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Tag: The Carpenters

  • My dad’s music…

    My dad’s music…

    Today’s post is about my dad’s music… because his music influenced my music…

    Last week, I wrote about how I was in the market for funeral songs. At that time, my dad was on his death bed. He has since died and I’m left remembering him. The full impact of grief has not yet hit me. Intellectually, I know he’s gone and not coming back and yet I just saw him eight days ago. I haven’t had time to miss him yet, I guess. As I wrote in my last post, my dad was very much a music lover and he passed a lot of his passion on to me. We did not share the same musical tastes once I got old enough to determine what I liked and what I didn’t like. I do remember listening to some of his music in the car when I was very young.

    My dad introduced me to the fluffy sweetness of Olivia Newton-John’s voice. He used to play her cassettes in the car and for some reason, I just adored her. She was pretty and had a great style, or so five year old me thought, anyway. In those days, Olivia was a country star.


    I remember this song from Olivia Newton-John’s 1974 album, If You Love Me Let Me Know.

    About a year ago, I went looking for Olivia’s deep cut “Mary Skeffington” and learned that it was also sung by Gerry Rafferty. As I listened to Gerry’s version, I ran into a British musician on YouTube who covered it. We’ve sort of become correspondents since then. I listen to his music and he listens to mine. And all because my dad exposed me to Olivia Newton-John back in the day.


    I need to listen to more Gerry Rafferty… He’s done more than “Baker Street” and “Right Down The Line”.

    The Carpenters were another musical act I shared with my dad. He loved Karen Carpenter’s clear vocals and Richard Carpenter’s virtuoso piano playing. I didn’t appreciate The Carpenters until I was a lot older. But my dad owned a couple of their albums and he’d play them on road trips.


    “Sometimes” was written by Henry Mancini, Felice Mancini, and Bob Seger. The words came from a letter written to Henry Mancini by his daughter.

    The song “Sometimes” seems very poignant to me right now. It’s about the importance of remembering loved ones while you still can and appreciating them for who they are.


    “You” was another great sleeper hit on The Carpenters’ 1976 album, A Kind of Hush.

    A lot of The Carpenters’ hits were kind of saccharine and overwrought. And yet, there was no denying their talent. My dad was a big fan and he passed his appreciation on to me, even as I can see why some people thought they were a bit too square to be hip.

    My dad liked Jim Croce. He had a couple of Croce’s albums on 8-track that he’d play sometimes. While I never got as much into Croce as my dad did, I did find a few of his songs very beautiful.


    One of my favorite Jim Croce songs is “I Got A Name”. There is something majestic and strong about this song that moves me every time.


    This song always makes me laugh. I have a friend who changed the lyrics to something naughty and I think of the revised lyrics every time I hear this.

    And… very strangely, my dad was also an ABBA fan. Well, he owned one of their albums, anyway. I don’t think he bought more than one. I guess he liked their sound, though he was not one to listen to music you could boogie to. The album my dad owned was their 1979 release, Voulez-Vous, which seems especially funny, since that album was known as their “disco” album. I used to listen to it all the time.


    “As Good As New” was one of my favorite songs on Voulez-Vous. The lyrics were a little lame, but I loved the funky melody. I think my dad was more partial to songs like “I Have A Dream”.


    Ahh… how inspiring!


    “Kisses of Fire” was another favorite of mine, but it probably made my dad nervous. Most music with a strong beat did.

    There were other albums, of course. I used to raid my parents’ music all the time. I liked listening to their copy of Herb Alpert’s Whipped Cream and Other Delights. I was also enchanted by the album cover, which featured a beautiful woman covered in what appeared to be whipped cream. I hope it was shaving cream, otherwise it would not be very pleasant for long…


    “A Taste of Honey” was a favorite…

    As I remember my dad, I realize that he had a lot to do with my love of music. I didn’t always like what he liked, but I liked enough of it. I hope wherever he is now, he’s got all the tunes he could ever wish for… and his voice back strong and clear.

  • The Sunday Shuffle: Sweet, Tasty Love

    Uh…hmmm…I don’t have a witty comment with which to start this thing off. I will say that the 80GB iPod I have now had for almost a year is approaching capacity, so I’m starting to uncheck songs that I’m sort of lukewarm on. Y’know, if, like, anything from Mariah Carey’s “Unplugged ” album comes on shuffle, I’m gonna skip it anyway, so why have it there in the first place?

    Anyhow, you know the rules…7 songs, completely random fashion. Current tally: 16,794 songs (I have no idea how many of them are unchecked).

    Track 1: “(They Long To Be) Close To You” by The Carpenters:

    Actually, the first time I heard this song when I was a kid, it wasn’t Karen Carpenter singing it, but Diana Ross. Miss Ross hosted a TV special back in 1971 (it featured The Jackson 5, Bill Cosby and Danny Thomas), and she performed a rendition of this song on the show and it’s soundtrack. Her version has nothing on The Carpenters’ version, however. This is as good as 70s easy listening pop got. Karen was truly a great emotional singer, and you can’t beat the harmonies here (especially on headphones…fucking wow). I must admit, it’s so cool listening to this song without a video to latch your memory on to, because that way I can mentally picture a flock of birds buzzing around Karen’s lover when he pops up and giggle a little.

