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Category: Award Shows

Music-Awards

  • Mike & Paul Are Live Blogging the Grammys

    So Mike and I are watching the Grammys together (well, cyber-together at least) tonight and blogging as we go.  And away we go…

    U2 open up the show with their new single “Get On Your Boots”… a very chaotic performance of a song that I’m not entirely sold on yet.  I’m totally not sold on Bono’s new dance moves either.  Or Larry Mullen’s goth black hair.

    Oh my gawd, Whitney Houston is making Britney Spears look well-adjusted.   Her poor voice…  ugh, she’s hard to look at.

    Go Jennifer Hudson.  I didn’t have a clear favorite in the best R&B album category (Al Green would have been my personal pick, but his is the only one of the nominees I’ve really heard).  But I’m glad that Jennifer got this.

    Dwayne “The Rock” Johnson… newly minted karaoke star (I think his brief rendition of “Just the Way You Are” was better than Billy Joel).  Opens with a corny anagram.   Not promising.

    Boyz II Men, Keith Urban, Al Green and Justin…   I’m digging the deeper-voiced Al Green.  Still sexy.  I’m loving this whole number – it’s unadulterated joy.  U2 is distant memory.

    So, as we hit the first commercial break, we learn the following: Whitney is off the crack but still crack-ish, U2’s new single sounds almost exactly like “Vertigo”, and about 700 babies were conceived during the Al Green performance. We can now move on…

    Is this show going to be a big giant plug for CBS? What does Simon Baker have to do with music?

    When did Chris Martin become a solo artist? Oops…never mind…here’s the rest of the band.

    Someone should tell Chris that no one wants to see his treasure trail. Someone should also tell him to take dance lessons. Then someone should tell Jay-Z to get a haircut.

    Sorry, folks. Carrie Underwood is totally anonymous to me. She might as well be Faith Hill. Something tells me, however, that Faith would take exception to that.

    Here’s a country award, which goes to Sugarland. Paul, have you listened to these guys before? I have nothing to say, except the guy in the group is kinda hot.

    Paul here:   Mike, I love Sugarland…  their cover of “Life in a Northern Town” was one of the highlights of my year last year.    I’m with you on Carrie Underwood.  “Last Name” sounds like it’s about 3 years old now – actually when it started, I thought she was playing that… other song she did, like 3 years ago.  What the hell was it? (Mike: “Before He Cheats”)   But Carrie Underwood’s guitarist looked to Carrie Underwood’s 80s hair metal doppelganger, and the two of them standing side by side as they wailed at the end was sort of interesting.  (The Sugarland guy IS hot)

    Coldplay was sort of fun to watch… like U2 circa 1982.

    Congratulations Gene Autry and Brenda Lee… but Grammy’s got better things to do.   Moving on…

    Al Green and Duffy harmonizing a capella at the microphone.  Al Green should release a new record every year just so that he can be on the Grammys some more.

    It’s hard to argue with Coldplay’s “Viva La Vida” winning Song of the Year.   Chris Martin proving refreshingly taciturn.

    Did Kid Rock finish his community service yet?  Does singing “Amen” count for it?  I hate “Sweet Home Alabama”, but I love Kid Rock’s song about it (“All Summer Long”), and I wish he just would have stuck with it instead of doing this trio of “American Idol” style snippets.  It just never got off the ground for me, where a good all-star rave-up of “All Summer Long” would have been awesome.

    Mike!  Look!  Sugarland are going to play later on.  Prepare your bib.

    Mike’s back. I’ll just borrow the bib that Jennifer Hudson is wearing.

    WTF is Miley Cyrus doing on the Grammy Awards? Although it seems as though she’s already mastered the “O” face.

    Robert Plant & Alison Krauss win Best Pop Collaboration with Vocals. I called that one. I wonder what they would have said if Chris Brown had won. “We’re sorry, but Chris Brown beat up some chick and couldn’t make it to the show tonight”.

    Jenny Hud is back in a much better looking dress. Damn, that girl has some pipes on her.

    Paul here:    There is just a lot of really, really bad white boy dancing going on tonight.  And Stevie Wonder seriously deserves better than to be upstaged by the Jonas Brothers…  who need to learn to shut up while Stevie’s singing.  And who need to spend a little time with the lyric sheet before they take on a song like “Superstition”.   What did Simon Cowell say about “forgetting the words” this week?    This performance just leaves me feeling a little…  well, okay yeah, pissed off.

