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Category: People

all-about-musicians-and-the-people-who-help-them-make-music

  • Infatueighties #51: Need You Tonight

    inxsSex. That’s all you need to know. This song oozes sex. There’s that bluesy guitar riff that repeats throughout the song. Then there’s the skeletal groove-a little funky, a lot sleazy. Finally, there’s Michael Hutchence’s vocal delivery. Half whispered, half screamed, all sexual longing and tension. This was the song that established Hutchence as a Grade “A” frontman and gave his band INXS their first and only #1 American single.

    That paragraph was 69 words. Somehow, that seems appropriate.

    INXS were a killer singles band: “What You Need” and “New Sensation” were among the Eighties’ best songs-thanks to the tight musicianship of the band and Hutchence, who played the sexy angle but had genuine soulful grit in his voice. Although the hits dried up long before Hutchence’s tragic death in the late Nineties, the good music didn’t-“Not Enough Time” and “Disappear” are top-notch singles. Hell, Hutchence even held his own against Ray Charles for one single. Check this video out and tell me these guys don’t deserve more props.

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  • First Look: Taylor Hicks’ What’s Right is Right

    taytayRevisionist history has cast Taylor Hicks’ win in Season 5 of “American Idol” as a mistake or a joke, but I think it’s one of the only times that America actually made the right decision. Unlike most of the winners, Hicks seemed less preoccupied with being a star than with actually being a successful musician. “Idol” just gave him a platform to bring his sound to a larger audience, but without the show, something tells me that Tay-Tay would still be touring the country in a van, singing his grey-haired little lungs out.

    After dissolving his deal with RCA Records, Taylor has resumed the life of an independent musician (albeit a really famous independent musician) and has just released the first video from his upcoming album called “What’s Right is Right”. As expected, it’s by no means contemporary, but that has no bearing on whether it’s good or not. It’s a cool, late-night midtempo offering that has a vaguely Eighties quality to it. If “Idol” had existed a quarter-century earlier, Hicks would have been topping the charts along with Daryl Hall, Michael McDonald and a host of other blue-eyed soul vocalists. Count Taylor Hicks as one of the few “Idol” alumni that I’m actually looking forward to purchasing a second album by.

  • First Look: U2’s Get On Your Boots

    Fire. Broken glass. Giant women with sexy legs. No, this site has not been taken over by a horny 14-year old, but that’s what you see in U2’s new video for “Get On Your Boots”. What would otherwise be a pretty routine performance clip gets jazzed up by these special effects.

    The video’s pretty cool. As for the song itself, I’m still not 100% sold. Even though “Boots” is certainly not the first time that U2 has plagiarized itself, this song sounds just a bit too close to “Vertigo” for my tastes. It’s not bad, it’s just not great, and it certainly lessens my anticipation for “No Line on the Horizon”. Hopefully it won’t be a mess of “Pop” or “Zooropa” proportions.

    Ah well, I’ll be buying it regardless. Let us know what you think of the video.

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