    Man, I know it’s a cliche, but this woman’s voice breaks my heart every time I hear it.

    Track 2: “Tasty Love” by Freddie Jackson

    For those of you who weren’t riding the quiet storm in the mid-Eighties, Freddie was not a member of the famous singing family, but a New York City balladeer who basically went on to become a poor man’s Luther Vandross. Actually, for a period in the Eighties, he was BIGGER than Loofa, and if memory serves, he had more #1s during the decade than not only Mr. Vandross, but Michael and Janet as well. This smoove ballad was the first single from his sophomore release, “Just Like the First Time”, an album that spent a mind-boggling 26 weeks at #1 (that’s half a year, folks) on the R&B albums chart. Sort of funny to think that Freddie was the guy riding the top of the charts during a period when so many albums with less chart success have gone on to be more influential in the long haul-Janet’s “Control”, Anita Baker’s “Rapture” and Run-DMC’s “Raising Hell” among them.

    I met Freddie in person six years ago, and I’d be surprised if he and Mr. Vandross didn’t have at least one other thing in common. That man was sweeter than a box of chocolates. Check him out with that woman in the video. They’re probably drinking Riunite on Ice. And he’s probably thinking about her hot younger brother.

    Track 3: “Plantation Lullabies” by Me’shell Ndegeocello

    The very brief (1:14) instrumental title track from the debut album by one of the most underrated R&B artists of the Nineties, and the best female bass player in history (granted, she’s at the head of a very small field). I love this album to death, although many others listen to this album and are a little freaked out by her militance (is that a word?).

    Track 4: “Run Riot” by Def Leppard

    Although I wasn’t familiar with the song, I recognized it as Def Lep within 5 seconds…those guys (and producer Mutt Lange) had a pretty damn recognizable sound back in the Eighties. Joe Elliott’s voice sounds a little higher than usual on this song, almost like he’s channeling AC/DC’s Brian Johnson.

    Slightly related aside: I was at karaoke with friends a year or so ago, and someone decided to sing “Pour Some Sugar on Me”, a song I’d always enjoyed despite not paying a hell of a lot attention to the lyrics. As the song’s words flashed on the screen, I’ve gotta admit I was a little taken aback by how a song with such absolutely silly lyrics could have become such a big hit.

    Hmmm…I wonder why “Hysteria” and “Pyromania” are not available on iTunes?

    Oh, I saw their new video on VH-1 Classic recently, which features Tim McGraw. Definitely two great tastes that do not taste great together.

    Track 5: “Magazines” by The Hold Steady

    I actually just bought the latest Hold Steady album, “Stay Positive”, a couple days ago. I wound up buying their last album, “Boys & Girls in Amerca”, thanks to a ton of press hype and truth be told, it’s a pretty good record. This is my first taste of anything from the new album, and it sounds like…the last album. This song chugs along in a manner very similar to “Born To Run”-era Springsteen, although lead singer Craig Finn, despite being a good singer on his own (and pretty hot besides) doesn’t have half of The Boss’s charisma. Or Danny Federici on organ. Or Clarence Clemons playing the sax.

    Track 6: “The Coolest” by Lupe Fiasco

    Considering I went absolutely gaga over the Chicago rapper’s debut album, “Lupe Fiasco’s Food & Lquor”, his second album (“Lupe Fiasco’s The Cool”) has left me strangely lukewarm. I don’t think it’s bad. It just hasn’t grabbed me the same way. Maybe I haven’t given it the chance it deserves. Maybe it’s a grower? Maybe it’s just not as good. That said, Lupe’s one of the most talented new emcees out there, and the fact that this album was certified Gold is one of the few things that makes me feel good about being a hip-hop fan nowadays.

    Track 7: “Now at Last” by Feist

    I’m proud of myself for discovering Feist at least a few months before she became a star (thanks to the iPod commercial and that annoying-ass video). She reminds me of what Norah Jones would sound like if she took more drugs. Maybe it’s just because she’s Canadian and all of the Canucks I’ve met in person have a sort of warped, offbeat personality behind those square, polite exteriors. This is a pretty straightforward piano ballad. It could have been recorded in 1936 or 20006. If you haven’t checked her out, please do so, and check out her debut album, “Let it Die” before you pick up her more recent “The Reminder”. It not only contains this beautiful song (having her and Karen Carpenter bookending this setlist is strangely appropriate), but she does a killer cover of The Bee Gees’ “Love You Inside Out”, which was actually the song that introduced me to her.

    Till next week, I’m shufflin’ off (oh, STOP! The jokes are KILLING me!!)