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Author: Jenny

  • Happy 2015!

    Happy 2015!

    Just a quick post to wish everyone a happy 2015!

    My husband Bill and I had a pretty tame New Year’s Eve. We sat at home, listened to music, and when it got close to midnight, watched the fireworks set off by Germans. I am usually ready for the holidays to be over by January 2 and this year is no exception. Had we been stateside for New Year’s, I’m sure I would have tried to stay up to watch Elton John’s performance on Dick Clark’s Rockin’ New Year’s Eve. As it was, we were mostly entertained by old Van Morrison albums.


    Elton John sings “I’m Still Standing” on New Year’s Eve 2014.

    Looks like Elton still has it. I would have liked to have seen this, but at least there’s YouTube.


    I see Taylor Swift was also in attendance.


    And so was Meghan Trainor, who’s “All About the Bass”.


    Fergie was also at the party to sing “L.A. Love”. This music makes me feel ancient.

    I hope everyone had a great New Year’s Eve celebration and a tranquil New Year’s Day. I am hoping for a lot of fun travel in 2015 and, perhaps, the discovery of some new music. I’ve had good luck with street musicians in Europe. Next week, I hope to have something more substantial to post. For now, I think I need to sit around and listen to more music.

  • Philip Bailey’s life story…

    Philip Bailey’s life story…

    Here are my thoughts on Philip Bailey’s life story as written in the book, Shining Star: Braving the Elements of Earth, Wind & Fire…

    Having been a child of the 1970s and 80s, I am well acquainted with the fusion genius of the band Earth, Wind & Fire. I had a sister who played their music all the time and, of course, I heard it on the radio non-stop. When I got older, I started to buy the band’s better known albums. I have always admired the great talents of the people who comprise the elements of Earth, Wind & Fire (EWF), especially the band’s founder, Maurice White, and falsetto frontman and conga player Philip Bailey. When I saw that Bailey had written a book about his life and experiences in EWF, I knew I had to read it. I just finished the book the other day and feel like I came away with new respect and knowledge for a very long running and talented band.

    Bailey co-wrote this book with ghostwriters Kent and Keith Zimmerman, but I always got the sense that the words in this book were coming straight from Bailey himself. He starts at the beginning, explaining how his parents moved to Denver, Colorado, where he was born. Since Bailey’s father was a military man who had a rocky relationship with his mother, Bailey didn’t really know his dad until he was well into adulthood. He and his sister were primarily raised by his mother and his stepfather. Bailey expressly thanks the public education system of Denver, Colorado for giving him strong instruction in music. That education led him to his chosen career as one of the lead singers for one of the most influential, most talented, and best loved bands in music history. He also writes about Maurice White, who grew up in Memphis and eventually moved to Chicago, where his mother and stepfather, Verdine Adams, Sr., gave him two half brothers. Brothers Verdine White, the frenetic bass player for EWF, and drummer brother Freddie, changed their surnames to White’s out of a sense of solidarity with their older brother.


    David Foster introduces EWF with much enthusiasm!

    Bailey offers a colorful account of the band’s earliest days, when they traveled to gigs in station wagons. I got a kick out of his commentary about how the band got around in the early days. Apparently, Verdine White is a fantastic bass player, but can’t drive worth a damn. He also writes about how the earliest stage shows were conceived, where they got their costumes, and even offers some fun trivia about EWF in its heyday. For instance, I had no idea that the band hired Doug Henning and David Copperfield to make their live shows more exciting and… magical. Bailey also writes about some of the less pleasant aspects of being in the band. During EWF’s heyday, Bailey was pretty much an employee in the group and was paid accordingly. Maurice White called all the shots and was paid the most, which naturally led to some friction, especially when the band temporarily broke up in the 1980s. Bailey and the rest of his bandmates were enjoying a steady and generous paycheck, which abruptly stopped when Maurice White determined it was time.


    70s era rendition of “Shining Star”.

    One aspect of this book that I found especially interesting was EWF’s association with David Foster. In 1978, Foster was a young, up and coming composer. He approached EWF with a ballad he’d written called “After The Love Is Gone”. It, of course, became a monster hit for EWF and launched a successful partnership between Foster and EWF. David Foster has gone on to have a great career composing music for other bands and movie soundtracks. Indeed, he’s work a lot with another brass heavy band called Chicago, which has been known to share concert billing with Earth, Wind & Fire. Aside from working with David Foster, Bailey also famously sang a duet with Phil Collins. If you were around in 1984, you might remember “Easy Lover”, which Bailey recorded with Collins right after EWF temporarily folded.


    Phil Collins and Philip Bailey create an 80s era smash hit with “Easy Lover”. I must admit, I loved this song when it was popular! Still do!

    Bailey also reveals information about his personal life. Bailey married his first wife, Janet, when they were both very young. Life on the road presented a lot of temptations, though, and Bailey admits that he was not faithful to his wife. One affair produced an out of wedlock daughter. He also dabbled a bit in drugs. Nevertheless, they went on to have four children. After their divorced, Bailey got remarried to a woman named Krystal with whom he had two more kids. They divorced in 2010.


    Video of EWF circa 1981 with Maurice White singing lead with Bailey on “That’s The Way of the World”.

