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Tag: vinyl

  • I have too many CDs…

    I have too many CDs…

    I finally finished unpacking them and have come to the conclusion… I have too many CDs!

    Moving is a pain. This particular move was especially painful. From the damage that was done to our previous landlord’s floors to the moldy bread and rotting potatoes we found packed in our stuff, I count this move to Texas as one of the most challenging in my lifetime. And as I was sitting on the floor two nights ago, unloading my collection of compact discs, I realized how glad I am that it’s possible to download media these days.

    How many CDs do I own? Honestly, I don’t know. I lost count years ago. I would guess the total number is somewhere over 1,000 discs that I have collected since Christmas 1989, when I got my very first CD player as a present. I usually keep them alphabetized and in sections. I have a rock section, a country/bluegrass section, a jazz section, classical section, holiday section, and a new age section. It was getting close to 10:00pm and I still had a few stacks of discs to organize. With a sigh of disgust, I finally decided to just start putting them on the shelves willy nilly. I used to be so anal retentive about keeping my collection straight, but now that I have a computer that does it, I guess it doesn’t matter anymore.

    I remember when I was growing up, sitting on the couch next to my dad’s huge stereo. It had a turntable and an 8 track player. I would put on a big pair of headphones and listen to records, tapes, and 8 tracks for hours. Then in the mid 80s, people started trading in their cassette tapes and vinyl records for compact discs. My very first compact disc was Phil Collins’ 1989 release, But Seriously. Over the years, I became a very enthusiastic consumer of CDs. They didn’t scratch like records. They didn’t get caught in the machine like tapes. They didn’t change programs mid song like 8 tracks. And they came in relatively small packages that were easy to carry. In fact, they were so easy to carry that they were originally sold in long boxes to prevent people from ripping them off.

    Nowadays, you can buy songs individually or buy an album. You can store the music on your computer or on a cloud. When you move, you don’t have to pack up boxes of CDs… or movies or books, for that matter. But what do you lose when you don’t have those physical items anymore? Well, for one thing you lose artwork. There was a time when albums included some awesome artwork. Hell, when my dad purchased the Purple Rain soundtrack on vinyl for me back in 1985, I got a free poster to hang on my wall! Try that with a download.

    You might lose the concept album concept. If people can buy individual songs instead of whole albums, they probably will. But that will mean that an album based around a single concept may become a thing of the past. That’s kind of a shame, since sometimes concept albums turn out to be very artistic.

    You might also lose music stores. If people don’t need to buy tangible items like CDs, vinyl albums, or cassettes, what good is a music store? I used to love going to them in another relic of the past, the indoor shopping mall, and thumbing through discs, looking for a new treasure to add to my collection. Then I would take the new album home and read the liner notes while I played it from start to finish. Now that people can download their music, there’s less need for brick and mortar stores and less need to hire people who are music geeks to run them. Come to think of it, you’ll also lose special shelves for CDs and other media. I think downloads also put an end to music clubs like Columbia House and BMG Music.

    On the other hand, you’ll also lose some of those big heavy cardboard boxes full of CDs when you move. And given how traumatic this last move has been, I don’t know that that’s such a bad thing. One other thing I’ve lost are the big stacks of discs I used to keep on my front seat when I’d go on a road trip. Now that my car can connect to my iPod, there’s no need for CDs anymore. That means I don’t have to worry about CDs that fall to the floor in my front seat when I have to slam on the brakes. And I don’t have to worry about cracking the jewel cases when I take my discs on the road.

    In any case, I have moved a lot of my collection from CD to computer, so in the week we were in our new city without my precious CD collection, I still had most of my favorite music. I still buy the occasional CD when I want the rare album that isn’t available as a download. But I almost never use my CD player anymore. As soon as that CD comes to me, I put it on my computer.

    I still have too many CDs. Thanks to downloads, I’m not adding them as quickly as I used to. And hopefully, next time I move, I won’t have to buy any new CD shelves for new additions to my collection.

