web analytics

Author: Pop Rock Nation

  • Chart Chat 5/11/08: Usher, Colbie Caillat, Plies & More!!


    Happy once de Mayo, ladies and gentlemen!! Let’s travel into the land of the Top 20 singles and albums, courtesy of Billboard Magazine!!

    Top 20 Albums:

    1) “Hard Candy” Madonna
    2) “E=MC2” Mariah Carey
    3) “Spirit” Leona Lewis
    4) “Lyfe Change” Lyfe Jennings
    5) “Songs from the Sparkle Lounge” Def Leppard
    6) “Rising Down” The Roots
    7) “Third” Portishead
    8) “Mudcrutch” Mudcrutch
    9) “Now That’s What I Call Music Vol. 27” Various Artists
    10) “Greatest Hits-Limited Edition” Tim McGraw
    11) “Taylor Swift” Taylor Swift
    12) “Nine Lives” Steve Winwood
    13) “Juno Soundtrack” Various Artists
    14) “Alvin & The Chipmunks Soundtrack” Various Artists
    15) “This Kind of Love” Carly Simon
    16) “Sleep Through the Static” Jack Johnson
    17) “Flight of the Concords Soundtrack”Flight of the Concords
    18) “Troubadour” George Strait
    19) “Coco” Colbie Caillat
    20) “The Best of Both Worlds Concert” Hannah Montana/Miley Cyrus

    Top 20 Singles:

    1) “Bleeding Love” Leona Lewis
    2) “Lollipop” Lil’ Wayne feat Static Major
    3) “No Air” Chris Brown & Jordin Sparks
    4) “Love in This Club” Usher feat. Young Jeezy
    5) “Sexy Can I” Ray J. & Yung Berg
    6) “4 Minutes” Madonna feat. Justin Timberlake
    7) “Touch My Body” Mariah Carey
    8) “Pocketful of Sunshine” Natasha Bedingfield
    9) “Love Song” Sara Bareilles
    10) “Leavin’” Jesse McCartney
    11) “Damaged” Danity Kane
    12) “Low” Flo-Rida feat. T-Pain
    13) “Say” John Mayer
    14) “See You Again” Miley Cyrus
    15) “Forever” Chris Brown
    16) “With You” Chris Brown
    17) “Stop & Stare” OneRepublic
    18) “Don’t Stop the Music” Rihanna
    19) “Bust it Baby” Plies feat. Ne-Yo
    20) “Realize” Colbie Caillat

    *Colbie Caillat might be the most befuddling music purchase I’ve made in the past year. I guess it was one of those “let me see what the fuss is all about” purchases, and the fact is, she’s the most boring, white bread girl with an acoustic guitar in the history of music. She makes Jack Johnson (who I love, by the way) sound like freakin’ Mastodon by comparison.

    *Hmmm…so I thought Plies was going to be a one-hit wonder. Thanks to Ne-Yo, “Bust it Baby” becomes his second hit. Too bad I can’t even remember what the first one was.

    *Record industry folks, take a look at this stat. Of this week,s Top 20 singles, only five are by artists who have been around for 10 years or more (Li’l Wayne, Usher, Mariah Carey, Madonna and Ray J.). It also might be worth noting that of those five, Wayne, Usher and Ray J, are all under 30. Now, check out the album chart, where of the 16 albums that are not soundtracks or compilations, 10 of the artists/bands have been around for 10 years or more (and yes, I’m counting Mudcrutch, Tom Petty’s latest side project). Of the 6 remaining artists, all except Miley Cyrus are considered more “adult”-type artists. That should provide the world’s simplest reasoning for the fact that kids are buying singles (possibly because they can’t *afford* albums…hello??) and adults are buying albums. Can it get any more simple?

    *Usher finds himself in the bizarre position of having the same song on the Top 100 twice…sort of. “Love in This Club Part II”, which features Beyonce, is hanging out at #51. I don’t think the Billboard folks have explained yet why the two songs aren’t combined on the chart, assuming “Part II” is just a remix of “Part I”. Even if the songs sound completely different…the two versions of J. Lo’s “I’m Real” were completely different and they charted together.

    *Is Lyfe Jennings, who debuts in the Top 5 for the second consecutive time, becoming the 21st century Gerald LeVert…a consistently-selling R&B crooner that mainstream radio and media COMPLETELY ignores?

    *On their Def Jam swan song, The Roots tie “Things Fall Apart” with the highest debut of their career, at #6 (granted, with about half the sales, but still…)

    *”Idol”‘s ratings might be declining, but it’s influence is still strong. A performance of “Pocketful of Sunshine” moves Natasha Bedingfield into the Top 10 for the second time (following the ridiculously overplayed “Unwritten”), and the album also takes a huge jump. Meanwhile, Neil Diamond, who mentored the contestants in the same episode, is poised to score his first #1 album EVER next week, with “Idol” runner-up Gay…uh, Clay Aiken trailing at #2. In non-“Idol” debuts, look for big singles chart splashes from Rihanna and Coldplay’s new songs.