    Unfortunately, Maurice White no longer performs with EWF. He suffers from Parkinson’s Disease, which makes making music at his prior level impossible. White still maintains an executive role in the band, which is now wholly fronted by Philip Bailey, Verdine White, and Ralph Johnson. I still love listening to this band even without Maurice White at the front. Just watching Verdine White dance while he plays bass is enough to get me going.

    Shining Star is required reading for any EWF fan. Bailey does a great job balancing his personal story with that of the band’s, offering plenty of interesting stories without getting bogged down in minutiae. He includes photos and lots of juicy tidbits about what it’s like to work with some of the finest musicians popular music has ever heard, but he never gets long-winded. Naturally, I recommend his book! It made the music nerd in me sing!

  • Robert Plant’s Lullaby and the Ceaseless Roar

    Robert Plant’s Lullaby and the Ceaseless Roar

    My husband surprised me with a copy of Robert Plant’s Lullaby and the Ceaseless Roar…

    Leave it to Bill. He stubbornly buys me music every Christmas even though I have told him many times that I like to buy my own. I must admit, even though I often discourage him from gifting me with new CDs, he often chooses interesting music. Some of the albums he’s bought for me have ended up being favorites. No, Bill doesn’t have any musical talent himself, but he does have good taste in music. With that in mind, I’m now listening to the album he got me for Christmas this year, Robert Plant’s Lullaby and the Ceaseless Roar. This album was released in 2014 and comes in a nifty, environmentally sound cardboard sleeve. It consists of eleven tracks, all of which were co-written by Robert Plant. The Led Zeppelin legend is in fine voice, too.

    Plant is joined here by his band, The Sensational Space Shifters. We have Dave Smith on drums, Billy Fuller on bass, drum programming, omnichord, and upright bass, Liam “Skin” Tyson on banjo, guitar, and backing vocals, John Baggot on keyboards, loops, moog bass, piano, tabal, and backing vocals, Juldeh Camara on kologo, rite, Fulani and vocals, and Justin Adams on bendirs, djembe, guitars, tehardant, and backing vocals. Together, this band sounds kind of like Ireland meets Africa. I hear elements of Irish music mixed with the tribal sounds of Africa, with a smattering of trance music. Bill said he heard it on a recent Air France flight and decided I had to hear this album, which he describes as music that might be right at home at your favorite “hot” restaurant, where the food is cutting edge and the company is sophisticated.

    The first track is the very interesting “Little Maggie”, a traditional bluegrass song that has been arranged by Robert Plant and his band. I have to admit, I was intrigued by it. A rolling banjo percolates under the exotic world music sounds of pulsating drums and flute. I enjoy bluegrass. I enjoy world music. I like Robert Plant and his otherworldly vocals. “Little Maggie” gets things off to a smashing start.

    The next song is the edgier “Rainbow”, which sounds like something Plant might have recorded in the 80s, only it’s been updated with exotic drumbeats and electric guitars. It’s definitely an edgy song, but one that you can think to as the chorus of backing vocals blend together behind Plant’s subdued lead. Not that Robert Plant has lost his rock star prowess… it’s just that on this song, that energy is under the surface, ready to pounce.

    The Irish sound is back, sprinkled with a bit of trance with “Pocketful of Golden”. Here, I hear a little bit of old style Zeppelin edged rock with delicate Irish details on the choruses. Although Plant is definitely not fronting Led Zeppelin, I hear little shards of that iconic sound, especially in this song.

    Plant has a couple of female guest singers on this album. On “Embrace Another Fall”, Plant offers sublime vocals from Julie Murphy, who sings in Irish and has a fantastic voice. The liner notes include a link to Murphy’s site, which I will definitely check out because she has an enchanting sound. I think I want to get to know her better. On “Poor Howard”, Nicola Powell offers background vocals, adding a touch of feminine to an otherwise banjo heavy tune.

    The beautiful ballad, “A Stolen Kiss”, features a gorgeous melody and Plant’s usually edgy rock voice mellowed into something sensitive and loving and romantic. Yet the song is about how elusive true love is… and it’s also where this album gets its name.

    Each song on this album is more and more interesting and engaging. Each song captures my senses in a unique way. I have a feeling this album is going to become yet another favorite, courtesy of Bill and his stubborn insistence on introducing me to cutting edge music instead of the old stuff I usually favor. I really like the way Robert Plant and The Sensational Space Shifters have creatively married elements of hard rock and trance with folk music, Celtic sounds with African sounds. I like the fact that his unique stamp is on each song.

    The final song on Lullaby and the Ceaseless Roar is called “Arbaden (Maggie’s Babby)”. It fascinated me from the very first electric hum. This track has intricate and complex rhythms, jangling guitars, and sound effects. It’s short and hypnotic and mesmerizing.

    Needless to say, I recommend Lullaby and the Ceaseless Roar if you’re interested in something new by a venerable talent. Robert Plant demonstrates with this latest effort that he’s still awesome. And yes, I did thank Bill once again for not listening to me when I said I didn’t want music for Christmas.


    Robert Plant discusses the making of Lullaby and the Ceaseless Roar.