    Oooooh, Blink 182 – together again!   Oooooh, Coldplay wins again!  Chris Martin – not as taciturn.  Effusive, in fact.  But still sincere, and far more likable than I’d imagined he would be.

    A couple other things:  Taylor Swift looks like a gelfling.  There.  I’ve said it.   And she and Miley don’t blend.

    Jennifer Hudson is my hero tonight.  Simple.  Elegant.  Classy.  The one person with the most legitimate excuse for drama, and she comes off both powerful and humble.  And damn, she can sing.  She didn’t need the choir.  In fact, I wish they would have left the choir home.

    Mike’s back. Paul…what’s a gelfing?

    I vote for Craig Ferguson to host next year.

    Dear Katy Perry. P!nk called.She wants her schtick back.

    I kissed a boy and I liked it. Do I get to perform on the Grammy Awards?

    Kanye West appears, apparently having stolen Michael Jackson’s look circa 1981.

    mj81

    Oh that Kanye. He so crazy!!!

    The Jonas Brothers lost Best New Artist because Adele ate them. Oh, and then she dissed them!!!!!! I love Adele!!

    Latifah’s introducing Jay, Kanye, Wayne and T.I….this should be good.

    The sound is awful. These guys are rappers-shouldn’t some body be kicking the sound man’s ass?

    Didn’t someone perform “I Saw Her Standing There” on the Grammys just a couple of years ago? (answer: yes. Dave Matthews and several others did…I think it might have been a Beatles tribute performance)

    My friend Marc: “Doesn’t Michael Jackson still own this song?”. Why, yes, he does!

    Paul here:  Adele not only ate the Jonas Brothers – she liked them.  I’m really into Katy Perry right now, but she sounded a little out of breath.   Also, I’m just really so excited that Cathy Dennis has done so well for herself as a songwriter.

    Mike, you’re right.  The sound during the “hip hop summit” was godawful (actually, the sound throughout the show has been pretty sucky), and the whole thing ended up sounding like nothing but a shouting match – and maybe that’s sorta what it was supposed to be, but then that’s kind of an aberration of the word “summit”.  That said:  holy pregnant M.I.A. belly!

    Gelflings:

    gelflings1

    Don’t tell me you’ve never seen “The Dark Crystal”…

    Actually, I thought Kanye looked like one of the guys from Ready For the World.

    rftw

    Is someone aiming a laser-pointer at Sugarland?  God, I love this woman’s voice.

    I keep expecting Adele to start singing “Situation”.

    I was sure that Morgan Freeman was introducing Neil Diamond.  Imagine my disappointment.  I still haven’t entirely forgiven Kenny Chesney for the summer that I couldn’t go into a karaoke bar without hearing a really drunken version of “She Thinks My Tractor’s Sexy”.   Also, I have a hard time picturing Kenny and Morgan hanging out together.  What do they talk about?   Any ideas, Mike?

    Paul, are you trying to lead me into a joke that I don’t want to make? Actually, when I saw Morgan Freeman, I remembered how happy I was that “The Electric Company” is back on TV.

    The USC Marching Band is joining Radiohead on stage. Somewhere, Lindsey Buckingham and Stevie Nicks are sitting somewhere saying “but didn’t we…?”

    Gwyneth Paltrow has two babies and still doesn’t have titties.

    Thom Yorke and Chris Martin obviously graduated from the same dancing school.

    Holy Quick Commercials Batman! It’s back to you, Paul.

    (and I keep wanting to say “But Paul, I think I told you. I’m a lover, not a fighter”).

    OK, I’ll admit: I really like that T.I./Timberlake song

    Do we really need Neil Diamond singing “Sweet Caroline”?

    God, I just felt like I was at a Sox game.

    Here’s the deceased folks tribute. Nothing snarky to say here.

    BB King and co. are going off on the guitar tribute to Bo Diddley. Good stuff.

    (OK, I think we’ve officially lost count of who goes where).

    Yet another CBS crossover with Gary Sinise performing. Next, the cast of “How I Met Your Mother”.

    OK…why isn’t Robin Thicke as popular as Justin Timberlake?

    Damn it, I need to go down to N.O. one year. Mardi Gras, here I come?

    Hip-hop is holding it down this year, folks.

