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Category: Music

  • The Infatueighties Countdown: #93: “Just Be Good To Me”

    By the time “Just Be Good To Me” hit the R&B charts in 1983, it looked like all The S.O.S. Band was going to show for their years of toiling in the Atlanta music scene was the 1980 disco smash “Take Your Time (Do it Right)”. Two albums worth of follow-ups had come and gone while making little noise.

    The S.O.S. Band\'s 1983 album \"On the Rise\", which featured the hit single \"Just Be Good To Me\".

    S.O.S. then became one of the first artists to benefit from the magic touch of Time members Jimmy Jam & Terry Lewis. The budding producers laced S.O.S. with a nasty midtempo groove, complete with a blazing guitar solo on the unedited (9 minute!!) version. Add in slightly eyebrow-raising lyrics (the song’s protagonist shrugs her man’s infidelity off, singing “I don’t care about the other girls…just be good to me”), and you have the makings of a classic. This was the beginning of a very fruitful 3-year relationship between Jam, Lewis & the band, which resulted in a handful more R&B classics, such as “Tell Me if You Still Care”, “Just the Way You Like It”, “No One’s Gonna Love You” and “The Finest”. For a time, S.O.S. was a mainstay on the R&B charts, even if none of these songs made it to the Top 40 pop back in the days when you had to “cross over”. Although Jam & Lewis’s production career has become legendary in the past quarter century, this, their first major hit, remains one of their all-time best songs.

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  • Ooh!! Free stuff!! Win a copy of Donavon Frankenreiter’s New CD!!

    I guess you could lump Donavon Frankenreiter in with kindred spirit Jack Johnson. After all, not only do the two men enjoy dual careers as songwriters and surfers, but the two are great friends-not only did Donavon at one time rent a room from Jack’s parents, but Donavon was also initially signed to Jack’s label…more on that in a bit.

    Donavon Frankenreiter\'s new album, \"Pass it Along\" is in stores and online now.

    I first discovered Donavon’s music via 2006’s “Move By Yourself” album. What I liked about it was that it was mellow enough to make you wanna put your feet up and relax, but it had a funky edge to it that set Donavon apart from similar-minded artists. It was like listening to a Commodores record after smoking a loooooooooot of pot (not that we here at MHW endorse that sort of activity. Ahem.).

    Anyhow, Donavon’s back with a brand new album called “Pass it Around” (I’ll leave that one alone, folks). It’s the same mellow surf-rock/jam-bandy/funky sound as his previous work, perfect to pop on the boom box or the laptop as you enjoy the last four weeks of summer chillin’ on your backyard hammock. The album features appearances from the likes of Ben Harper, G. Love and Grant Lee Phillips.

    If that turns your crank, then you’re in luck! One lucky person can win a free (free!!) copy of “Pass it Along” by answering one simple question:

    What is the name of the label, formed by Jack Johnson, that Donavon was originally signed to?

    Send your answers to musicpublisher@consumerhelpweb.com and a winner (who guesses the correct answer, obviously) will be chosen at random. This contest will end at 12 noon Eastern Standard time on Friday, August 22nd. Employees and staff of Musichelpweb and Consumerhelpweb and any of its’ affiliates are ineligible. Good luck!!

  • The Infatueighties Countdown: #94: “I Can’t Wait”

    Ummm…what to say about Nu Shooz? They were a husband and wife duo from Portland, OR…not exactly a dance music hotbed. However, their biggest hit, 1986’s “I Can’t Wait”, is one of the most memorable dance records of the decade. Makes perfect sense, right?

    The cover of Nu Shooz\'s hit single \"I Can\'t Wait\"

    I don’t know how you can listen to this song and not feel good. The bassline is made for bopping your head (or doing the wop), Valerie Day’s vocal is playful, and then you’ve got the silly synthesized…thingies…I don’t know what they’re called but you know what I’m talking about.

    Despite the fact that they are best known for “I Can’t Wait” (which was popular around the same time Stevie Nicks had a hit song with the same title), Nu Shooz had two pretty good follow-up singles. “Point of No Return” (which was almost as catchy as its’ predecessor…and was popular around the same time Expose had a hit song with the same title…) and the moody ballad “Should I Say Yes” (which did NOT have a competing song with the same title).

    So, what’s my point?? Hell if I remember. Just watch the damn video.