    …why do I feel like i should now be saying “keep your feet on the ground, and keep reaching for the stars”? Damn you, Casey Kasem!!

  • Mike’s Gripes Vol. 1: Mariah Carey


    No, I’m not writing this to discuss her marriage to bad actor/bad rapper/semi-funny comedian Nick Cannon. Hey, if Mariah’s happy (after what seems like decades of bad relationships), then more power to her.

    I’m writing this to discuss the slippery slope of suckitude that her music has bobbled around for nearly a decade now. Not that Mariah’s ever been a particularly consistent listening experience-even this diehard pop fan can’t think of more than 2 or 3 Mariah albums completely worth your time. However, her last two albums in particular have been hailed almost as masterpieces by a segment of the critical community when they’re, well…they’re not very good.

    Hey, I don’t want to hear “Hero” again either, you know? But I can see what people are getting at when they turn their noses up at “hip-hop” Mariah. Not only has she caught the same excessive collaboration bug that’s afflicted just about every pop & R&B performer of recent days, but she seems to have regressed lyrically. She’s never exactly been Joni Mitchell (or even Mary J. Blige), but her earlier songs had a maturity to them that newer songs like “Touch My Body” completely lack. And “Touch” is one of the *better* written songs on her new “E=MC2” album.

    Despite the fact that “E=MC2” is well on it’s way to unseating Jack Johnson as 2008’s best-selling album, it’s not much different qualitatively than Mariah’s two relative “flops”: “Glitter” and “Charmbracelet”. From the hip-hopped out “One Sweet Day” rewrite of “Bye Bye” to about 4 or 5 songs that directly rip Mariah’s comeback smash “We Belong Together”, the album is overall a lazy and unadventurous experience. And while contemporaries like the aforementioned Blige seem to be at their creative peaks in their late thirties, Mariah (who’s just a year and change older than Mary J.) seems to be regressing. Listen to “Love Takes Time” or “Can’t Let Go” (two of her best early career songs) and then listen to…well, just about any song on “E=MC2” or even half of “Emancipation”. The difference is almost startling.

    For my money, her best work came on mid-career albums like “Daydream” and “Butterfly”. The former album is her only completely satisfying listening experience other than her debut. I can even tolerate her somewhat sappy cover of Journey’s “Open Arms” (although I’m not sure I can say the same about the overwrought Boyz II Men collaboration “One Sweet Day”, which I’ve deliberately avoided listening to for at least a decade) but it’s the album that best balances “Adult Contemporary Mariah” with “Urban Mariah”. The latter album ODs a bit on the collaborations (“Breakdown” with Bone Thugs ‘n Harmony, is particularly atrocious), but makes up for it with a wicked awesome song built on Mobb Deep’s unforgettable “Shook Ones” sample (“The Roof”), her all-time best ballad (the title track) and a truly bizarro cover of Prince’s “The Beautiful Ones” with Dru Hill (‘memba them??). She’s more or less been off the rails ever since. And even though I own each of the five albums she’s recorded since, there’s maybe an album and a half’s worth of great material between them.

    Despite her astounding success (hell, she has more #1 singles than anyone except for the friggin’ BEATLES) and the fact that critics seem to actually dig her nowadays, it’s probably safe to say that not only has Mariah’s music been decidedly average for the past ten years or so, but that it’s *never* been consistently great. How she’s sustained a two-decade career as (more or less) nothing more than a pretty solid singles artist is one of those mysteries I don’t think I’ll ever figure out.

    …but it might be interesting to see her as a guest on “Wild ‘N Out”…

  • Friday Throwback – It Was A Good Day

    While playing basketball on the black concrete courts of Mount Pleasant High School, I had some great times. But I don’t know if I ever secured a triple double. You know, when you get double digits in points, rebounds, and assists. If I did, I’d remember because that would’ve been a good day. Ice Cube remembers.

    – Does dude need to be wearing gloves in LA? It doesn’t look cold. Are they for driving? Do thugs wear gloves?

    – For it being a good day, Cube still looks angry. I’d hate to see what he’s like on a bad day.

    – See, Cube was just messin’ ’round and dude had a triple double. That’s a great day as far as I’m concerned.

    – Can you imagine Too Short and Cube watching Yo! MTV Raps? That’s a sitcom right there.

    – That 7-11 wasn’t for a slurpee.

    – He got laid AND the Lakers beat the Supersonics? Must’ve been a good day.

    – That poor butt went right to sleep. Damn good day.

    If you want to see part II, you’re going to have to Check Yo Self.