    It’s Rap music’s Talentless Twins: T-Pain and will.i.ain’t

    Lil Wayne, to no one’s suprise, wins Rap Album of the Year and delivers a fairly succinct speech. As much of a critic of modern-day rap music as I am, I gotta say that we redeemed ourselves nicely this year.

    Zoe Deschanel sings?

    Plant and Krauss are performing…unless Plant jumps into “The Crunge”, I’ll only be sort of playing attention.

    They also win Album of the Year-entirely predictable…

    And the ceremony is over! Paul, any closing thoughts?

    I actually liked that Robert Plant was so into talking about the process of creating “Raising Sand” in all of his acceptance speeches, but as usual, I hate Grammy’s pick for Album of the Year.  “Raising Sand” is a fine record, but I don’t think it was the definitive “Album of the Year”.   It should have gone to either Lil Wayne or Coldplay.

    Thanks Mike for riding this out with me.   It’s been fun!

  • SonicClash Handicaps The Grammys IV: Disturbia?

    mraz

    Welcome to the pop section of the 2009 Grammy Awards, where wily veterans duke it out with hot young guns. It’s the only place you’ll find James Taylor and Ne-Yo in the same category, for what it’s worth. I won’t spend half the article building up to these categories, so here they are…

    Best Female Pop Vocal Performance: “Chasing Pavements” (Adele)/”Love Song” (Sara Bareilles)/”Mercy” (Duffy)/”Bleeding Love” (Leona Lewis)/”I Kissed a Girl” (Katy Perry)/”So What” (P!nk)

    Will Win: Leona Lewis

    Should Win: P!nk

    Adele, Duffy and Bareilles are all still sort of bubbling under. A lot of Grammy voters still haven’t heard of these three. “I Kissed a Girl” is viewed by many as a novelty record, which leaves P!nk and Leona Lewis. While P!nk’s snotty reaction to her divorce, in an ideal world, would result in the singer’s third Grammy, I say this one goes to big-voiced junior diva Leona Lewis, in order to make up for not including the huge hit “Bleeding Love” in the Record of the Year category.

    Best Male Pop Vocal Performance: “All Summer Long” (Kid Rock)/”Say” (John Mayer)/”That Was Me” (Paul McCartney)/”I’m Yours” (Jason Mraz)/”Closer” (Ne-Yo)/”Witchita Lineman” (James Taylor)

    Will Win: Kid Rock

    Should Win: John Mayer

    John Mayer, who has won twice in this category, is always a threat, as is James Taylor, who has also taken this category a few times. The only two artists that are officially out of contention are McCartney (for a song that was released on a limited-release project) and Ne-Yo (who’s considered too much of an R&B artist to get a pop award). Jason Mraz could sneak this one away, but Kid Rock’s hit was so huge (and a big FU to digital retailers-as the man sold 3 million records without one digital download), you have to honor the guy. Besides, “All Summer Long” is hella catchy.

    Best Pop Vocal Performance by a Duo or Group: “Viva La Vida” (Coldplay)/”Waiting in the Weeds” (The Eagles)/”Going On” (Gnarls Barkley)/”Won’t Go Home Without You” (Maroon 5)/”Apologize” (OneRepublic)

    Will Win: Coldplay

    Should Win: Gnarls Barkley

    This is Coldplay’s night. They’ll win this category in a landslide, although I’d love to see Gnarls Barkley get some props for their unfairly overlooked CD “The Odd Couple”. Where are these guys in the Urban/Alternative category?


    Best Pop Collaboration with Vocals: “Lesson Learned” (Alicia Keys & John Mayer)/”4 Minutes” (Madonna, Justin Timberlake & Madonna)/”Rich Woman” (Robert Plant & Alison Krauss)/”If I Never See Your Face Again” (Maroon 5 feat. Rihanna)/”No Air” (Jordin Sparks & Chris Brown)

    Will Win: “Rich Woman”

    Should Win: Pick ’em

    Sparks & Brown are out for their teenybopper duet, as are Maroon 5, for stripping Rihanna’s vocals onto an already completed song. Any of the rest of these folks could snare the Grammy. However, the older voting bloc will in all likelihood tip the odds in favor of Plant & Krauss, who won this category last year.

    Best Pop Album: “Detours” (Sheryl Crow)/”Rockferry” (Duffy)/”Long Road Out of Eden” (The Eagles)/”Spirit” (Leona Lewis)/”Covers” (James Taylor)

    Will Win: The Eagles

    Should Win: This is not a good batch.

