-from that signature sax part to it’s insistent drumbeat to Colin Hay’s deadpan vocal, which makes him sound even nuttier than if he’d screamed the song’s lyrics.

    Men at Work burned bright and fast. Their debut, Business as Usual (which contained “Who Can it Be Now?”), hung around at #1 for the latter part of ’82 and the first part of ’83, and the band won the Best New Artist Grammy Award before anyone knew that winning that was the beginning of the end. A follow-up, Cargo, sold well off the fumes from the previous album, and by the time the band’s third album, Two Hearts, was released in ’85, no one cared anymore. Lead singer Colin Hay has gone on to a mildly successful solo career and is a particular favorite of Zach Braff, who put him on the Platinum-selling Garden State soundtrack and has featured him in several episodes of “Scrubs”.

    I wonder if Rockwell was inspired to watch “Somebody’s Watching Me” after hearing this song.

  • The Falsettometer: Jimmy Somerville

    I’d been having a hard time thinking of more singers to use in this column, when it hit me like a bolt of lightning. Well, no, it wasn’t that dramatic, but it did pop up on my iPod when I least expected it…a cover of Donna Summer’s I Feel Love, performed by Jimmy Somerville, former lead singer of Bronski Beat and The Communards. A fixture of 1980s pop who has never stopped recording, Somerville also deserves notice as one of the first openly gay pop musicians.

    Having obviously taken stylistic tips from Sylvester, Somerville’s falsetto can best be described as piercing. He can sing higher than most female singers I can think of, which is pretty damn high. Come to think of it, unlike just about every other singer I’ve profiled in one of these columns, I don’t think I’ve ever heard him perform in his natural register.

    47-year old Somerville still performs, although his album releases are few and far between, and as far as I know, can still hit those high notes. Not bad, eh? Here’s one of the many disco-era covers Somerville’s recorded-a take on “Don’t Leave Me This Way”.

  • We’ve Got Music – Girls On The Dance Floor

    A good friend of mine is friends with music producers Stereotypes and she sent me an .MP3 of the group’s latest production to share with everyone. It’s a song they produced for the Asian American rap group Far*East Movement, and word is that it’s getting a good amount of airplay in Los Angeles.

    Take a listen to Girls On The Dance Floor below. If you have any thoughts about the song, don’t hesitate to leave a comment. I’ll be sure to pass them along.

    Or, just click this link.

    Girls On The Dance Floor

    You can also drop them a line at their MySpace page.

    Check out the Far*East Movement at their website.