  • Awesome Song Alert! “Credible Threats” by The One A.M. Radio

    According to the lyrics of his latest song, Hrishikesh Hirway, the main man behind indie pop band The One A.M. Radio, isn’t getting much sleep these days. But the chipperness (and consequent awesomeness) of his music has apparently increased in direct proportion to his insomnia. The group’s latest single “Credible Threats” is a modestly upbeat little ditty with adorably wordy verses and a playful, chutes and ladders melody, backed by pretty, ripply guitar parts and anchored by a buzzy retro synth drone. The cumulative effect is vintage Belle & Sebastian as filtered through Devo, the fatalism and urgency of the lyric just barely masked by Hirway’s softly witty, matter-of-fact, slightly detached, but ultimately vulnerable delivery. With its dorky bum-ba-dum breakdown and krautrocky instrumental coda (replete with singalong “oohs” over flying saucer synths), “Credible Threats” is just a funny sounding (but not necessarily funny funny) song about a guy who stays up at night cataloguing all the ways an unspecified “they” say he might die. That Hirway’s an emphatically mild-mannered American living in an hysterically angry America, with a “funny” name and what Sheriff Arpaio might deem a “terrorist complexion”, or at least “illegal” colored skin only underlines his probably-not-for-nothing, paranoia-tinged anxiety. I mean, here’s a guy who’s been watching himself some serious news lately. And then there’s this great couplet at the bridge:

    Tom Brokaw’s talking about a dirty bomb
    I got another call from my poor Mom.

    The song comes with this cute little video by director Andrew Huang. (Dig that choreography!) And James Cameron will be thrilled to know that Huang also did a 3-D version of the video which you can watch here. OR: Better yet, why not get yourself a copy of the 7″ single of the song directly from the band? (I just ordered mine.) In addition to the supercool colored vinyl, you’ll get downloads of the three mp3 tracks as well as the 3-D video, along with your very own set of 3-D glasses with which to watch it. All that for a mere $5.00 ($7.50 with shipping). But it’s only available in a limited edition of 500. So if you like it, you should put a credit card number on it. Like now.

    Here’s the 2-D version:

  • Record Store Day 2010: The Dust Settles, The Vinyl Spins

    Last Saturday, just two days after groups of so-called Tea Partiers descended upon Washington D.C. and other centers of government to protest taxation-despite-representation, another group of avowed fanatics swooped down upon a few dusty corners of our nation’s hipper cities for a strange and probably misguided celebration of their own.  Saturday, April 17, was this year’s Record Store Day, a day when record store owners across this great land, with the aid of a few GGG (as Dan Savage would call them) record labels, defiantly flip the bird at their impending extinction, and thereby forestall it for at least another week.  Contrary to what will.i.am says at the end of “One Tribe”, there actually are still record stores – and feisty, independent, locally owned ones at that – to be found around.  Still, the likelihood that you’ll just accidentally stumble upon one in your daily travels is slightly lower than your likelihood of tripping over a Komodo dragon’s tail in the parking lot of Applebee’s.   You have to go looking for record stores.  But when – if – you do find one, you’ll find it holds a fascinating power upon those who enter its doors.

    Demographically speaking, Record Store Day shoppers – we’ll called them “Vinyl Partiers” – and Tea Partiers are surprisingly (and considering myself as one of the former, alarmlingly) similar – disproportionately white, disproportionately male, disproportionately middle-aged, middle-class, and socially inept.  I like to think that as a sub-sub-culture, we’re a little more good-natured than your average Tea Partier.  Our most militant slogan can be found at the bottom of a little white slip of paper tucked inside the sleeve of any current LP release from that illustrious Midwestern indie label Secretly Canadian:  “Long Live Physical Media!”   But the fact that that little white slip of paper also contains a code to download mp3s of the LP it came with suggests that we Vinyl Partiers are a little more appreciative of the pros and cons of various schools of thought and modes of playback.  My CD, vinyl, and mp3 collections are coexisting just fine.  (Then again, some things are beyond the pale of civilized discourse.  Cassingles, for instance.)

    And yes, I shop at Amazon.com – it’s a great source for digital downloads as well as CD imports.  But shopping on-line will never be as much fun to me as browsing an actual record rack in a real live store.  You can’t download mp3s of the strange conversations you overhear at the check-out counter of a record shop.  You can’t order the enthusiasm, the dedication, the sense of history, and the encyclopedic knowledge of music that not only sits behind the counter at your local record shop, but which is, as often as not, browsing the racks right beside you.  Start a conversation with a Tea Partier, and they’ll rattle off a predictable inventory of bullet-points on the evils of big government, but start a conversation with a Vinyl Partier and you have no – and I mean no – idea where its many tangents will take you.  Record stores are great for people watching.  And record stores are never more full of people these days than on Record Store Day.