    Sheesh, talk about five lame-ass albums. I don’t even CARE who wins this one. Smart money’s on The Eagles or JT, although I think if Leona wins the Pop Female category, she might have a chance here too.

    Best Dance Recording: “Harder Better Faster Stronger” (Daft Punk)/”Ready for the Floor” (Hot Chip)/”Just Dance” (Lady GaGa & Colby O’Donis)/”Give it 2 Me” (Madonna)/”Disturbia” (Rihanna)

    Will Win: Rihanna

    Should Win: Rihanna

    “Just Dance” would have had a shot if it hadn’t taken so long to become a hit. Hot Chip isn’t well-known enough and Daft Punk is nominated for a live version of a VERY old song. Madonna’s “Hard Candy” was a bit underwhelming (and “Give it 2 Me” was one of its’ worst tracks), so hand-deliver this one to Rihanna.

    Best Dance/Electronic Album: “New York City” (Brazilian Girls)/”Alive 2007″ (Daft Punk)/”Bring Ya to the Brink” (Cyndi Lauper)/”X” (Kylie Minogue)/”Last Night” (Moby)/”Robyn” (Robyn)

    Will Win: Kylie Minogue

    Should Win: Robyn

    For her first album after emerging triumphant from a battle with breast cancer, Kylie Minogue will take this one home, although the cheeky and talented Robyn deserves this one. So what if her album wasn’t really “dance”?

  • SonicClash Handicaps The 2009 Grammy Awards Part III: Year of the Gentleman

    judThis year’s R&B categories boast two strange omissions-Alicia Keys and Mary J. Blige. Both are extraordinarily loved by Grammy voters, and yet they’re almost nowhere to be found. Instead, the NARAS folks are honoring soul music’s new guard, with multiple nominations for newcomer Jazmine Sullivan and relative newcomers Ne-Yo and Jennifer Hudson. Let’s see how the categories shake out.

    Best Female R&B Vocal Performance: Me, Myself & I (Beyonce)/Heaven Sent (Keyshia Cole)/Spotlight (Jennifer Hudson)/Superwoman (Alicia Keys)/Need U Bad (Jazmine Sullivan)

    Will Win: Jennifer Hudson

    Should Win: Keyshia Cole

    The obvious first question is “Why is Beyonce nominated for a song that’s over 5 years old?”. Apparently, it’s an audio track from a live DVD and Grammy saw fit to nominate her instead of Mary J. Blige or any of the other deserving females that could have potentially been up for this award. She won’t win anyway. The R&B category this year is going to be very kind to either Hudson or Sullivan I’m betting the sympathy factor works in J. Hud’s factor. However, Keyshia Cole deserves this simply for making me love a song by an artist I detest.

    Best Male R&B Vocal Performance: You’re the Only One (Eric Benet)/Take You Down (Chris Brown)/Miss Independent (Ne-Yo)/Can’t Help But Wait (Trey Songz)/Here I Stand (Usher)

    Will Win: Ne-Yo

    Should Win: Usher

    This is Ne-Yo’s year, point blank. Count on him to challenge Coldplay for most awards won tonight (although I think parity will be the name of the game this year). I don’t see anyone else getting this award. Usher has won three times in this category, but the fact that he has the strongest song in the bunch will be negated by the fact that his album was perceived as a flop.

    Best R&B Performance by a Duo or Group: Ribbon in the Sky (Boyz II Men)/Words (Anthony David feat. india.arie)/Stay With Me (By the Sea) (Al Green feat. John Legend)/I’m His Only Woman (Jennifer Hudson feat. Fantasia)/Never Give You Up (Raphael Saadiq feat. Stevie Wonder & CJ Hilton)

    Will Win: Al Green feat. John Legend

    Should Win: Raphael Saadiq feat. Stevie Wonder & CJ Hilton

    The average music fan doesn’t even know that Boyz II Men is still around. It’s not 1994, so it’s doubtful they will win, which leaves the 4 collaborations. Raphael Saadiq and india.arie both have a history of getting Susan Lucci’ed at the Grammys, so that leaves J. Hud and Fantasia (who can sneak in and nab this one, and the beautiful Al Green/John Legend duet, which will probably snag the prize.

