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Tag: synth-pop

  • The Daily Awesome 8/20/10: Giorgio Moroder “Baby Blue” (1979)

    We may associate dance music with the clubs, the strobelights, the bathroom drug deals and sticky bathroom floors, but in this video for his 1979 hit “Baby Blue” (not to be confused at all with songs by Badfinger or Bob Dylan), Italian disco, bubblegum, and electronic music pioneer (not to mention mastermind behind some of the most memorable soundtrack music of the 80s) Giorgio Moroder – who, in April, celebrated his 70th birthday! – demonstrates what dance music is really all about: precision and professionalism, science and technology. Aww yeah. Shake that groove thing. Layers of interconnected, burbling synths, vocoders and cheesy falsetto harmonies, all backed by a solid disco beat? Just another day at the office for Giorgio Moroder.

  • Hot Chip: The Anti-Anti-Boy Band

    The guys in Hot Chip are only too aware that they are not high-school locker pin-up material. But that has never stopped the quintet of English synth-nerds from fancying themselves as the kinds of cheek-boned pop idols guys like me followed avidly in the pages of Smash Hits 25 years ago. Over the last 10 years, they’ve become indie darlings while perfecting a dance pop sound that, for hipsters, comes dangerously (and for me, deliciously) close to something you might hear on Top 40 radio with their fantastic latest album One Life Stand.

    In the hilariously confounding video for the album’s second single “I Feel Better”, an alluring Auto-tune seduction over skipping beats and syncopated synth-strings, the guys play on the notion that they sound like Top 40 but aren’t by portraying themselves as Britain’s Next Boy Band. Six-pack abs and blank supermodel eyes abound! In fact, the parody is so dead-on that it actually fools one of the video’s commenters (“Don’t like boy bands, that said I think English ones are Much better than American ones.”). Those who actually know Hot Chip know immediately it’s a joke, but then the video turns on itself and the joke gets weirdly violent. Only then the video turns on itself again. And gets weirdly violent again.

    Maybe the band is making fun of boy bands, or maybe they’re paying tribute to their own Inner Boy Band, or maybe the band is just video-game laser-zapping the notion that there’s any meaningful distinction to be made between the pop of Hot Chip and the pop of, say, Taio Cruz. And if there is a meaningful distinction to be made there, we need to be ready to see that distinction erased. Interestingly enough, the video implicates, and destroys, not just “Hot Chip” (the boy band), and “Hot Chip” (the resurrected boy band with new lead singer), but also the audience for both (including the real life Hot Chip, who get zapped around 3:25), which is obliterated with the cold efficiency of War of the Worlds martians.


    Hot Chip – I Feel Better
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  • Infatueighties #60: “Situation”

    yazWas I the only person who thought that the vocalist in this song was a guy. I remember hearing “Situation” on some decade-ending Top 100 countdown in ’89 or ’90 and saying “wow, that guy says ‘he is my lover’. That’s pretty ballsy for a song from 1982.” Hell, it would be ballsy for a song today. Imagine my amazement when it turned out that the full, deep voice of the singer turned out to be that of Alison Moyet, who is definitely a woman. A whole lot of woman, too. Regardless of the singer’s sex, “Situation” harkens back to the days when dance music was as interesting to listen to for the songwriting as it was for the beat. Moyet and partner Vince Clarke (of Depeche Mode and then Erasure) were a team that should have lasted way more than two albums (although I keep reading that they disliked one another) and this song should be all the reason you need to agree. Match Clarke’s synthesizer wizardry with Moyet’s vocal pyrotechnics and you’ve got a clear winner. Hopefully their well-received reunion this past year means more music is in the pipeline for Yaz. And can you imagine an album featuring the vocals of both Moyet AND Andy Bell? There would be some serious singin’ goin’ on there (not to mention the fact that every gay person over the age of 30 would run out for a copy).

    Alison still has it, as this live clip attests to.