    So, my ever-patient car-geek partner asked me last week, is this Record Store Day, like, a real thing? Uhh… yeah, it is.  Albeit, a relatively new real thing.  I believe (and I may be wrong) that this past weekend marked the fourth annual Record Store Day celebration.  Okay, so what do people do on Record Store Day? Well, they go to record stores and hopefully spend a lot of money – on records, on CDs, on turntables, on plastic sleeves to store your precious vinyl in so that the cover art doesn’t get smudged up.  Okay, but couldn’t people do that on any other day? True.  Which is where the GGG (that’s “good, giving, and game” for those who don’t read Savage Love) record labels come in, scheduling oodles of mostly limited edition releases for release exclusively to independent record stores (sorry FYE, sorry Best Buy) on Record Store Day, a relatively thorough list of which can be found on the official Record Store Day website.   In addition, most participating record stores also offer special sales, in-store performances, raffles and door prizes, beer and cookies, and, of course, swag bags.

    I’m fortunate enough to live in Madison, Wisconsin which boasts five participating independent record stores, and I made my rounds on Saturday picking up vinyl new and old at each one, and over the next couple of days on these pages, I’ll recount the highs and lows of my Record Store day acquisitions, but as a teaser, I’m emptying the swag bags and cataloguing their contents here:

    • The swag bag itself, a reusable  “Record Store Day 2010″ shopping bag, perfectly sized for carrying home the latest pile of LP records you just bought, but also with a special built-in pocket for 7” singles.
    • Another reusable shopping bag, sized for CDs, advertising the music documentaries It Might Get Loud and This Is It
    • A 7″ single by a group called Terrible Things, an earnest alt-rock trio from Alabama whose debut album on UniversalMotown is scheduled to come out later this year.  (A-Side “Hills of Birmingham” is pretty great).
    • A button for “The Runaways” movie
    • A button for the Dead Truth Recordings label.
    • The “Select-O-Hits Limited Edition Sampler” featuring songs by Jeff Bridges, Jimmy Buffett, and Christine Ohlman.
    • The Light in the Attic Zine Issue 2 Spring/Summer 2010.  Light in the Attic is the label behind the recent critically acclaimed reissues of funk provocateur Betty Davis, reclusive folkie Karen Dalton, and French pop maestro Serge Gainsbourg
    • A Coachella/Record Store Day mini-magazine with CD sampler.  Very cool.
    • A card for a free one year subscription to Death + Taxes.  Which, I guess, is a magazine of some sort.
    • A “The Nerve Agents” sticker
    • A Bright Eyes “Cassadaga” sticker
    • A “Support Your Local Record Store!” bumper sticker
    • A postcard advertising the new Black Keys album Brothers
    • A 429 Records label sampler.  New tracks from Tonic (really?), Joan Armatrading (yes!), BoDeans, Everclear, Clem Snide and Cracker.
    • A sampler from the Canadian alt-rock label Last Gang Records.  Very cool.
    • A Fanfarlo “Reservoir” sticker
    • A Rhymesayers Entertainment sticker
    • Another Fanfarlo “Reservoir” sticker.  (I do like Fanfarlo.  More on them in a future Record Store Day post.)
    • The Record Store Day – Urban Edition sampler, featuring Nneka, Wyclef Jean, Raphael Saadiq, an amazing new singer named Alice Smith, and (I’m happier about this than you will ever believe) Three 6 Mafia’s new collaboration with DJ Tiesto, Sean Kingston, and Flo Rida: “Feel It”.  Amazing song.  If you can ignore the Three 6 Mafia’s raps in it.
    • “Tha 4.20 Mixtape – Prequel to Streetlights” by Kurupt
    • Bridge Nine Records Summer 2009 Sampler
    • A Rhymesayers Entertainment badge.  Makes me wish I were still in Boy Scouts.
    • Priority Records 25th Anniversary sampler, including tracks from Snoop, Eazy-E, Ice Cube, N.W.A., Master P, EPMD, and Westside Connection.
    • “Record Store Day – Soulful Delights” – a Rhino sampler of classic 60s and 70s soul tracks featuring the Drifters, Otis, Wilson, Aretha, Bootsy, Ray Charles, Donny Hathaway, and Curtis Mayfield.  Sweetness.
    • A Jason Mraz “Beautiful Mess – Live on Earth” sticker
    • A coupon for one dollar off any pizza at Pizza Brutta
    • Semi Precious Weapons 3-song promo ep
    • Hail the Villain 5-song promo ep
    • A “graphic storybook” called “[Lost Highway record artist] Hayes Carll in ‘The Search for Ooga Kabooga Juice’ and Other Adventures”.  Illustrations by Jose Luis Gonzalez.
    • An Anjulie card
    • “The Infection”, a Strange Music Sampler – a collection of the most repulsive hip-hop I have ever set ear to.

    Jealous?  Wait til you hear about what I actually paid for.   More tomorrow.