    Best Traditional R&B Vocal Performance: A Change is Gonna Come (Wayne Brady)/You Got the Love I Need (Al Green feat. Anthony Hamilton)/Baby I Know (Linda Jones with Helen Bruner & Terry Jones)/Love That Girl (Raphael Saadiq)/In Love with Another Man (Jazmine Sullivan)

    Will Win: Al Green feat. Anthony Hamilton

    Should Win: Al Green feat. Anthony Hamilton

    Linda Jones has been deceased for over thirty-five years. The younger contingent of voters isn’t going to know who she is. Hell, the OLDER contingent of voters won’t know who she is. Wayne Brady, despite being totally qualified to win this award, isn’t as well known as a musician as he is a TV personality. If Jazmine Sullivan gets on a roll, she might get this one, but the save bet is Rev. Al, the Ladies’ Pal. And it would give Anthony Hamilton a well-deserved first Grammy! Sweet!

    Best Urban/Alternative Performance: Say Goodbye to Love (Kenna)/Wanna Be (Maiysha)/Be OK (Chrisette Michele feat. will.i.am)/Many Moons (Janelle Monae)/Lovin’ You (Music) (Wayna feat. Kokayi)

    Will Win: Chrisette Michele

    Should Win: Kenna

    Simply put, Grammy voters are going to vote for who they know. So unless Puffy gets everyone he knows to vote for Janelle Monae, the NARAS folks are gonna recognize will.i.am’s name and put a checkmark next to it. I personally would give Kenna the award, seeing as he singlehandedly redeems The Neptunes for half a decade of truly mediocre music.

    Best R&B Song: Bust Your Windows (Jazmine Sullivan)/Customer (Raheem DeVaughn)/Heaven Sent (Keyshia Cole)/Miss Independent (Ne-Yo)/Spotlight (Jennifer Hudson)

    Will Win: “Spotlight”

    Should Win: “Customer”

    One would think that with two nominations in this category (he also wrote “Spotlight”), Ne-Yo would cancel himself out, but for some reason my Spidey Sense tells me that won’t happen this time around. This is another category that I think Jazmine Sullivan has a chance at, especially if she gets on a roll, but this’ll probably end up another J. Hud sympathy vote although, considering she didn’t write the song, she won’t get an award.

    Best R&B Album: Love & Life (Eric Benet)/Motown: A Journey Through Hitsville USA (Boyz II Men)/Lay it Down (Al Green)/Jennifer Hudson (Jennifer Hudson)/The Way I See It (Raphael Saadiq)

    Will Win: Al Green

    Should Win: Raphael Saadiq

    I still don’t know the difference between an “R&B Album” and a “Contemporary R&B” album. Can someone help me out here? Grammy likes to bestow honors on artists late in their careers, so I think 2009 will be the year Al Green gets honored, not just for “Lay it Down”, which is a great album in its’ own right, but for making “Let’s Stay Together” and “I’m Still in Love with You” and all the 70s hits he wasn’t honored for initially.

    Best Contemporary R&B Album: Growing Pains (Mary J. Blige)/Back of My Lac (J. Holiday)/First Love (Karina)/Year of the Gentleman (Ne-Yo)/Fearless (Jazmine Sullivan)

    Will Win: Ne-Yo

    Should Win: Ne-Yo

    Who’s Karina and why is she nominated? Must investigate. Didn’t J. Holiday’s record come out two years ago? Anyway, there’s three solid nominees here, and even though I wanna say Mary J. might come up and spirit this one away, it’s Ne-Yo’s night. He wins again.

    Best Rap/Sung Collaboration: American Boy (Estelle feat. Kanye West)/Low (Flo-rida feat. T-Pain)/Green Light (John Legend feat. Andre 3000)/Got Money (Lil Wayne feat. T-Pain)/Superstar (Lupe Fiasco feat. Matthew Santos)

    Will Win: “American Boy”

    Should Win: “Green Light”

    I don’t know that the conservative bloc of Grammy voters is going to vote for Lil Wayne. Besides, he’s dragged down by the presence of T-Pain, whose two nominations will probably cancel one another out (not that it worked last year. I can’t believe T-Pain has a Grammy). Grammy loves Andre 3000 and John Legend, but Grammy loves Kanye even more, and “American Boy” was probably the most popular song of the 5 nominated. Plus, Estelle & Kanye are performing on the show. I think that’s the tipoff right there.